Skip to main content

The Black Phone 2 (2025)



The Black Phone 2 (2025)
is written and directed by Scott Derrickson, the mind behind Sinister and the original The Black Phone. While Derrickson’s return should have elevated the sequel, the film instead leans too heavily on exposition, losing much of the dread and mystery that made the first entry so chilling. The scares feel explained rather than experienced, and the pacing suffers because of it.

Mason Thames, reprising his role from the original, delivers a respectable performance. Now older, he brings maturity to the character, though much of the fear and vulnerability that made him compelling in the first film is gone. His performance is serviceable but lacks the spark of discovery the story needs.

Ethan Hawke, known for Training Day and Dead Poets Society, returns as The Grabber. His presence still commands the screen, but his reduced role feels like a missed opportunity. The movie never finds a figure as haunting or magnetic as his portrayal in the original.

Madeleine McGraw returns and gives the film’s best performance. She’s expressive, emotionally grounded, and manages to convey genuine terror and resolve without ever feeling forced. Her acting keeps the story from falling apart completely.

Arianna Rivas, seen earlier this year in A Working Man, has a small but memorable part that adds texture to the story. She makes the most of limited screen time and stands out as one of the film’s surprises.

Ultimately, The Black Phone 2 fails to capture the unsettling tone of the original. Despite strong performances, especially from McGraw, Derrickson’s overreliance on explanation dulls the edge of what could have been another chilling, see what I did there, chapter. Result: C+

Comments

Popular posts from this blog

Mission: Impossible - Dead Reckoning Part One (2023)

Mission: Impossible - Dead Reckoning Part One  has a long name, long runtime, and long action sequences. Christopher McQuarrie  has directed Tom Cruise  in 4 out of his 5 directorial movies, the first being Jack Reacher . He has much more impressive writing credentials. But to talk about the direction of the movie, he knows how to direct action and chase scenes but when it comes to dialogue there were some issues I had with camera angles. I totally forgot that McQuarrie  had written The Usual Suspects,  which can explain some of the dialogue choices in this film. He knows how to write so that the audience remembers the characters' names, unlike Tony Gilroy . There's no connection there I just think that's one of my major criticisms of Gilroy. Tom Cruise looks like he's forty years old, but is actually sixty at the time of release. He has some great two-liners which seem to be more of his go-to, not only for adding emotions but for the trailer purpose. There are ...

Scream 7

Scream 7 (2026) marks the return of Kevin Williamson , the original writer of Scream , now stepping back in to write and direct. The result is a sequel that feels closer in spirit to the franchise’s roots. It balances meta commentary with straightforward slasher brutality and, for the most part, it works. Neve Campbell returns as Sidney Prescott and immediately grounds the film. Her presence alone gives the story weight, and the script wisely centers her instead of sidelining her. There are a few cameos from figures in Sidney’s past that longtime fans will appreciate, and while some feel more nostalgic than necessary, they never fully derail the pacing. Also, she's not past her prime. Isabel May , known for 1883 and Alexa & Katie , steps into a major role and holds her own as Sidney's daughter. She brings a modern energy without feeling like a forced replacement, and her dynamic with Campbell adds tension that feels organic rather than manufactured. The violence is tu...

Crime 101 (2026)

Crime 101 (2026) is a crime thriller that checks the basic boxes of what should work, but the writing never tightens enough to make it compelling. It hits familiar beats, runs longer than it should, and never quite earns its tension. It feels like a good movie outline stretched into a full runtime. Bart Layton , known for American Animals and The Imposter , directs, and his uneven filmography shows here. The structure is serviceable, but the pacing drags and the scenes lack urgency. The direction is competent without being memorable, and the film never finds a sharp identity. Chris Hemsworth , known for Thor and Extraction , plays the reclusive criminal at the center of the story. He tries to lean into a quieter, more internal performance, but he does not fully sell the damaged foster child mentality the script is aiming for. The performance feels like an attempt rather than a transformation. Mark Ruffalo , recognized for Spotlight and The Avengers , feels like he is on autopilo...