Skip to main content

Last Night in Soho (2021)

 




Last Night in Soho is a horror movie, surprisingly. It's also directed by Edgar Wright. Is this a dream? Someone, please make sense to me how this got made.

Written and directed by Edgar Wright, Soho is about a fashion designer who without spoiling the film starts to uncover a murder mystery from the 1960s and has to make sense of it all. It has everything you want from Wright's transitions and self-references but missing the comedy of his previous films. I feel like this movie was made on a dare much in the same way American Graffiti was made. 

Thomasin McKenzie has really developed as an actress both in her ability to convey emotion but also with how she loses herself in the role. The last time I saw her was in Jojo Rabbit and True History of the Kelly Gang and I look forward to The Power of the Dog later this year. She plays the main character and does a wonderful job with her accent too. I can't go into detail about what happens to her without spoiling the film but she's certainly an actress to be on the lookout for from now on and carries this film. It would not be the same without her.

Anya Taylor-Joy has been great in so many films that it's easy to see her in this role as a 1960's aspiring singer. You might know her from The Queen's Gambit, but I know her from The Witch and Split. She's been in so much and yet she's so young and people don't give her enough credit. I can't wait to see her take on the role of Furiosa.

The film has a lot of themes and in a way is a feminist movie but written and directed by a man. The character does things that fly in the face of what a man would do in the same situation which might be the help from the screenplay writer  Krysty Wilson-Cairns and I'm curious how much she changed from Wright's original story. That might sound scary calling this horror film a feminist movie but it's not in your face or shaming the audience in a way that many other films have in recent history. I'm looking at you Birds of Prey. It takes a tactful approach towards handling the mistreatment of women, especially in 1960's London.

There's no other film like it to compare it to and my closest feelings on it lie somewhere between Red Sparrow (2018) and Ex Machina (2015) both of which earned an A- in my book. I can say this is a great film with only one minor flaw in the convoluted way the movie ended.

Comments

Popular posts from this blog

Clayface (2026)

Clayface is a body horror movie set in James Gunn's DC Universe, and it ended up being a pleasant surprise for me. I grew up watching Batman: The Animated Series on Saturday mornings, so I remember Clayface and his strange, monster-like appearance. I had no idea going in that this movie would draw inspiration from the show, which made that connection all the more enjoyable. The animated series leaned more into noir, while this film feels closer to Joker mixed with the body horror of David Cronenberg . Director James Watkins , best known for Speak No Evil , brings that same unsettling energy and deliberate direction to this film. He also makes the smart choice of keeping the camera on his actors long enough for their performances to do the work, specifically Naomi Ackie and Tom Rhys Harries . Tom Rhys Harries gets the benefit of that approach, with the camera giving him room to carry his scenes without constantly cutting away. That decision suits the movie's more intimate...

Drive (2011)

Drive is about a stuntman and mechanic who also does a side job where he a getaway driver. Things get heated when he gets involved with the mob by helping his neighbor. The film is directed by Nicolas Winding Refn . He's worked with Gosling before when he did Only God Forgives a mediocre film but regardless very well directed. Refn directs one of the best performances from Gosling and Mulligan. This film also has one of the best car chases I've ever seen as well as the introduction of the main character. Everything has a place in a film like this, even a shot of the back of Gosling's jacket shifting. Ryan Gosling plays the Driver. He has one of the best examples of minimalist dialogue with only speaking 116 lines. He has intensity and emotion in his expressions and the delivery of his lines. There's a scene especially when he talks with his neighbor's kid and asks him how he knows who the bad guys are. It's great. Look deeper and you'll find gems. O...

We Bury The Dead (2026)

We Bury The Dead (2026) is a slow burn post apocalypse film centered on grief more than horror. Directed by Zak Hilditch , best known for smaller projects like 1922 and Rattlesnake , this is his first step into a larger American production. You can feel the restraint in the direction, sometimes to the film’s benefit and sometimes to its detriment. The pacing is deliberate, almost stubbornly so, and while the mood is consistent, it rarely escalates into anything memorable. Daisy Ridley , best known for Star Wars: The Force Awakens , carries the film as a woman searching for her missing husband who may or may not have turned into a zombie. Ridley is solid and emotionally grounded, doing the best she can with minimal dialogue and long stretches of quiet reflection. Her performance is never the problem. If anything, she is the primary reason the movie remains watchable. The supporting cast is where the film struggles. Nearly every side character is written as painfully one note, existi...