How to Train Your Dragon (2025)

How to Train Your Dragon (2025) is directed by Dean DeBlois, who also wrote and directed the original animated trilogy as well as Lilo & Stitch. His return to the property ensures a faithful live-action adaptation that honors the tone and emotional core of the original. Visually, the film captures the bond between humans and dragons, with the exception of some controversial choices in casting presentation.

Mason Thames, best known for The Black Phone, gives his best performance yet as Hiccup. He brings a believable vulnerability and growth to the role, matching the spirit of the original character while adding more emotional nuance in live-action.

Nico Parker plays Astrid and is strong in the role, though the decision to light and style her to resemble a white Viking, despite her mixed heritage, has sparked justified conversation. Despite that, Parker's acting is solid, and she handles the action and emotional beats well. You might remember her from Dumbo.

Gerard Butler returns as Stoick the Vast and delivers his best performance since 300. He brings power and presence to the role, portraying a commanding yet deeply conflicted father. His chemistry with Thames strengthens the core of the story.

Nick Frost and Julian Dennison provide the comic relief as Gobber and Fishlegs, respectively. Their timing and energy help keep the tone light when needed and match the spirit of their animated counterparts. Frost you'll remember from Shaun of the Dead and Hot Fuzz. While Dennison you'll remember from Hunt for the Wilderpeople.

This remake doesn’t reinvent the franchise, but it doesn’t need to. It’s a loving adaptation that succeeds in casting, direction, and emotional depth, even if not without controversy. Result: B+

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Star Wars: The Mandalorian and Grogu (2026)

Star Wars: The Mandalorian and Grogu is directed by Jon Favreau , known for Iron Man and Chef , with much of the story influence clearly coming from Dave Filoni , known for Star Wars: The Clone Wars and Ahsoka . Unfortunately, the film falls into the same “and then” style of storytelling that hurts many modern franchise films, where scenes feel stitched together without enough meaningful progression. Entire stretches of the movie, particularly long sequences involving Grogu wandering through a forest, feel padded and lacking purpose. Instead of building momentum, the film drifts from moment to moment without ever creating a compelling central narrative. Pedro Pascal , known for The Last of Us and Narcos , once again plays the Mandalorian, though his presence feels strangely limited. It is difficult not to notice how often the character appears disconnected physically and vocally, giving the impression that Pascal himself may not have been involved in large portions of the performa...

In the Grey (2026)

In the Grey is written and directed by Guy Ritchie , known for Snatch and The Gentlemen , and the film carries all the style and personality audiences expect from him. The dialogue is sharp, the pacing is confident, and the story constantly moves with a sense of swagger that keeps it entertaining throughout. Ritchie once again proves he knows how to make even familiar action setups feel fresh through his direction and character work. Eiza González , known for Baby Driver and Ambulance , plays the beautiful and manipulative lawyer role perfectly. She brings confidence and charisma to every scene, balancing charm with danger in a way that fits naturally into Ritchie’s world. Beyond just looking the part, she fully commits to the character’s aggressive personality and ends up being one of the film’s strongest presences. Henry Cavill , known for Man of Steel and The Witcher , delivers another very likable performance. His natural charm works extremely well here, especially in the fil...

Lee Cronin's The Mummy (2026)

Lee Cronin's The Mummy is directed by surprise-surprise Lee Cronin , best known for Evil Dead Rise , and his style is immediately recognizable. The film plays less like a traditional Mummy story and more like a modern possession horror with a different skin. It often feels like a “what if Evil Dead involved a mummy,” leaning heavily into familiar genre beats rather than carving out something distinct. The tone prioritizes intensity and shock, with a focus on gore over sustained dread, which keeps it engaging in moments but limits its ability to build true horror. Jack Reynor , known for Midsommar and Sing Street , plays the father figure at the center of the chaos. His performance is solid and grounded, fitting well within the expectations of the genre. He brings a level of sincerity that helps anchor the film, even as the story follows a fairly predictable path. His arc plays out in a way that will feel familiar to anyone who has seen possession films like The Exorcist , but ...

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