Skip to main content

Last Night in Soho (2021)

 




Last Night in Soho is a horror movie, surprisingly. It's also directed by Edgar Wright. Is this a dream? Someone, please make sense to me how this got made.

Written and directed by Edgar Wright, Soho is about a fashion designer who without spoiling the film starts to uncover a murder mystery from the 1960s and has to make sense of it all. It has everything you want from Wright's transitions and self-references but missing the comedy of his previous films. I feel like this movie was made on a dare much in the same way American Graffiti was made. 

Thomasin McKenzie has really developed as an actress both in her ability to convey emotion but also with how she loses herself in the role. The last time I saw her was in Jojo Rabbit and True History of the Kelly Gang and I look forward to The Power of the Dog later this year. She plays the main character and does a wonderful job with her accent too. I can't go into detail about what happens to her without spoiling the film but she's certainly an actress to be on the lookout for from now on and carries this film. It would not be the same without her.

Anya Taylor-Joy has been great in so many films that it's easy to see her in this role as a 1960's aspiring singer. You might know her from The Queen's Gambit, but I know her from The Witch and Split. She's been in so much and yet she's so young and people don't give her enough credit. I can't wait to see her take on the role of Furiosa.

The film has a lot of themes and in a way is a feminist movie but written and directed by a man. The character does things that fly in the face of what a man would do in the same situation which might be the help from the screenplay writer  Krysty Wilson-Cairns and I'm curious how much she changed from Wright's original story. That might sound scary calling this horror film a feminist movie but it's not in your face or shaming the audience in a way that many other films have in recent history. I'm looking at you Birds of Prey. It takes a tactful approach towards handling the mistreatment of women, especially in 1960's London.

There's no other film like it to compare it to and my closest feelings on it lie somewhere between Red Sparrow (2018) and Ex Machina (2015) both of which earned an A- in my book. I can say this is a great film with only one minor flaw in the convoluted way the movie ended.

Comments

Popular posts from this blog

The Mortuary Assistant (2026)

The Mortuary Assistant is directed by Jeremiah Kipp and written by Tracee Beebe and Brian Clarke , adapting Clarke's video game of the same name for the big screen. From a directing standpoint, there is nothing particularly remarkable, but there is also very little that stands out as a misstep. Kipp keeps the film moving at a steady pace and delivers the expected scares without relying too heavily on cheap tricks. The screenplay, however, wears its inspirations on its sleeve, often feeling like a retread of Evil Dead (2013), borrowing many of the same possession and demonic horror beats but adding enough of its own identity. Willa Holland , known for Legion and Arrow , plays the film's protagonist. She delivers a competent performance and handles the role professionally, but much like the direction itself, there is little that leaves a lasting impression. She carries the film well enough without elevating the material, making for a serviceable lead in a story that never fu...

Evil Dead Burn (2026)

Evil Dead Burn (2026) is written and directed by Sébastien Vaniček , making his first major Hollywood feature after gaining attention with his French horror work. He immediately proves to be a stronger character writer than plot writer, as the film spends much of its first half developing its cast while the overall story takes longer to find its footing. It is not until midway through the film that Vaniček's eye for visual storytelling truly takes over, delivering several memorable horror sequences with confident camera work and effective tension. By the time the credits roll, it becomes clear that he is currently a better director than screenwriter, though that is hardly a criticism considering this is an impressive Hollywood debut. Hunter Doohan , known for Wednesday and Your Honor , initially appears to be the film's central protagonist. As the story unfolds, however, it becomes apparent that Souheila Yacoub , known for Dune: Part Two and Climax , is the true lead. Yacoub...

The Invite (2026)

The Invite is directed by and stars Olivia Wilde , who delivers a remarkable improvement behind the camera compared to Don't Worry Darling . Every camera angle, character placement, and movement feels deliberate, giving the film a strong visual identity while allowing the performances to breathe. The screenplay, written by Will McCormack and Rashida Jones , showcases the duo's background in comedy. Their sharp dialogue and impeccable timing had the entire theater laughing throughout, balancing humor with genuine character development in a way that never feels forced. You might remember Jones from Parks and Recs. Olivia Wilde plays Angela, a self-described control freak whose marriage is put under the microscope over the course of one unforgettable evening. Wilde fully commits to the role, creating a character who is both frustrating and sympathetic. Her chemistry with Seth Rogen , who plays her husband Joe, is one of the film's greatest strengths. Their arguments feel so...