Skip to main content

Last Night in Soho (2021)

 




Last Night in Soho is a horror movie, surprisingly. It's also directed by Edgar Wright. Is this a dream? Someone, please make sense to me how this got made.

Written and directed by Edgar Wright, Soho is about a fashion designer who without spoiling the film starts to uncover a murder mystery from the 1960s and has to make sense of it all. It has everything you want from Wright's transitions and self-references but missing the comedy of his previous films. I feel like this movie was made on a dare much in the same way American Graffiti was made. 

Thomasin McKenzie has really developed as an actress both in her ability to convey emotion but also with how she loses herself in the role. The last time I saw her was in Jojo Rabbit and True History of the Kelly Gang and I look forward to The Power of the Dog later this year. She plays the main character and does a wonderful job with her accent too. I can't go into detail about what happens to her without spoiling the film but she's certainly an actress to be on the lookout for from now on and carries this film. It would not be the same without her.

Anya Taylor-Joy has been great in so many films that it's easy to see her in this role as a 1960's aspiring singer. You might know her from The Queen's Gambit, but I know her from The Witch and Split. She's been in so much and yet she's so young and people don't give her enough credit. I can't wait to see her take on the role of Furiosa.

The film has a lot of themes and in a way is a feminist movie but written and directed by a man. The character does things that fly in the face of what a man would do in the same situation which might be the help from the screenplay writer  Krysty Wilson-Cairns and I'm curious how much she changed from Wright's original story. That might sound scary calling this horror film a feminist movie but it's not in your face or shaming the audience in a way that many other films have in recent history. I'm looking at you Birds of Prey. It takes a tactful approach towards handling the mistreatment of women, especially in 1960's London.

There's no other film like it to compare it to and my closest feelings on it lie somewhere between Red Sparrow (2018) and Ex Machina (2015) both of which earned an A- in my book. I can say this is a great film with only one minor flaw in the convoluted way the movie ended.

Comments

Popular posts from this blog

Super Troopers 3 (2026)

Super Troopers 3 is written and directed by Jay Chandrasekhar , who also returns as Thorny. The first two Super Troopers films were built around dumb, juvenile humor, and this third installment understands exactly what its audience is coming for. If that kind of comedy is your cup of tea, there's plenty here to enjoy. A comedy ultimately lives or dies by how consistently it generates laughs while still maintaining a coherent story, and this film manages to do both. There aren't many wasted scenes, and nearly everything introduced throughout the movie eventually comes back around, allowing the story to wrap itself up with a satisfying bow at the end. The original Super Troopers cast is back, with Kevin Heffernan , Paul Soter , Erik Stolhanske , and Steve Lemme each getting opportunities to shine in their own way. Their chemistry remains one of the biggest strengths of the franchise, and it feels like the actors are having just as much fun making the movie as the audience is ...

Leviticus (2026)

Leviticus is directed by  Adrian Chiarella and presents itself as a horror film, although it takes well over a third of its runtime before delivering its first genuinely scary or tense sequence. Instead, the film spends most of its time revisiting conversion therapy, particularly the kind of practices associated with the 1990s. The story treats the subject as though it remains as prevalent as it once was, while largely ignoring how much societal acceptance has changed. Perhaps the film's setting in small-town Australia is intended to explain some of that disconnect, but the screenplay never does enough to establish that context. It's also difficult to ignore the film's apparent disdain of organized religion, which might alienate certain moviegoers. There is character development throughout, but several scenes feel unnecessary and don't contribute much to the overall plot. Talk to Me  supporting actor,  Joe Bird delivers a solid performance as the film's central c...

Soulm8te (2026)

Soulm8te is written by James Wan (among others) and directed by Kate Dolan , presenting a surprisingly grounded vision of a future shaped by artificial companions. Rather than leaning immediately into horror, the film spends much of its first half exploring how synthetic relationships could realistically compete with human ones, making the premise feel less like fantasy and more like an inevitability that's only a few years away. Because of that approach, the film often plays more like a science fiction thriller than the horror movie its marketing suggests. While some narrative decisions are genuinely head-scratching, the grounded setup and believable world-building make the story compelling enough to overlook many of its flaws. Isabelle Bonfrer plays the artificial companion and delivers the film's most memorable performance. For much of the runtime she channels the cold, emotionless efficiency of The Terminator , creating an unsettling presence through subtle expressions an...