Avatar: Fire and Ash (2025)

Avatar: Fire and Ash is the third film in the James Cameron sci-fi epic.

What can be said about Christopher Nolan can be said about James Cameron, except Cameron makes billions of dollars while Nolan makes hundreds of millions. Oppenheimer came close though. Generation Z will not understand how impactful Titanic was but so many of them understand and went to see the first Avatar.

Sam Worthington and Zoe Saldaña return as the king and queen warlords of the Na'vi. This time they got whales and squids on their side. That might sound an awful lot like the second movie and you'd be right. This film adds more to the lore but pretty much tells the same story.

Oona Chaplin, of Game of Throne fame, is on fire as Varang. She's beautiful and joker level crazy with her pyromania. Her existence is really just to sell the dichotomy of this film and the second, but she was still enthralling never the less. Also the soap opera love between her and the main villain, Quaritch, is actually engaging.

I'm not sure if the film will break records after the second one's reception but it does tone down the boring scenes. There are still scenes I would have cut but I see why he left them in. Also, Zoe's character get's a make-over and it's easy on the eyes. If you're a fan you'll love it. If you haven't seen the others, you'll be lost. Result: B+

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Star Wars: The Mandalorian and Grogu (2026)

Star Wars: The Mandalorian and Grogu is directed by Jon Favreau , known for Iron Man and Chef , with much of the story influence clearly coming from Dave Filoni , known for Star Wars: The Clone Wars and Ahsoka . Unfortunately, the film falls into the same “and then” style of storytelling that hurts many modern franchise films, where scenes feel stitched together without enough meaningful progression. Entire stretches of the movie, particularly long sequences involving Grogu wandering through a forest, feel padded and lacking purpose. Instead of building momentum, the film drifts from moment to moment without ever creating a compelling central narrative. Pedro Pascal , known for The Last of Us and Narcos , once again plays the Mandalorian, though his presence feels strangely limited. It is difficult not to notice how often the character appears disconnected physically and vocally, giving the impression that Pascal himself may not have been involved in large portions of the performa...

In the Grey (2026)

In the Grey is written and directed by Guy Ritchie , known for Snatch and The Gentlemen , and the film carries all the style and personality audiences expect from him. The dialogue is sharp, the pacing is confident, and the story constantly moves with a sense of swagger that keeps it entertaining throughout. Ritchie once again proves he knows how to make even familiar action setups feel fresh through his direction and character work. Eiza González , known for Baby Driver and Ambulance , plays the beautiful and manipulative lawyer role perfectly. She brings confidence and charisma to every scene, balancing charm with danger in a way that fits naturally into Ritchie’s world. Beyond just looking the part, she fully commits to the character’s aggressive personality and ends up being one of the film’s strongest presences. Henry Cavill , known for Man of Steel and The Witcher , delivers another very likable performance. His natural charm works extremely well here, especially in the fil...

Lee Cronin's The Mummy (2026)

Lee Cronin's The Mummy is directed by surprise-surprise Lee Cronin , best known for Evil Dead Rise , and his style is immediately recognizable. The film plays less like a traditional Mummy story and more like a modern possession horror with a different skin. It often feels like a “what if Evil Dead involved a mummy,” leaning heavily into familiar genre beats rather than carving out something distinct. The tone prioritizes intensity and shock, with a focus on gore over sustained dread, which keeps it engaging in moments but limits its ability to build true horror. Jack Reynor , known for Midsommar and Sing Street , plays the father figure at the center of the chaos. His performance is solid and grounded, fitting well within the expectations of the genre. He brings a level of sincerity that helps anchor the film, even as the story follows a fairly predictable path. His arc plays out in a way that will feel familiar to anyone who has seen possession films like The Exorcist , but ...

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