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Christy (2025)


Christy (2025) is directed by David Michôd, known for The King and Animal Kingdom, and written by Mirrah Foulkes, who penned Judy & Punch. While both bring a grounded and deliberate tone to the film, there’s something missing in the pacing and camera. The direction is competent but occasionally flat, leaving certain moments feeling less impactful than they should. Still, the story holds strong thanks to the performances.

Sydney Sweeney, known for Euphoria, Anyone But You, and Madame Web, delivers one of her most mature and layered performances to date. She brings intensity, fragility, and conviction to the title role, proving she’s more than capable of carrying a serious dramatic film. Her emotional control and subtlety make the story believable, even when the writing wavers.

Ben Foster, whose work in Hell or High Water and Pandorum has always stood out, once again shows why he’s one of the most underrated actors working today. His character is despicable, yet Foster plays him with such authenticity that you can’t look away. He embodies the kind of villain you hate for all the right reasons, giving the film much of its tension and grit.

Despite some flaws in direction and writing, Christy succeeds as a performance-driven drama. The strength of Sweeney and Foster’s work makes up for its uneven storytelling, turning it into a compelling character study that lingers after the credits roll. Result: A-

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