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The Death of Robin Hood (2026)


The Death of Robin Hood is written and directed by Michael Sarnoski, who first gained attention with Pig before moving into larger productions with A Quiet Place: Day One. This film feels like his most overtly artistic work to date, trading adventure and action for atmosphere and reflection. The movie is visually impressive and often succeeds at creating a somber, almost dreamlike mood, but its deliberate pacing becomes difficult to ignore its two-hour and three-minute runtime. Scenes linger, conversations stretch, and the story frequently feels more interested in mood than momentum.

Hugh Jackman, known for Logan and The Prestige, takes on the role of an aging Robin Hood and delivers a committed performance. He carries the emotional burden of the film well, portraying a man wrestling with regret, legacy, and mortality. Jackman has the screen presence to make even the slower moments engaging, although the script occasionally asks him to carry more weight than the story itself can support.

Jodie Comer, known for Killing Eve and The Last Duel, gives one of the strongest performances in the film. She brings warmth and emotional depth to her character, providing some of the movie's most compelling moments. Whenever the story shifts toward her, the film feels more grounded and emotionally engaging.

Bill Skarsgård, known for It and Nosferatu, unfortunately feels underused. The film hints at a more substantial role for him, but he spends much of the runtime on the periphery. Given his ability to create memorable and unsettling characters, it feels like a missed opportunity to not give him more to do.

The ending is well written in terms of its themes and intentions, but it may prove challenging for audiences looking for a more satisfying or emotionally rewarding conclusion. Sarnoski clearly knows what he wants to say, but the destination may not resonate with everyone after such a slow and meditative journey.

Overall, The Death of Robin Hood is an atmospheric and ambitious reinterpretation of the legendary character, but its pacing and artistic ambitions often work against its entertainment value. Strong performances from Hugh Jackman and Jodie Comer help keep the film afloat, though the underuse of Bill Skarsgård and the drawn-out runtime make it difficult to fully embrace. The Death of Robin Hood is admirable in its intentions, even if it struggles to hold the audience's attention. Result: C

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