Skip to main content

Nobody 2 (2025)


Nobody 2 comes with a change in creative leadership, as Timo Tjahjanto takes over directing duties from Ilya Naishuller. The difference is noticeable, with the sequel lacking the same energy and spark that made the first film stand out. The script, written by Aaron Rabin, suffers from uneven pacing and tonal issues. While he avoids some of the pitfalls that bogged down his work on Marvel’s Secret Invasion, his late-game writing choices undercut the story’s tension and credibility.

Bob Odenkirk once again commits to his role, doing the best he can with a weaker script. His physicality and dry delivery still make him a compelling lead, but the film doesn’t give him much new ground to cover. You'll remember Bob from Better Call Saul and Breaking Bad.

Connie Nielsen is underwritten, with her character lacking individuality or meaningful development. She feels more like a placeholder than a partner to Odenkirk’s character, which is disappointing given her talent. You'll remember her from Gladiator.

Colin Hanks, RZA, and Sharon Stone all lean into overacting, which makes their performances distracting rather than memorable. Their characters fail to strike the balance between quirky and grounded, something the first film achieved much better. Sharon Stone is also unrecognizable in her weird role as the movie's big bad.

The action sequences, usually a highlight for this kind of film, are noticeably weaker. Instead of sharp choreography and clever setups, we get fight scenes where henchmen seem to wait their turn to be taken down, draining any sense of urgency or realism. Result: C+

Comments

Popular posts from this blog

Wuthering Heights (2026)

Wuthering Heights is directed by Emerald Fennell , known for Promising Young Woman and Saltburn , and opens with a striking image that immediately signals this will not be a conventional adaptation of the classic novel. The film remains faithful to several of the book's narrative choices, particularly in how it lingers on the characters' early years before fully embracing the central tragedy. While this approach accurately reflects the source material, the pacing occasionally suffers, with several montages and extended childhood sequences lasting longer than necessary. One element that works especially well is the portrayal of Catherine and Heathcliff's adoptive father, whose volatile temper contrasts sharply with the affection he shows the two children, echoing one of the novel's stronger character dynamics. Margot Robbie , known for Barbie and I, Tonya , delivers one of the strongest performances of her career as Catherine. She captures the character's passio...

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...

Citizen Vigilante (2026)

Citizen Vigilante is written and directed by Uwe Boll , a filmmaker whose work has always been divisive, and this film continues that trend. The movie tackles issues surrounding immigration, social tensions, and public frustration, themes that have been prominent throughout the decade. Surprisingly, the film often approaches these subjects from a perspective that many viewers may not expect from a major studio release. While the political themes are front and center, the larger issue is that the writing struggles to make the world and its characters feel believable. Conversations often lack the natural reactions people would have in real life, particularly younger characters who accept lectures and speeches with very little resistance or personality. Armie Hammer , known for The Social Network and The Man from U.N.C.L.E. , plays the vigilante and spends much of the film using a gravelly, Batman-inspired voice. He commits fully to the role, and his physical presence works well for th...