Skip to main content

The Creator (2023)


The Creator is a film that once again tries to warn the audience of the dangers of artificial intelligence.

Director, Gareth Edwards, seems to only write movies where it's a band of military folks, freedom fighters, or terrorists who against all odds get the job done see: Rogue One: A Star Wars Story, The Creator, and Monsters. 

John David Washington was quickly becoming a Hollywood go-to actor, but after the mediocre response to Tenant and now the lack of an audience for The Creator his bankability is going down. Sure he was great in the Blackkklansman, but it wasn't his acting that made that movie what it was. He has a hard time showing emotion other than stoicism. This might be why he's leaving the action/sci-fi scene and going back to Oscar bait with his next movie: The Piano Lesson.

The film suffers from victim mentality, hitting you over the head repeatedly for the first fifteen minutes with how the main character is a victim of artificial intelligence. The film suffers from horrendous dialogue. At one point Joshua, the main character, explains to his superiors that he had lost his wife and child like they didn't already know that. The delivery of his lines was really wooden and phoned in. The robots at one point have their guns on Joshua, he grabs a gun and turns over before any of the robots have the chance to react. Why does the AI have such a low response time? Also, how in the world does a self-described "Advanced Sim" (AI) not know where humans come from and why would it be programmed to be curious about something it could just look up? The antagonist even at one point says "See you in Vahalla" at one point. Oh, the level of cringe in the writing.

The film has plenty of not-so-subtle casting choices that promote a leftist ideology. If that's not your thing then you'll probably not enjoy the film. If it is your thing, you'll probably still not enjoy the film as you don't want to see those sorts of scenes and the general bad dialogue and writing. This seems like a film for a basement dweller who spends all day on X (Twitter) promoting propaganda. The production was expensive, the CG was okay, the writing was horrible, and the direction was Edwards' worst so far. Result: D+


Labels:

Comments

Post a Comment

Popular posts from this blog

Primetime (2026)

Primetime is directed by Lance Oppenheim , who is known for making some other pretentious movies, and unfortunately that reputation feels right at home here. The film offers an interesting look behind the scenes of a television production, but it spends far too much time trying to be artsy and meaningful instead of simply telling its story. Robert Pattinson is easily the best part of the movie. His character is completely Chris Hansen in both voice and mannerisms, which makes his performance unintentionally hilarious at times. Even so, Pattinson fully commits to the role and gives the film some much needed personality. The biggest problem is that the movie never really wraps up his story, making all that investment in his character feel strangely incomplete. Skyler Gisondo gets the unfortunate distinction of being the character we ultimately end on. His character feels like a self-insert, especially with how frequently he brings up the musical Rent . Instead of giving the ending th...
Post a Comment
Read more

Buzzkill (2026)

Buzzkill is a slasher that suffers from overacting, cringe dialogue, and characters who are almost impossible to take seriously. The first victim is supposed to be college-aged, but the actress looks like she is clearly in her thirties, which makes the setup immediately distracting. The movie also constantly makes references that feel like even the actors have no idea what they are actually talking about. It gives the impression that the writers wanted the characters to sound clever without bothering to make their dialogue feel natural. Siena Agudong gives off obvious final girl vibes, and she has the presence to carry that role. The problem is her character is so annoying that it becomes difficult to understand why everyone around her treats her with such reverence. The movie seems determined to convince us that this character is far more likable and important than her actual personality suggests, which makes the character development feel completely backwards. The writing also ends...
Post a Comment
Read more

The Dog Stars (2026)

The Dog Stars is directed by Ridley Scott , which certainly gives the post-apocalyptic film some serious filmmaking pedigree. Unfortunately, the movie starts off very, very slow, taking its time before it really gives the audience much to latch onto. Once it gets going, though, the performances help carry it, particularly the natural charm of its lead. Jacob Elordi brings a lot of charm to the film, which is especially important considering how slow the story develops. His presence gives the movie some much needed vibe and makes it easier to stay invested in the character even when the pacing is dragging. He's continuing to improve his performances even after Frankenstein. Josh Brolin continues to prove that he can make a strong impression in supporting roles. Much like his work in Weapons , he brings a level of confidence and presence that helps elevate the scenes he is in. He may not be the main focus of the movie, but he is one of those actors who can make a supporting role f...
Post a Comment
Read more