Skip to main content

The Black Phone 2 (2025)



The Black Phone 2 (2025)
is written and directed by Scott Derrickson, the mind behind Sinister and the original The Black Phone. While Derrickson’s return should have elevated the sequel, the film instead leans too heavily on exposition, losing much of the dread and mystery that made the first entry so chilling. The scares feel explained rather than experienced, and the pacing suffers because of it.

Mason Thames, reprising his role from the original, delivers a respectable performance. Now older, he brings maturity to the character, though much of the fear and vulnerability that made him compelling in the first film is gone. His performance is serviceable but lacks the spark of discovery the story needs.

Ethan Hawke, known for Training Day and Dead Poets Society, returns as The Grabber. His presence still commands the screen, but his reduced role feels like a missed opportunity. The movie never finds a figure as haunting or magnetic as his portrayal in the original.

Madeleine McGraw returns and gives the film’s best performance. She’s expressive, emotionally grounded, and manages to convey genuine terror and resolve without ever feeling forced. Her acting keeps the story from falling apart completely.

Arianna Rivas, seen earlier this year in A Working Man, has a small but memorable part that adds texture to the story. She makes the most of limited screen time and stands out as one of the film’s surprises.

Ultimately, The Black Phone 2 fails to capture the unsettling tone of the original. Despite strong performances, especially from McGraw, Derrickson’s overreliance on explanation dulls the edge of what could have been another chilling, see what I did there, chapter. Result: C+

Comments

Popular posts from this blog

Roofman (2025)

Roofman (2025) is written and directed by Derek Cianfrance , known for co-writing Sound of Metal and directing The Place Beyond the Pines . While the story’s real-life basis limits the emotional depth and narrative creativity compared to his earlier work, Cianfrance still manages to build tension and authenticity through grounded character work and realistic pacing. The direction shows his skill in capturing human struggle, though it doesn’t reach the same heights as his past projects. Channing Tatum , who both produces and stars, delivers a solid performance. While it doesn’t demand the same emotional intensity as Foxcatcher or the boldness of Blink Twice , Tatum’s portrayal of the titular Roofman carries genuine effort and restraint. He manages to evoke empathy without leaning too heavily on dramatics, showing a maturity in his acting that’s commendable. Kirsten Dunst , known for Interview with a Vampire and Spider-Man , continues her streak of strong dramatic performances. She...

The Smashing Machine (2025)

The Smashing Machine (2025) is written and directed by Benny Safdie , better known for his work in front of the camera in films like Good Time and Oppenheimer . Safdie’s eye for gritty realism translates into this film, but the story suffers somewhat from being too loyal to its source material. The authenticity makes it a strong character study but keeps it from being as entertaining as other films in its genre. Dwayne “The Rock” Johnson delivers one of the most surprising performances of his career. Known for action-heavy roles in films like Fast Five and Black Adam , here he shows a range of emotions rarely seen in his past work. This is clearly his Oscar push, and it is likely he will receive at least a nomination for his work. Also from Oppenheimer,  Emily Blunt, plays the girlfriend character with frequent emotional swings. The volatility works for the role her performance brings depth and unpredictability to the film. I mentioned to my wife that everyone knows a gi...