Skip to main content

Last Night in Soho (2021)

 




Last Night in Soho is a horror movie, surprisingly. It's also directed by Edgar Wright. Is this a dream? Someone, please make sense to me how this got made.

Written and directed by Edgar Wright, Soho is about a fashion designer who without spoiling the film starts to uncover a murder mystery from the 1960s and has to make sense of it all. It has everything you want from Wright's transitions and self-references but missing the comedy of his previous films. I feel like this movie was made on a dare much in the same way American Graffiti was made. 

Thomasin McKenzie has really developed as an actress both in her ability to convey emotion but also with how she loses herself in the role. The last time I saw her was in Jojo Rabbit and True History of the Kelly Gang and I look forward to The Power of the Dog later this year. She plays the main character and does a wonderful job with her accent too. I can't go into detail about what happens to her without spoiling the film but she's certainly an actress to be on the lookout for from now on and carries this film. It would not be the same without her.

Anya Taylor-Joy has been great in so many films that it's easy to see her in this role as a 1960's aspiring singer. You might know her from The Queen's Gambit, but I know her from The Witch and Split. She's been in so much and yet she's so young and people don't give her enough credit. I can't wait to see her take on the role of Furiosa.

The film has a lot of themes and in a way is a feminist movie but written and directed by a man. The character does things that fly in the face of what a man would do in the same situation which might be the help from the screenplay writer  Krysty Wilson-Cairns and I'm curious how much she changed from Wright's original story. That might sound scary calling this horror film a feminist movie but it's not in your face or shaming the audience in a way that many other films have in recent history. I'm looking at you Birds of Prey. It takes a tactful approach towards handling the mistreatment of women, especially in 1960's London.

There's no other film like it to compare it to and my closest feelings on it lie somewhere between Red Sparrow (2018) and Ex Machina (2015) both of which earned an A- in my book. I can say this is a great film with only one minor flaw in the convoluted way the movie ended.

Comments

Popular posts from this blog

28 Years Later: The Bone Temple (2026)

28 Years Later: The Bone Temple (2026) continues the infected saga with a story that is strange enough to stay engaging and familiar enough for longtime fans to settle back in. If you have followed the previous films, there is enough connective tissue here to keep your interest, even when the execution falters. The film leans into cult imagery and bleak world building, which works more often than not, even if the pacing and presentation are uneven. Nia DaCosta , who previously directed Candyman (2021) and The Marvels , shows some recurring issues with camera direction and dialogue-heavy scenes. Several shots are awkwardly staged, and conversations often lack visual energy. That said, the overall Alex Garland's  story structure is solid and appropriately weird for this universe, suggesting stronger material than her technical choices allow to shine. Jack O’Connell , known for Unbroken and Sinners , plays the satanist cult leader and walks a fine line between overacting and cont...

Night Patrol (2026)

Night Patrol (2026) has flashes of sharp writing mixed with moments that are downright idiotic. When it works, it works surprisingly well, but the inconsistency hurts the overall experience. The CG is especially rough at times and pulls you out of the film more than once. It feels like a movie that knows what it wants to be but cannot fully execute on that vision. Ryan Prows , a V/H/S alumnus best known for his segment in V/H/S/94 and earlier work in the anthology space, directs the film with confidence. His eye for atmosphere and pacing is solid, especially during the quieter moments. Unfortunately, the weaker script moments and uneven effects undermine his direction, even though the film itself is competently staged. Justin Long , recognizable from Jeepers Creepers and Barbarian , is the most noteworthy actor in the cast even though he plays a supporting role. He clearly understands the tone of the film and leans into Fowler’s rise in a way that feels intentional and self aware....

No Other Choice (2025)

No Other Choice (2025) is directed by Park Chan-wook , the filmmaker behind Oldboy and Snowpiercer . His signature style is all over this film, with moments of completely bizarre dialogue and acting choices that feel intentional rather than accidental. While it doesn’t reach the heights of his most celebrated work, it’s still unmistakably his, strange, uncomfortable, and darkly humorous. I still need to see The Handmaiden , which many consider his best film, and this only reinforced that curiosity. Lee Byung-hun , who many Western audiences may remember from G.I. Joe: The Rise of Cobra and KPop Demon Hunters , plays the lead role as a desperate father trying to secure a job. His character’s decision to literally eliminate the competition is where the film fully leans into its absurdity. I barely recognized him at first, which speaks to how fully he disappears into the role. His performance walks a fine line between grounded desperation and unhinged logic. Son Ye-jin , known for Th...