Skip to main content

Last Night in Soho (2021)

 




Last Night in Soho is a horror movie, surprisingly. It's also directed by Edgar Wright. Is this a dream? Someone, please make sense to me how this got made.

Written and directed by Edgar Wright, Soho is about a fashion designer who without spoiling the film starts to uncover a murder mystery from the 1960s and has to make sense of it all. It has everything you want from Wright's transitions and self-references but missing the comedy of his previous films. I feel like this movie was made on a dare much in the same way American Graffiti was made. 

Thomasin McKenzie has really developed as an actress both in her ability to convey emotion but also with how she loses herself in the role. The last time I saw her was in Jojo Rabbit and True History of the Kelly Gang and I look forward to The Power of the Dog later this year. She plays the main character and does a wonderful job with her accent too. I can't go into detail about what happens to her without spoiling the film but she's certainly an actress to be on the lookout for from now on and carries this film. It would not be the same without her.

Anya Taylor-Joy has been great in so many films that it's easy to see her in this role as a 1960's aspiring singer. You might know her from The Queen's Gambit, but I know her from The Witch and Split. She's been in so much and yet she's so young and people don't give her enough credit. I can't wait to see her take on the role of Furiosa.

The film has a lot of themes and in a way is a feminist movie but written and directed by a man. The character does things that fly in the face of what a man would do in the same situation which might be the help from the screenplay writer  Krysty Wilson-Cairns and I'm curious how much she changed from Wright's original story. That might sound scary calling this horror film a feminist movie but it's not in your face or shaming the audience in a way that many other films have in recent history. I'm looking at you Birds of Prey. It takes a tactful approach towards handling the mistreatment of women, especially in 1960's London.

There's no other film like it to compare it to and my closest feelings on it lie somewhere between Red Sparrow (2018) and Ex Machina (2015) both of which earned an A- in my book. I can say this is a great film with only one minor flaw in the convoluted way the movie ended.

Comments

Popular posts from this blog

Colony (2026)

Colony is written and directed by Yeon Sang-ho , the director behind the cult classic Train to Busan . While Train to Busan has become the more celebrated film, Colony shows how much Yeon has improved as both a writer and a director. The story is stronger, the filmmaking feels more confident, and the way he builds the world gives the movie more substance than I expected going in. Jun Ji-hyun is the clear standout of the cast. She does a fantastic job conveying emotion through subtle movements and expressions rather than relying on exaggerated acting. That is not surprising considering she is one of South Korea's best actresses, but she still manages to make the character feel grounded and believable. She carries much of the emotional weight of the film. I did not recognize many of the other actors, and unfortunately, none of them really stood out enough to make much of an impression. That is not necessarily a knock against the cast as much as it is a testament to how much Jun ...

Verity (2026)

Verity was a surprise for me. Normally, the authors who turn their books into movies that I actually enjoy are Stephen King or Michael Crichton , but Colleen Hoover has been doing surprisingly well with the last four movies adaptations from her work. One thing I appreciate about her writing is that she knows how to write male characters who aren't weak or simply there to be punching bags for feminist talking points. That alone makes the characters feel more believable and gives the story a better balance. Dakota Johnson plays an up and coming writer who is brought in to ghostwrite for Anne Hathaway's character. This is easily Johnson's best performance yet. She does a good job carrying the movie and making the character's uncertainty and curiosity believable as the mystery around the house starts to unfold. Anne Hathaway does not have a huge amount to do because of her character's condition, but whenever she is actually on screen, she brings the energy you wo...

Digger (2026)

Digger is directed by Alejandro G. Iñárritu and stars Tom Cruise as Digger Rockwell. Much like his name, there is a lot of symbolism and meaning packed into the film, along with plenty of references that brought a smile to my face. I went into this expecting it to be pretentious or outright bad because that was the prevailing opinion online before general audiences had even had a chance to see it. Anyone calling this movie pretentious clearly has not seen The Death of Robin Hood or Die My Love . Die My Love was so pretentious that my wife actually begged me to leave the theater, and I had to finish it another day. Digger , on the other hand, actually understands the difference between being ambitious and simply being self-important. Tom Cruise is great as Digger Rockwell, giving the character exactly the kind of larger-than-life personality the movie needs. There is so much going on beneath the surface that I found myself constantly looking for the symbolism and references hidden...