Skip to main content

The Creator (2023)


The Creator is a film that once again tries to warn the audience of the dangers of artificial intelligence.

Director, Gareth Edwards, seems to only write movies where it's a band of military folks, freedom fighters, or terrorists who against all odds get the job done see: Rogue One: A Star Wars Story, The Creator, and Monsters. 

John David Washington was quickly becoming a Hollywood go-to actor, but after the mediocre response to Tenant and now the lack of an audience for The Creator his bankability is going down. Sure he was great in the Blackkklansman, but it wasn't his acting that made that movie what it was. He has a hard time showing emotion other than stoicism. This might be why he's leaving the action/sci-fi scene and going back to Oscar bait with his next movie: The Piano Lesson.

The film suffers from victim mentality, hitting you over the head repeatedly for the first fifteen minutes with how the main character is a victim of artificial intelligence. The film suffers from horrendous dialogue. At one point Joshua, the main character, explains to his superiors that he had lost his wife and child like they didn't already know that. The delivery of his lines was really wooden and phoned in. The robots at one point have their guns on Joshua, he grabs a gun and turns over before any of the robots have the chance to react. Why does the AI have such a low response time? Also, how in the world does a self-described "Advanced Sim" (AI) not know where humans come from and why would it be programmed to be curious about something it could just look up? The antagonist even at one point says "See you in Vahalla" at one point. Oh, the level of cringe in the writing.

The film has plenty of not-so-subtle casting choices that promote a leftist ideology. If that's not your thing then you'll probably not enjoy the film. If it is your thing, you'll probably still not enjoy the film as you don't want to see those sorts of scenes and the general bad dialogue and writing. This seems like a film for a basement dweller who spends all day on X (Twitter) promoting propaganda. The production was expensive, the CG was okay, the writing was horrible, and the direction was Edwards' worst so far. Result: D+


Comments

Popular posts from this blog

Mercy (2026)

Mercy (2026) is a near future thriller built around the idea of an AI acting as judge, jury, and executioner. The premise is familiar but effective, and the film moves at a steady pace as a wrongfully convicted man races to prove his innocence. It feels like the kind of mid budget sci fi thriller that used to be more common, especially in early year release windows. Timur Bekmambetov , known for Wanted and Abraham Lincoln: Vampire Hunter , directs the film with a functional but uneven hand. His hit or miss track record continues here. The movie is cleanly shot and easy to follow, but there are few moments of visual flair or tension that elevate it beyond its concept. Chris Pratt , recognizable from Guardians of the Galaxy and Jurassic World , plays the wrongly convicted father and detective. He does a solid job with the emotional beats and sells the desperation well. His portrayal of alcoholism, however, never fully convinces and feels more implied than lived in. Rebecca Ferguson...

Night Patrol (2026)

Night Patrol (2026) has flashes of sharp writing mixed with moments that are downright idiotic. When it works, it works surprisingly well, but the inconsistency hurts the overall experience. The CG is especially rough at times and pulls you out of the film more than once. It feels like a movie that knows what it wants to be but cannot fully execute on that vision. Ryan Prows , a V/H/S alumnus best known for his segment in V/H/S/94 and earlier work in the anthology space, directs the film with confidence. His eye for atmosphere and pacing is solid, especially during the quieter moments. Unfortunately, the weaker script moments and uneven effects undermine his direction, even though the film itself is competently staged. Justin Long , recognizable from Jeepers Creepers and Barbarian , is the most noteworthy actor in the cast even though he plays a supporting role. He clearly understands the tone of the film and leans into Fowler’s rise in a way that feels intentional and self aware....

Marty Supreme (2025)

Marty Supreme (2025) is written and directed by Josh Safdie , who previously directed Good Time and Uncut Gems . This film carries that same frantic Safdie energy, with constant motion and pressure that rarely lets the audience breathe. It is chaotic by design, sometimes to a fault, but the intensity feels intentional rather than sloppy. Even when the pacing threatens to overwhelm, the film remains compelling due to the strength of its performances. Timothée Chalamet , known for Dune and Call Me by Your Name , plays the title role and fits it perfectly. He fully commits to the character’s ambition and volatility, balancing confidence with insecurity in a way that feels natural for him at this stage of his career. This is not a transformative performance, but it is a highly effective one, and he clearly understands the rhythm and demands of a Safdie-style film. Odessa A’zion , who audiences may recognize from Grand Army and Hellraiser (2022) , is a standout as the love interest. S...