Skip to main content

Escape Room (2019)

Taylor Russell in Escape Room (2019)

Escape Room is presented as a Saw-like game of puzzle solving or your life ends. This time around they remove the gore to get a PG-13 rating and a January release.

Adam Robitel is best known as the director of Insidious: The Last Key. Which I 'saw' and meh'd about last year. He also did Paranormal Activity: The Ghost Dimension which I haven't seen. I stopped watching the Paranormal movies after The Marked Ones. There are some camera/direction problems nothing an average movie-goer would notice.

Taylor Russell plays the main character Zoey. Don't take any offense, but she has a really hard time going full Aspergers, but once she turns Lara Croft she does a decent job. She also did the over-looked Lost in Space TV series which I still need to watch.

I want to see Deborah Ann Woll in more movies after seeing her in this. She was a shining star in this film. She plays a former military survivor with a lot of baggage. You'll remember her as Karen Page from Netflix's Daredevil, Punisher, and Defenders.

Everyone else is kinda throwaway characters playing stereotypical roles. Something that Cabin in the Woods made fun of a long time ago in a much better movie. I felt bored, and in a suspense/thriller the audience shouldn't feel bored. Oh and there's no horror to this movie at all. My Dad could go see this movie and be fine.

Result: C+ Because the film is supposed to be a horror film that isn't scary, I cannot go Fresh.

Comments

Popular posts from this blog

Wuthering Heights (2026)

Wuthering Heights is directed by Emerald Fennell , known for Promising Young Woman and Saltburn , and opens with a striking image that immediately signals this will not be a conventional adaptation of the classic novel. The film remains faithful to several of the book's narrative choices, particularly in how it lingers on the characters' early years before fully embracing the central tragedy. While this approach accurately reflects the source material, the pacing occasionally suffers, with several montages and extended childhood sequences lasting longer than necessary. One element that works especially well is the portrayal of Catherine and Heathcliff's adoptive father, whose volatile temper contrasts sharply with the affection he shows the two children, echoing one of the novel's stronger character dynamics. Margot Robbie , known for Barbie and I, Tonya , delivers one of the strongest performances of her career as Catherine. She captures the character's passio...

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...

Citizen Vigilante (2026)

Citizen Vigilante is written and directed by Uwe Boll , a filmmaker whose work has always been divisive, and this film continues that trend. The movie tackles issues surrounding immigration, social tensions, and public frustration, themes that have been prominent throughout the decade. Surprisingly, the film often approaches these subjects from a perspective that many viewers may not expect from a major studio release. While the political themes are front and center, the larger issue is that the writing struggles to make the world and its characters feel believable. Conversations often lack the natural reactions people would have in real life, particularly younger characters who accept lectures and speeches with very little resistance or personality. Armie Hammer , known for The Social Network and The Man from U.N.C.L.E. , plays the vigilante and spends much of the film using a gravelly, Batman-inspired voice. He commits fully to the role, and his physical presence works well for th...