Skip to main content

Luther: The Fallen Sun (2023)

 


Luther: The Fallen Sun is about a smart but disgraced detective who breaks out of jail to catch a serial killer.

I never watched the TV show as I'm mostly a movie person. I get a different perspective on things because of that. Many people will probably watch this because of the show and have bias. Let's see if it stands on it's own merits.

The writing stood out to me as the movie flows from scene to scene without too much down time or boring parts. Kudos to Neil Cross who I haven't seen since Mama. The film feels like it was written as a double-o-seven film but what if the main character was Sherlock instead. 

In terms of acting, Idris Elba shines in almost everything he's been in with a few exceptions. There might be something wrong with being typecast but being typecast and suave and stoic might actually be an advantage. Even in a comedy like The Office he still plays suave.

Andy Serkis plays another villain. Here's another typecast but like Elba, he's good at that role. He gives off Silva vibes from Skyfall. Serkis has the face that makes you believe, yeah he could totally do some messed up stuff.

There was a lot to unpack from the film as a lot happens and you need to keep track of it all. At the end it's probably for the best it came out on Netflix instead of going wide. This way they avoid the headlines of box office failure as it's not something mainstream audiences would have gone to see. Result C+



Comments

Popular posts from this blog

Springsteen: Deliver Me from Nowhere (2025)

Springsteen: Deliver Me from Nowhere (2025) is written and directed by Scott Cooper , known for Crazy Heart and Hostiles . Cooper brings his usual grounded, character-focused direction to this film, capturing both the grit and quiet poetry of Bruce Springsteen’s life and music. Even for those who aren’t fans of “The Boss,” the film works as an emotional drama about artistry, loss, and self-reflection. Jeremy Allen White , best known for The Bear and The Iron Claw , disappears into his portrayal. At times, he’s nearly unrecognizable in both appearance and delivery. White manages to balance intensity with vulnerability, showing a man who’s haunted yet deeply passionate. It’s a masterclass in subtle expression, with his ability to communicate emotion without words being one of the film’s greatest strengths. Odessa Young , known for Shirley and Mothering Sunday , is radiant. She lights up every scene she’s in and brings warmth to a film that could have easily been too brooding. Her c...

Lost in the Stars (2023)

Lost in the Stars  is a Mandarin thriller with twists you'll see coming and one you might not.  Directed by newcomer  Rui Cui, and cinematographer  Xiang Liu . Liu knows his cinematography very well while cherry Cui lets the viewer know he's relatively new with mistakes that will leave the average audience going "somethings off with this" and not really knowing what's wrong. It's the camera angles and quick cuts. I believe the quick cuts are intentional and this isn't a deep movie, its feelings are very much surface-level.  Yilong Zhu plays He Fei, a man who has lost his wife while on their anniversary trip to Southeast Asia. He is the most experienced actor and carries the film with his performance. By the end of the film, you'll understand the depths Zhu has in his acting. He hasn't done much, if anything, that would be considered American, but he's been working since 2010. Janice Man  is the femme fatal in this film. She plays the beautiful ...

The Black Phone 2 (2025)

The Black Phone 2 (2025) is written and directed by Scott Derrickson , the mind behind Sinister and the original The Black Phone . While Derrickson’s return should have elevated the sequel, the film instead leans too heavily on exposition, losing much of the dread and mystery that made the first entry so chilling. The scares feel explained rather than experienced, and the pacing suffers because of it. Mason Thames , reprising his role from the original, delivers a respectable performance. Now older, he brings maturity to the character, though much of the fear and vulnerability that made him compelling in the first film is gone. His performance is serviceable but lacks the spark of discovery the story needs. Ethan Hawke , known for Training Day and Dead Poets Society , returns as The Grabber. His presence still commands the screen, but his reduced role feels like a missed opportunity. The movie never finds a figure as haunting or magnetic as his portrayal in the original. Madelein...