Movies, Film, and Chili

Sleepwalker is a horror thriller written and directed by Brandon Auman , who quickly reminds us why his career has primarily been in television rather than feature films. Writing for children's television can sometimes get away with simplistic dialogue and storytelling, but those weaknesses become glaring when stretched into a feature-length horror movie. The screenplay is filled with clunky dialogue and predictable horror beats, while the jump scares rarely land. Instead of creating tension, the film repeatedly left me sighing in boredom. Hayden Panettiere delivers a strong performance despite the material she's been given. It's clear that many of her lines weren't written with much care, but she does what she can to make the character feel believable. Knowing this is her final film makes the performance bittersweet, especially because she deserved a much better script to go out on. Fortunately, her performance here doesn't diminish the work she's done in bet...

Lanterns is one of the few television shows I've felt compelled to review because I'm a big fan of Green Lantern , particularly Kyle Rayner and John Stewart . While the story focuses somewhat more on Hal Jordan , I'm glad we get a solid actor playing John. The first episode does a good job establishing that John is still green and new to the situation, pun intended. The show has a solid foundation, although its interpretation of the Green Lantern characters isn't always what I would have preferred. Aaron Pierre immediately makes an impression as John Stewart . I had never seen him in anything before this, but his presence is undeniable, and his chemistry with Kyle Chandler is one of the show's strongest elements. Their banter is entertaining and gives the relationship some much-needed energy. John being inexperienced works well for the first episode, but I'm hoping the character develops into the confident leader he becomes in the comics. Kyle Chandler play...

The End of Oak Street starts with Anne Hathaway immediately establishing herself as the film's strongest performer, especially when compared to the wooden performance from Ewan McGregor . The premise of a writer struggling with an unsupportive spouse hits close to home for me. The split-focus direction from David Robert Mitchell isn't particularly new or uniquely executed. Instead, it often feels disorienting without accomplishing what I assume was the intention. Mitchell also struggles with the screenplay, as the dialogue can be atrocious at times and boring the rest of the time. This isn't his first failed attempt at writing interesting characters, which makes it understandable why he hasn't written or directed anything in eight years. Anne Hathaway is easily the best part of the film. She brings enough personality and emotional weight to keep the movie watchable despite the material surrounding her. Unfortunately, even Hathaway can't carry the entire film. Ew...

Paw Patrol: The Dino Movie is another cookie-cutter entry in the Paw Patrol franchise, so there isn't much to say about the story itself. This time, the focus is on Marshall, the team's resident firefighter, or perhaps "firedog" in this case. The movie is wholesome and delivers exactly what you'd expect from a Paw Patrol film, even if it doesn't do much to distinguish itself from the previous entries. Mckenna Grace voices Skye, although you would never know it from the performance. Her voice is so normal for the character that Grace's usual presence is virtually unrecognizable. Terry Crews , on the other hand, voices Alistair Stonewall, and you can definitely tell it's him. His recognizable voice and personality come through clearly and make the character more memorable. Snoop Dogg also makes a fun cameo as Dave, the owner of a yacht who enjoys fishing. It's a small role, but his recognizable voice and personality make it a welcome surprise. T...

Agent Zero is an attempt to deliver a female-led espionage action thriller, but unfortunately it comes across as boring and intentionally slow in an effort to make the action sequences feel more impactful. The problem is that the action is so poorly delivered that none of the payoff feels rewarding. Guillaume de Fontenay does a good job framing his scenes, but everything has the appearance of a first take, lacking the polish and energy needed to make the slower pacing work. The film spends so much time building toward its action that when it finally arrives, it rarely feels worth the wait. Marine Vacth plays her own version of Salt or Jason Bourne , portraying a highly capable operative who maintains a consistently quiet demeanor. Unfortunately, the character's attitude comes across as bitter rather than cool or mysterious. Vacth commits to the role, but the performance is restrained to the point of becoming monotonous, making it difficult to connect with the character or care ...

Ice Cream Man is written and directed by Eli Roth , and while there is a decent story underneath everything, the execution leaves a lot to be desired. The film does have a twist ending, although it's one most viewers will probably see coming well in advance. The biggest problem is the CGI, which is frequently distracting and looks noticeably cheap. Roth has even acknowledged using ai to help "bring his vision for the film to life," and unfortunately, that decision is difficult to ignore when looking at the finished product. There are so many strange creative choices throughout the movie that I repeatedly found myself wondering what the writers were thinking. Charlie Zeltzer is tasked with carrying much of the film as one of the few children who manages to avoid being captured by the Ice Cream Man. He does a respectable job considering how much responsibility is placed on him, and he provides much of the emotional center of the story. It's not an easy role for a youn...