Skip to main content

Is This Thing On? (2025)


Is This Thing On? (2025)
is a small scale character study about a man dealing with separation and emotional stagnation by throwing himself into stand up comedy. The film is written and directed by Bradley Cooper, known primarily for A Star Is Born and Silver Linings Playbook, and this feels like his attempt at something quieter and more introspective. The tone is subdued and personal, sometimes to the film’s advantage, but often it feels hesitant and unsure of what it wants to say.

Will Arnett, best known for Arrested Development and BoJack Horseman, stars as the recently separated father and also helped write the script. Arnett is solid and believable, leaning into a restrained performance rather than his usual comedic extremes. His stand up scenes feel intentionally awkward, which works thematically, but they rarely land as either funny or revealing in a meaningful way.

Laura Dern, known for Marriage Story and Jurassic Park, plays the ex wife and is intentionally written as exhausting and difficult. She commits fully, sometimes to the point of irritation, but it feels like a choice rather than a flaw in her performance. The problem is that the character lacks balance, making their dynamic feel one sided and emotionally repetitive.

Andra Day, who impressed in The United States vs. Billie Holiday, is unfortunately underwritten here. Her character exists almost entirely to check a box and create mild friction, and she comes off more as a nuisance than a meaningful presence. It is unclear why the role was written this way, especially given her proven ability to bring depth when given real material.

Overall, Is This Thing On? feels personal but bloated. There are moments of honesty and vulnerability, but the film never quite digs deep enough to justify its premise. Strong performances cannot fully overcome the thin character writing and muted emotional payoff. Result: B

Comments

Popular posts from this blog

Sleepwalker (2026)

Sleepwalker is a horror thriller written and directed by Brandon Auman , who quickly reminds us why his career has primarily been in television rather than feature films. Writing for children's television can sometimes get away with simplistic dialogue and storytelling, but those weaknesses become glaring when stretched into a feature-length horror movie. The screenplay is filled with clunky dialogue and predictable horror beats, while the jump scares rarely land. Instead of creating tension, the film repeatedly left me sighing in boredom. Hayden Panettiere delivers a strong performance despite the material she's been given. It's clear that many of her lines weren't written with much care, but she does what she can to make the character feel believable. Knowing this is her final film makes the performance bittersweet, especially because she deserved a much better script to go out on. Fortunately, her performance here doesn't diminish the work she's done in bet...

Lanterns EP1 (2026)

Lanterns is one of the few television shows I've felt compelled to review because I'm a big fan of Green Lantern , particularly Kyle Rayner and John Stewart . While the story focuses somewhat more on Hal Jordan , I'm glad we get a solid actor playing John. The first episode does a good job establishing that John is still green and new to the situation, pun intended. The show has a solid foundation, although its interpretation of the Green Lantern characters isn't always what I would have preferred. Aaron Pierre immediately makes an impression as John Stewart . I had never seen him in anything before this, but his presence is undeniable, and his chemistry with Kyle Chandler is one of the show's strongest elements. Their banter is entertaining and gives the relationship some much-needed energy. John being inexperienced works well for the first episode, but I'm hoping the character develops into the confident leader he becomes in the comics. Kyle Chandler play...

Mutiny (2026)

Mutiny is directed by Jean-François Richet , who directed Plane , and also who once again proves to be a better action director than character developer. The film's action sequences are staged effectively, but some of the quieter scenes feel strangely undercooked. I'm not sure if Richet simply ignored certain issues or chose to use the first take in order to save money, but several moments lack the polish the rest of the film displays. Writers Lindsay Michel and J.P. Davis do a good job setting up the action and giving Jason Statham's character a believable reason to find himself out on a boat, but the dialogue can be atrocious at times. The story works when it focuses on its action, but the writing becomes a noticeable weakness whenever the characters stop moving long enough to talk. Jason Statham , known for The Transporter and The Beekeeper , does exactly what audiences expect from him and does it well. He commands every scene he's in, bringing his usual physica...