Motor City is directed by Potsy Ponciroli and is a film that relies almost entirely on visual storytelling. With what feels like no more than six lines of dialogue throughout its runtime, Ponciroli places the burden on his direction and the performances to carry the narrative. He succeeds more often than not, using framing, pacing, and silence to build tension instead of exposition. The result is a revenge thriller that feels heavily inspired by Drive , directed by Nicolas Winding Refn , though it never quite reaches the same level of style or emotional resonance. Even so, paying homage to one of the best neo-noir films of the last two decades is hardly a bad thing. Also, it has an amazing elevator scene similar to the one in Drive . Alan Ritchson , known for Reacher and The Ministry of Ungentlemanly Warfare , plays a man who has been wrongfully accused and embarks on a relentless quest for vengeance. It's a role that perfectly suits his imposing physical presence, and he prove...
Pinocchio: Unstrung is written and directed by Rhys Frake-Waterfield , the filmmaker behind Winnie-the-Pooh: Blood and Honey and its sequel. In terms of overall quality, this lands squarely between those two films. The direction is competent enough to keep the story moving, but it never rises above the low-budget slasher formula the filmmaker has become known for. The screenplay offers a few interesting ideas by reimagining the classic fairy tale as horror, yet it never fully commits to expanding the concept beyond its premise. While there are moments of creativity, the film is ultimately held back by uneven storytelling and inconsistent execution. Richard Brake , known for 31 and Barbarian , plays a dark interpretation of Geppetto and gives the film its strongest performance. It would have been easy for the role to become overly theatrical or cartoonish, but Brake keeps his performance restrained and unsettling instead. His quiet menace makes the character feel believable within th...