Skip to main content

Last Night in Soho (2021)

 




Last Night in Soho is a horror movie, surprisingly. It's also directed by Edgar Wright. Is this a dream? Someone, please make sense to me how this got made.

Written and directed by Edgar Wright, Soho is about a fashion designer who without spoiling the film starts to uncover a murder mystery from the 1960s and has to make sense of it all. It has everything you want from Wright's transitions and self-references but missing the comedy of his previous films. I feel like this movie was made on a dare much in the same way American Graffiti was made. 

Thomasin McKenzie has really developed as an actress both in her ability to convey emotion but also with how she loses herself in the role. The last time I saw her was in Jojo Rabbit and True History of the Kelly Gang and I look forward to The Power of the Dog later this year. She plays the main character and does a wonderful job with her accent too. I can't go into detail about what happens to her without spoiling the film but she's certainly an actress to be on the lookout for from now on and carries this film. It would not be the same without her.

Anya Taylor-Joy has been great in so many films that it's easy to see her in this role as a 1960's aspiring singer. You might know her from The Queen's Gambit, but I know her from The Witch and Split. She's been in so much and yet she's so young and people don't give her enough credit. I can't wait to see her take on the role of Furiosa.

The film has a lot of themes and in a way is a feminist movie but written and directed by a man. The character does things that fly in the face of what a man would do in the same situation which might be the help from the screenplay writer  Krysty Wilson-Cairns and I'm curious how much she changed from Wright's original story. That might sound scary calling this horror film a feminist movie but it's not in your face or shaming the audience in a way that many other films have in recent history. I'm looking at you Birds of Prey. It takes a tactful approach towards handling the mistreatment of women, especially in 1960's London.

There's no other film like it to compare it to and my closest feelings on it lie somewhere between Red Sparrow (2018) and Ex Machina (2015) both of which earned an A- in my book. I can say this is a great film with only one minor flaw in the convoluted way the movie ended.

Comments

Popular posts from this blog

Crime 101 (2026)

Crime 101 (2026) is a crime thriller that checks the basic boxes of what should work, but the writing never tightens enough to make it compelling. It hits familiar beats, runs longer than it should, and never quite earns its tension. It feels like a good movie outline stretched into a full runtime. Bart Layton , known for American Animals and The Imposter , directs, and his uneven filmography shows here. The structure is serviceable, but the pacing drags and the scenes lack urgency. The direction is competent without being memorable, and the film never finds a sharp identity. Chris Hemsworth , known for Thor and Extraction , plays the reclusive criminal at the center of the story. He tries to lean into a quieter, more internal performance, but he does not fully sell the damaged foster child mentality the script is aiming for. The performance feels like an attempt rather than a transformation. Mark Ruffalo , recognized for Spotlight and The Avengers , feels like he is on autopilo...

Send Help (2026)

Send Help (2026) is a survival thriller that quietly builds tension until the jump scares start landing, at which point it becomes very clear who is behind the camera. I actually forgot it was a Sam Raimi film until one particular scare snapped that memory back into place. The film balances suspense and character moments well, and the visual presentation helps sell the emotional shift across the story. Sam Raimi , known for The Evil Dead and Spider-Man , brings his trademark timing to the scare beats and camera movement. His direction gives even simple moments a sense of unease. The film is more restrained than his wildest work, but the horror mechanics are sharp and effective when they show up. Rachel McAdams , recognized from The Notebook and Mean Girls , delivers a strong performance that is helped a lot by smart costume and makeup design. The first half intentionally downplays her appearance to make her seem worn down and ordinary, while the second half lets her natural presen...

Cold Storage (2026)

Cold Storage (2026) is a sci fi horror thriller that surprised me in a good way. The writing is solid enough that it actually calmed some of my worries about Disclosure Day coming later this year since the same writer is involved. The story holds together and stays engaging, even when the visuals do not. The CG is laughably bad at times, but the acting/chemistry keeps the movie watchable. Jonny Campbell directs, with the screenplay by David Koepp , known for Jurassic Park and Spider-Man . His writing here is tighter than expected, which is why it gives me more confidence about Disclosure Day. The direction is straightforward and lets the script do most of the work, even if the effects budget clearly limits what can be shown on screen. He needs a redemption after  Indiana Jones and the Crystal Skull. Joe Keery , known for Stranger Things and Free Guy , is the main reason I showed up. He proves he can handle a leading role after Stranger Things and carries the film with a relax...