Skip to main content

Last Night in Soho (2021)

 




Last Night in Soho is a horror movie, surprisingly. It's also directed by Edgar Wright. Is this a dream? Someone, please make sense to me how this got made.

Written and directed by Edgar Wright, Soho is about a fashion designer who without spoiling the film starts to uncover a murder mystery from the 1960s and has to make sense of it all. It has everything you want from Wright's transitions and self-references but missing the comedy of his previous films. I feel like this movie was made on a dare much in the same way American Graffiti was made. 

Thomasin McKenzie has really developed as an actress both in her ability to convey emotion but also with how she loses herself in the role. The last time I saw her was in Jojo Rabbit and True History of the Kelly Gang and I look forward to The Power of the Dog later this year. She plays the main character and does a wonderful job with her accent too. I can't go into detail about what happens to her without spoiling the film but she's certainly an actress to be on the lookout for from now on and carries this film. It would not be the same without her.

Anya Taylor-Joy has been great in so many films that it's easy to see her in this role as a 1960's aspiring singer. You might know her from The Queen's Gambit, but I know her from The Witch and Split. She's been in so much and yet she's so young and people don't give her enough credit. I can't wait to see her take on the role of Furiosa.

The film has a lot of themes and in a way is a feminist movie but written and directed by a man. The character does things that fly in the face of what a man would do in the same situation which might be the help from the screenplay writer  Krysty Wilson-Cairns and I'm curious how much she changed from Wright's original story. That might sound scary calling this horror film a feminist movie but it's not in your face or shaming the audience in a way that many other films have in recent history. I'm looking at you Birds of Prey. It takes a tactful approach towards handling the mistreatment of women, especially in 1960's London.

There's no other film like it to compare it to and my closest feelings on it lie somewhere between Red Sparrow (2018) and Ex Machina (2015) both of which earned an A- in my book. I can say this is a great film with only one minor flaw in the convoluted way the movie ended.

Comments

Popular posts from this blog

Primetime (2026)

Primetime is directed by Lance Oppenheim , who is known for making some other pretentious movies, and unfortunately that reputation feels right at home here. The film offers an interesting look behind the scenes of a television production, but it spends far too much time trying to be artsy and meaningful instead of simply telling its story. Robert Pattinson is easily the best part of the movie. His character is completely Chris Hansen in both voice and mannerisms, which makes his performance unintentionally hilarious at times. Even so, Pattinson fully commits to the role and gives the film some much needed personality. The biggest problem is that the movie never really wraps up his story, making all that investment in his character feel strangely incomplete. Skyler Gisondo gets the unfortunate distinction of being the character we ultimately end on. His character feels like a self-insert, especially with how frequently he brings up the musical Rent . Instead of giving the ending th...

Labyrinth (2026)

Labyrinth is an anime film about a girl's dreams of stardom turning into a mission to save the planet from brainrot. It is directed by Shôji Kawamori , who has been involved with the Macross franchise since the 1980s and also worked in the art department on the original Ghost in the Shell , so he is definitely a veteran of Japanese animation. Writer Taichi Hashimoto is not nearly as well known, but if Kawamori liked the script enough to turn it into a movie, I'm willing to give him the benefit of the doubt. Unfortunately, the premise feels like it should be more universally entertaining than it actually is. The only voice actor I immediately recognized was Tomokazu Sugita , who has been in an enormous number of anime and games. You might recognize him as Gyomei from Demon Slayer or Yusuke Kitagawa from Persona 5 . He brings the kind of recognizable voice presence you'd expect from someone with such an extensive resume, although there was not really a performance that ...

Buzzkill (2026)

Buzzkill is a slasher that suffers from overacting, cringe dialogue, and characters who are almost impossible to take seriously. The first victim is supposed to be college-aged, but the actress looks like she is clearly in her thirties, which makes the setup immediately distracting. The movie also constantly makes references that feel like even the actors have no idea what they are actually talking about. It gives the impression that the writers wanted the characters to sound clever without bothering to make their dialogue feel natural. Siena Agudong gives off obvious final girl vibes, and she has the presence to carry that role. The problem is her character is so annoying that it becomes difficult to understand why everyone around her treats her with such reverence. The movie seems determined to convince us that this character is far more likable and important than her actual personality suggests, which makes the character development feel completely backwards. The writing also ends...