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The Uprising (2026)

The Uprising is written and directed by Paul Greengrass , and the film certainly looks the part. The costumes, dialogue, and scenery all do a great job of establishing the time period and making the world feel authentic. Unfortunately, the movie has a frustrating habit of taking scenes that could have been much shorter and dragging them out until you are simply waiting for something to happen. Andrew Garfield does a great job leading the film and proves he still has what it takes to carry a movie on his shoulders. His performance reminded me of his work in Silence and Hacksaw Ridge , where he is able to bring a lot of emotional weight to a character without completely overplaying it. The problem is that the movie occasionally focuses on minor characters who do not have the same level of delivery. When the camera stays on them for too long, the cracks in the dialogue and performances become much more obvious. Jamie Bell , who you may remember from Jumper , does a decent job as a supp...
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Colony (2026)

Colony is written and directed by Yeon Sang-ho , the director behind the cult classic Train to Busan . While Train to Busan has become the more celebrated film, Colony shows how much Yeon has improved as both a writer and a director. The story is stronger, the filmmaking feels more confident, and the way he builds the world gives the movie more substance than I expected going in. Jun Ji-hyun is the clear standout of the cast. She does a fantastic job conveying emotion through subtle movements and expressions rather than relying on exaggerated acting. That is not surprising considering she is one of South Korea's best actresses, but she still manages to make the character feel grounded and believable. She carries much of the emotional weight of the film. I did not recognize many of the other actors, and unfortunately, none of them really stood out enough to make much of an impression. That is not necessarily a knock against the cast as much as it is a testament to how much Jun ...

Verity (2026)

Verity was a surprise for me. Normally, the authors who turn their books into movies that I actually enjoy are Stephen King or Michael Crichton , but Colleen Hoover has been doing surprisingly well with the last four movies adaptations from her work. One thing I appreciate about her writing is that she knows how to write male characters who aren't weak or simply there to be punching bags for feminist talking points. That alone makes the characters feel more believable and gives the story a better balance. Dakota Johnson plays an up and coming writer who is brought in to ghostwrite for Anne Hathaway's character. This is easily Johnson's best performance yet. She does a good job carrying the movie and making the character's uncertainty and curiosity believable as the mystery around the house starts to unfold. Anne Hathaway does not have a huge amount to do because of her character's condition, but whenever she is actually on screen, she brings the energy you wo...

Digger (2026)

Digger is directed by Alejandro G. Iñárritu and stars Tom Cruise as Digger Rockwell. Much like his name, there is a lot of symbolism and meaning packed into the film, along with plenty of references that brought a smile to my face. I went into this expecting it to be pretentious or outright bad because that was the prevailing opinion online before general audiences had even had a chance to see it. Anyone calling this movie pretentious clearly has not seen The Death of Robin Hood or Die My Love . Die My Love was so pretentious that my wife actually begged me to leave the theater, and I had to finish it another day. Digger , on the other hand, actually understands the difference between being ambitious and simply being self-important. Tom Cruise is great as Digger Rockwell, giving the character exactly the kind of larger-than-life personality the movie needs. There is so much going on beneath the surface that I found myself constantly looking for the symbolism and references hidden...

Heart of the Beast (2026)

Heart of the Beast is a dog movie that feels like it is trying very hard to make you cry. Brad Pitt spends most of the film channeling his inner Leonardo DiCaprio from The Revenant , playing a man struggling to make his way home through increasingly difficult circumstances. The problem is that the movie keeps pulling on the heartstrings so aggressively that it becomes obvious what emotion it wants from the audience. By the end, I was less emotionally invested and more ready for the movie to be over. Brad Pitt carries the entire film on his back, which is both its biggest strength and its biggest problem. He does a decent job with the material, but there is only so much he can do when the movie keeps pushing the emotional beats so hard. His performance is what keeps the film watchable, but it also makes it obvious how little there is around him. J.K. Simmons is technically in the movie, but only briefly. It is one of those appearances where you see a recognizable actor in the cast a...

The Stunt Driver (2026)

The Stunt Driver feels more like a passion project than a comedy or even a drama. There is enough here to get me into the theater, but not enough to keep me from checking the time during its 99-minute runtime. Even at that length, the movie feels like it is constantly waiting for the big jump to happen instead of actually giving us something interesting along the way. Writer/director Michael Dowse is clearly a Canadian patriot, but he needs to remember that most of his audience isn't Canadian. There is nothing wrong with being proud of where you come from, but the movie spends so much time leaning into that pride that it becomes difficult for anyone outside of Canada to connect with it. Goon worked because it had a much better script. The Stunt Driver needed to be written by someone who actually understands comedy and knows how to build jokes around the characters instead of simply expecting the premise to carry the movie. Jay Baruchel does a decent job in the lead, but he isn...

Buzzkill (2026)

Buzzkill is a slasher that suffers from overacting, cringe dialogue, and characters who are almost impossible to take seriously. The first victim is supposed to be college-aged, but the actress looks like she is clearly in her thirties, which makes the setup immediately distracting. The movie also constantly makes references that feel like even the actors have no idea what they are actually talking about. It gives the impression that the writers wanted the characters to sound clever without bothering to make their dialogue feel natural. Siena Agudong gives off obvious final girl vibes, and she has the presence to carry that role. The problem is her character is so annoying that it becomes difficult to understand why everyone around her treats her with such reverence. The movie seems determined to convince us that this character is far more likable and important than her actual personality suggests, which makes the character development feel completely backwards. The writing also ends...