Movies, Film, and Chili

I Swear is directed by Kirk Jones , known for Waking Ned Devine and What to Expect When You're Expecting , and leans fully into heartfelt storytelling. The film focuses on emotional connection and sincerity, building its narrative around relationships rather than spectacle. It is a well-made film that knows exactly what it wants to be, delivering moments that feel genuine without becoming overly sentimental. Robert Aramayo , known for The Lord of the Rings: The Rings of Power and Game of Thrones , carries the film with a grounded and sincere performance. He brings a quiet intensity to the role, making the emotional beats land in a natural way. His portrayal feels authentic, which helps the film connect on a deeper level and keeps the audience invested throughout. Overall, I Swear is a touching and effective film that succeeds in delivering real emotion. It resonates in a way that lingers after the credits, balancing its heart with strong execution. I Swear is the kind of mov...

Hokum is written and directed by Damian Mc Carthy , known for Oddity , and continues his focus on atmospheric, slow-building horror. The film leans heavily into unease and isolation, crafting a setting that feels both grounded and unsettling. McCarthy shows a clear confidence in tone, allowing the horror to develop naturally rather than relying on constant shocks. The result is a film that delivers on both terror and atmosphere, even if it takes its time getting there. Adam Scott , known for Parks and Recreation and Step Brothers , plays a writer who is intentionally difficult to like for much of the film. His character comes across as abrasive early on, which creates a bit of distance between him and the audience. However, as the story unfolds, the writing shifts that perception, giving him more depth and making it easier to root for him as things spiral. Scott handles that transition well, gradually pulling the audience back onto his side. David Wilmot , known for Fantastic Beast...

The Devil Wears Prada 2 is written by Aline Brosh McKenna , known for The Devil Wears Prada and Cruella , and continues the story with a noticeably different tone. The film leans heavily into a more modern studio approach, with its themes and messaging pushed front and center. Structurally, it falls into a repetitive pattern of “problem, solution, move on,” creating a chain of predictable moments that feel more like checkpoints than a natural progression. The result is a story that lacks subtlety and rarely trusts the audience to engage without being guided at every turn. Meryl Streep , known for The Iron Lady and Kramer vs. Kramer , returns as Miranda Priestly and once again delivers a commanding performance. She slips back into the role effortlessly, bringing the same sharp presence and control that defined the original. Even when the material around her falters, she remains consistently engaging and reminds you why the character worked so well to begin with. Anne Hathaway , kno...

Michael is directed by Antoine Fuqua , known for Training Day and The Equalizer 2 , and this film clearly carries his stylistic fingerprints. It aims to capture the life and legacy of Michael Jackson through a more personal lens, balancing spectacle with intimate character moments. While Fuqua brings a strong visual identity and some powerful sequences, the film struggles with pacing. The editing feels bloated at times, with certain stretches lingering longer than they should, which disrupts the overall flow. Jaafar Jackson , making his debut and known primarily for being the nephew of Michael Jackson , takes on the monumental task of portraying his late uncle. He does an impressive job embodying both the physicality and presence, capturing the voice, movement, and charisma in a way that feels authentic rather than imitative. It is a performance that carries the film and makes it easy to stay invested even when the structure falters. Colman Domingo , known for Rustin and Euphoria...

Lee Cronin's The Mummy is directed by surprise-surprise  Lee Cronin , best known for Evil Dead Rise , and his style is immediately recognizable. The film plays less like a traditional Mummy story and more like a modern possession horror with a different skin. It often feels like a “what if Evil Dead involved a mummy,” leaning heavily into familiar genre beats rather than carving out something distinct. The tone prioritizes intensity and shock, with a focus on gore over sustained dread, which keeps it engaging in moments but limits its ability to build true horror. Jack Reynor , known for Midsommar and Sing Street , plays the father figure at the center of the chaos. His performance is solid and grounded, fitting well within the expectations of the genre. He brings a level of sincerity that helps anchor the film, even as the story follows a fairly predictable path. His arc plays out in a way that will feel familiar to anyone who has seen possession films like The Exorcist , but ...

Exit 8 is directed by Genki Kawamura , who is best known as the producer of Your Name. , though his work as a director may be less familiar. The film leans into a minimalist premise, building tension through repetition and unease rather than large set pieces. It succeeds in creating an atmosphere that keeps you alert, with a structure that slowly reveals its rules and stakes. While the story ultimately comes together in a satisfying way, the journey there can feel a bit too restrained to stay consistently engaging. Kazunari Ninomiya , known for Gantz and Letters from Iwo Jima , carries much of the film on his own. His performance fits the tone well, grounded and reactive in a way that matches the film’s quiet tension. He does a solid job making small moments feel important, though the script doesn’t always give him enough variety to fully showcase his range. Still, he keeps the film watchable even when the pacing slows. Overall, Exit 8 is a well-constructed film that nails its ten...