Skip to main content

Last Night in Soho (2021)

 




Last Night in Soho is a horror movie, surprisingly. It's also directed by Edgar Wright. Is this a dream? Someone, please make sense to me how this got made.

Written and directed by Edgar Wright, Soho is about a fashion designer who without spoiling the film starts to uncover a murder mystery from the 1960s and has to make sense of it all. It has everything you want from Wright's transitions and self-references but missing the comedy of his previous films. I feel like this movie was made on a dare much in the same way American Graffiti was made. 

Thomasin McKenzie has really developed as an actress both in her ability to convey emotion but also with how she loses herself in the role. The last time I saw her was in Jojo Rabbit and True History of the Kelly Gang and I look forward to The Power of the Dog later this year. She plays the main character and does a wonderful job with her accent too. I can't go into detail about what happens to her without spoiling the film but she's certainly an actress to be on the lookout for from now on and carries this film. It would not be the same without her.

Anya Taylor-Joy has been great in so many films that it's easy to see her in this role as a 1960's aspiring singer. You might know her from The Queen's Gambit, but I know her from The Witch and Split. She's been in so much and yet she's so young and people don't give her enough credit. I can't wait to see her take on the role of Furiosa.

The film has a lot of themes and in a way is a feminist movie but written and directed by a man. The character does things that fly in the face of what a man would do in the same situation which might be the help from the screenplay writer  Krysty Wilson-Cairns and I'm curious how much she changed from Wright's original story. That might sound scary calling this horror film a feminist movie but it's not in your face or shaming the audience in a way that many other films have in recent history. I'm looking at you Birds of Prey. It takes a tactful approach towards handling the mistreatment of women, especially in 1960's London.

There's no other film like it to compare it to and my closest feelings on it lie somewhere between Red Sparrow (2018) and Ex Machina (2015) both of which earned an A- in my book. I can say this is a great film with only one minor flaw in the convoluted way the movie ended.

Comments

Popular posts from this blog

Hadestown: The Musical (2026)

Hadestown: The Musical is a filmed stage production that takes the audience through the Greek myth of Orpheus and Eurydice with a distinctly modern theatrical style. The first act is considerably weaker than the second, taking longer to find its rhythm and emotional footing. Fortunately, the production improves significantly as it progresses, with several performances becoming more effective the longer they are on stage. While the production has plenty of talent behind it, it never reaches the level of theatrical excellence found in Hamilton or Beetlejuice , leaving me feeling that I've seen stronger musicals. Amber Gray grows considerably into the role of Persephone. Her performance takes some time to click during the first act, but by the second act she becomes one of the production's most compelling performers. Eva Noblezada is excellent from beginning to end as Eurydice, providing the consistency and emotional weight that the production needs. She gives the character a ...

Ice Cream Man (2026)

Ice Cream Man is written and directed by Eli Roth , and while there is a decent story underneath everything, the execution leaves a lot to be desired. The film does have a twist ending, although it's one most viewers will probably see coming well in advance. The biggest problem is the CGI, which is frequently distracting and looks noticeably cheap. Roth has even acknowledged using ai to help "bring his vision for the film to life," and unfortunately, that decision is difficult to ignore when looking at the finished product. There are so many strange creative choices throughout the movie that I repeatedly found myself wondering what the writers were thinking. Charlie Zeltzer is tasked with carrying much of the film as one of the few children who manages to avoid being captured by the Ice Cream Man. He does a respectable job considering how much responsibility is placed on him, and he provides much of the emotional center of the story. It's not an easy role for a youn...

Super Troopers 3 (2026)

Super Troopers 3 is written and directed by Jay Chandrasekhar , who also returns as Thorny. The first two Super Troopers films were built around dumb, juvenile humor, and this third installment understands exactly what its audience is coming for. If that kind of comedy is your cup of tea, there's plenty here to enjoy. A comedy ultimately lives or dies by how consistently it generates laughs while still maintaining a coherent story, and this film manages to do both. There aren't many wasted scenes, and nearly everything introduced throughout the movie eventually comes back around, allowing the story to wrap itself up with a satisfying bow at the end. The original Super Troopers cast is back, with Kevin Heffernan , Paul Soter , Erik Stolhanske , and Steve Lemme each getting opportunities to shine in their own way. Their chemistry remains one of the biggest strengths of the franchise, and it feels like the actors are having just as much fun making the movie as the audience is ...