Skip to main content

Spider-Man: Brand New Day (2026)


Spider-Man: Brand New Day
is directed by Destin Daniel Cretton, the filmmaker behind Shang-Chi and the Legend of the Ten Rings, and he brings a welcome sense of energy and confidence to the latest chapter in Spider-Man's story. Cretton keeps the pacing brisk and knows exactly when to indulge in fan service without letting it completely overshadow the story. There are enough crowd-pleasing moments that longtime fans will likely leave satisfied, even if the film falls just short of true greatness.

Tom Holland, known for The Impossible and Spider-Man: No Way Home, gives what I consider to be his strongest performance as Peter Parker. I'm usually critical of his acting, but here he shows far more emotional range and confidence than in his previous appearances. Zendaya, known for Dune and Challengers, also delivers one of her best performances to date. Which if you know me, that is a considerable statement. The chemistry between the two feels more natural than ever, and both actors elevate material that might not have worked as well in earlier films.

Sadie Sink, known for Stranger Things and The Whale, is another standout, delivering a performance that surpasses her work in Stranger Things. Jon Bernthal, known for The Punisher and The Odyssey, steals nearly every scene he's in with impeccable comedic timing and undeniable charisma, proving once again how versatile he can be. Mark Ruffalo, known for Spotlight and the Avengers films, has a serviceable role but never leaves much of an impression. The weakest performances belong to Liza Colón-Zayas, known for The Bear, and Tramell Tillman, known for Severance. Since discussing one of those roles would venture into spoiler territory, I'll simply say that both performances felt unusually subdued and lacked the presence needed to make their characters memorable.

Overall, Spider-Man: Brand New Day is one of the stronger entries in Tom Holland's run as the web-slinger. While it doesn't quite achieve greatness, Destin Daniel Cretton delivers an enjoyable superhero film filled with exciting moments, improved performances from its leads, and enough fan service to keep audiences invested. It may not redefine the character, but it's an easy recommendation for both Spider-Man fans and general moviegoers. Result: A-

Comments

Popular posts from this blog

Hope (2026)

Hope is directed by Na Hong-jin , the same director who brought us The Wailing , and it has a similarly interesting approach to suspense. The story itself is intriguing, but the editing desperately needed some work. The pacing can be all over the place, which makes some sections feel much longer than they need to be. The comedy also comes completely out of nowhere, considering most of the movie is built around suspense and action. Some of it works, but the tonal shifts can be pretty jarring. Hwang Jung-min's character has the best arc in the movie. His character actually changes throughout the story, and watching that progression is one of the film's strongest elements. Ho-yeon's character, she was in Squid Game, on the other hand, is great from the beginning and doesn't really have much growth. That isn't necessarily a bad thing, but it makes the contrast between the two characters' arcs pretty noticeable. Zo In-sung, known from Netflix show  It's Okay,...

Buddy (2026)

Buddy is written and directed by Casper Kelly , who is better known as an Adult Swim writer. That probably explains why this type of film is right up his alley. The movie tries to be funny, but it tries way too hard. At the same time, it tries to be a horror movie but doesn't try nearly hard enough. It feels like the whole premise is being pushed to its extreme primarily to create something that could go viral rather than because the story actually has anywhere meaningful to go. Cristin Milioti is the main actress in the film, and while she's definitely charismatic, her performance feels a bit overdramatic at times. The child actors are all fine with one exception, although none of them really stand out enough to make much of an impression. Topher Grace is another example of the horrible male characters we've gotten in a long line of that particular trope throughout the 2020s. I can't wait to see what comes next in that line of writing. At this point, it's almos...

Onslaught (2026)

Onslaught is a grindhouse action/horror movie, and I had no idea it was going to turn into a slasher until about five minutes in. Adam Wingard , a V/H/S alumni, writes and directs, and while the action can be pretty good at times, it's also flawed in some pretty obvious ways. The biggest problem is the plot armor given to the heroine. Why can these super soldiers hit everyone else just fine, but suddenly can't hit her? It makes some of the action feel less exciting when you know the movie is going to bend the rules to keep her alive. Adria Arjona spends the majority of the movie dressed like she's headed to Walmart, but somehow she doesn't look bad. Few people could probably pull off an outfit like that and still make it work. She does a decent job in the role, even if the character is clearly protected by the script whenever the action gets going. Dan Stevens has a great cameo, and Reginald VelJohnson brings his classic acting chops to the movie. Drew Starkey pla...