Skip to main content

No Other Choice (2025)


No Other Choice (2025)
is directed by Park Chan-wook, the filmmaker behind Oldboy and Snowpiercer. His signature style is all over this film, with moments of completely bizarre dialogue and acting choices that feel intentional rather than accidental. While it doesn’t reach the heights of his most celebrated work, it’s still unmistakably his, strange, uncomfortable, and darkly humorous. I still need to see The Handmaiden, which many consider his best film, and this only reinforced that curiosity.

Lee Byung-hun, who many Western audiences may remember from G.I. Joe: The Rise of Cobra and KPop Demon Hunters, plays the lead role as a desperate father trying to secure a job. His character’s decision to literally eliminate the competition is where the film fully leans into its absurdity. I barely recognized him at first, which speaks to how fully he disappears into the role. His performance walks a fine line between grounded desperation and unhinged logic.

Son Ye-jin, known for The Classic and A Moment to Remember, is excellent as the expecting wife. She brings warmth and emotional stability to an otherwise unbalanced world, grounding the film whenever it threatens to spiral too far into chaos. She’s also undeniably easy on the eyes, which only adds to her screen presence.

Yeom Hye-ran, recognized for The Glory and When the Camellia Blooms, delivers some standout moments, especially in one particular scene I won’t spoil. Her performance is unexpected, sharp, and unforgettable, contributing heavily to the film’s bonkers reputation.

The movie is strange, memorable, and uneven in a way that somehow works. It may not be for everyone, but it sticks with you long after it ends. Result: B+

Comments

Popular posts from this blog

Psycho Killer (2026)

Psycho Killer (2026) is a religious-tinged detective thriller that leans far more into procedural tension than outright horror. Directed by Gavin Polone , who is better known as a producer than a filmmaker, the movie benefits heavily from its screenplay by Andrew Kevin Walker , the writer behind Se7en . His fingerprints are all over this. The writing is sharp, layered with foreshadowing that only fully clicks at the end, and structured in a way that constantly feels like it is building toward something inevitable. The gorgeous  Georgina Campbell plays the detective tracking down the titular killer, and she carries the film with confidence. You'll remember her from Barbarian and recently Cold Storage.  The script gives her plenty of emotional range to explore, from controlled professionalism to visible cracks under pressure. She handles the lore-heavy exposition well and grounds what could have been overwhelming backstory. It is another strong showing for her and proof she c...

Cold Storage (2026)

Cold Storage (2026) is a sci fi horror thriller that surprised me in a good way. The writing is solid enough that it actually calmed some of my worries about Disclosure Day coming later this year since the same writer is involved. The story holds together and stays engaging, even when the visuals do not. The CG is laughably bad at times, but the acting/chemistry keeps the movie watchable. Jonny Campbell directs, with the screenplay by David Koepp , known for Jurassic Park and Spider-Man . His writing here is tighter than expected, which is why it gives me more confidence about Disclosure Day. The direction is straightforward and lets the script do most of the work, even if the effects budget clearly limits what can be shown on screen. He needs a redemption after  Indiana Jones and the Crystal Skull. Joe Keery , known for Stranger Things and Free Guy , is the main reason I showed up. He proves he can handle a leading role after Stranger Things and carries the film with a relax...

Crime 101 (2026)

Crime 101 (2026) is a crime thriller that checks the basic boxes of what should work, but the writing never tightens enough to make it compelling. It hits familiar beats, runs longer than it should, and never quite earns its tension. It feels like a good movie outline stretched into a full runtime. Bart Layton , known for American Animals and The Imposter , directs, and his uneven filmography shows here. The structure is serviceable, but the pacing drags and the scenes lack urgency. The direction is competent without being memorable, and the film never finds a sharp identity. Chris Hemsworth , known for Thor and Extraction , plays the reclusive criminal at the center of the story. He tries to lean into a quieter, more internal performance, but he does not fully sell the damaged foster child mentality the script is aiming for. The performance feels like an attempt rather than a transformation. Mark Ruffalo , recognized for Spotlight and The Avengers , feels like he is on autopilo...