Tuner is written and directed by Daniel Roher and centers around a piano tuner who becomes involved in cracking safes, balancing his growing criminal life with his personal relationships. The film has a very specific tone that will not work for everyone, but it knows exactly what audience it is aiming for. Roher keeps the story grounded and character-focused, allowing the tension to come more from personal choices and atmosphere than from explosive action. It moves at a deliberate pace, which may lose some viewers, but those willing to settle into its rhythm will likely appreciate what it is doing. Leo Woodall , known for The White Lotus and One Day , plays the lead role and does a strong job carrying the film. He balances the nervousness and charm of the character well, making the transition between ordinary working man and reluctant criminal believable. Woodall gives the film its emotional center and keeps the quieter moments engaging through sheer screen presence. Havana Rose L...
Passenger is directed by André Øvredal , known for The Autopsy of Jane Doe and Scary Stories to Tell in the Dark , with a script by Zachary Donohue and T.W. Burgess . The film centers around a demonic presence tied closely to the title itself, and when it focuses directly on the horror elements, it works surprisingly well. Øvredal still understands how to stage tension and build effective scares, but the material between those moments struggles to stay engaging. The pacing slows considerably whenever the horror steps aside, leaving the film feeling uneven overall. Jacob Scipio , known for Bad Boys for Life and Expend4bles , takes on the boyfriend role but never fully feels like someone the audience naturally roots for. Whether intentional or not, his screen presence lacks the vulnerability or charisma needed to carry the quieter sections of the film. He handles the horror scenes competently enough, but the emotional connection never really forms. Lou Llobell , known for Foundatio...