Skip to main content

The Crow (2024)

 

The Crow is a reboot of the 1994 film of the same name and based on the comic The Crow by Caliber Comics.

Directed by Rupert Sanders, the same person who brought you the Ghost in the Shell and Foundation adaptations. He also did the Kristen Stewart - Snow White and the Huntsman. This falls in line with those other films in terms of direction but editing-wise there is a bit of a pacing issue that shouldn't exist for a director with his record.
 
Bill Skarsgård plays the main character Eric who is in love with FKA twigs's character Shelly. Their love is mostly believable although twigs acting starts off rocky but gets better as the film goes on. I would have re-shot most of the beginning scenes since she clearly improved as the shoots went on.

Type-cast supervillain Danny Huston plays, surprise-surprise the villain. He's cold and has a face you want to punch. He'll keep getting work since he does such a good job in this role. I'm sure he's a wonderful person in real life. 

My expectations were super low and it was better than expected. This supernatural emo John Wick is not good, it's just okay. Result: C+

Comments

Popular posts from this blog

Americana (2025)

Americana (2025) is written and directed by Tony Tost , best known for his work on Longmire . His approach here focuses more on character work than plot, with the script itself being serviceable but not remarkable. Still, it provides a strong platform for the cast to showcase their abilities. Sydney Sweeney delivers an impressive performance as a waitress with a stutter, bringing nuance and empathy to a role that could have easily felt one-note. It’s one of her more grounded performances and a highlight of the film. You'll remember Syd from her American Eagle commercial. Halsey is nearly unrecognizable in her role, playing with a fierceness that stands out and proves her versatility outside of music. Her presence commands attention whenever she’s on screen. I was first introduced to her from MGK 's music video Forget Me Too. Eric Dane takes on a villain role and succeeds at being thoroughly hate-able, leaning into his darker side effectively. His work gives the film muc...

Five Nights at Freddy's (2023)

  Five Nights at Freddy's is an adaptation of a children's horror video game.  With a relatively unknown director, Emma Tammi , the film relies on its source material,  Scott Cawthon, and creative liberties, Seth Cuddeback . There was some poor dialogue in some of the character-building and exposition scenes but the film allows you to suspend your disbelief.  Josh Hutcherson plays Mike the main character who's just trying to take care of his sister played by Piper Rubio . You might remember Josh from The Hunger Games  as Peeta. He tries to carry the movie and does a mediocre job in doing so. He's still a one-note-Andy. He does have a sort of unspoken romance with Elizabeth Lail's character. Elizabeth has this sort of look that Mackenzie Davis really pioneered and a first I thought she was mimicking her. She does tend to over-act a tad but that might be due to her TV background and inexperienced director.  The CG was good, didn't see anything outstanding th...

I Know What You Did Last Summer (2025)

I Know What You Did Last Summer (2025) is a modern reboot that struggles under the weight of its own messaging. Written and directed by Jennifer Kaytin Robinson , known for Do Revenge and co-writing Thor: Love and Thunder ,  the script leans heavily into a feminist slant that often feels forced and out of sync with the slasher tone. Instead of enhancing the story, it undercuts tension with cringeworthy  dialogue and awkward character beats. Madelyn Cline , seen in Outer Banks and Glass Onion , is easily the film’s highlight. She delivers the most natural performance, blending beauty with presence, and does her best to anchor a shaky narrative. Unfortunately, the material rarely rises to meet her. Tyriq Withers , who appears in The Game and has the upcoming film Him. I'm quite excited to see how he does in that. He' s likable and shows promise. His role is disappointingly small, sidelined by Robinson’s writing choices. He deserved more screen time and depth, as his chari...