Skip to main content

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a satire about the cold war, nuclear holocaust, and a war room full of people trying to stop it.

Stanley Kubrick is a master at getting out the best of his actors and camera movements. Sure the movie has dated effects but Kubrick keeps the focus on the actors. Where he positions his actors in each shot and how he chooses to move the camera with the actors is clear that influenced great directors of today like David Fincher. There's this scene with Ripper and Mandrake where the first half of the scene has the conversation only at Ripper's back. Then once we see his face we get to see how much anger and passion he has towards dropping this bomb. Saving his acting and expression until he starts he speech is another example of why Kubrick is one of the best. He gives importance to Buck when he hasn't even been introduced yet by having his voice shout from a different room. Having someone else answer his phone call also suggests how important his character is. It's just great storytelling through subliminal writing and direction. The typical flow of a normal action movie would have the general answer the phone himself and use big strong words instead.

Speaking of Buck, George C. Scott is an ineffably talented actor. You'll recognize him from Patton. How he speaks to the president shows what sort of power he has and charisma with backing up everything he has both with how he delivers the line and the mannerisms he adds to the performance. Hand movements, blinking, nodding, chewing of his gum, all of it is adding to a more interesting conversation that draws in the audience for an otherwise boring conversation.

Peter Sellers is all over the place in this film, in a good way. He plays three different characters and it's a daring move on both his acting ability and Kubrick's direction for one actor in three different parts. He plays the mild-mannered Captain Mandrake, the calm and frown-faced President Muffley, and also Dr. Strangelove of course. His conversation with Dimitri on the phone is hilarious and an instant classic. Each of his characters are so different that it's a surprise that he lost to Rex Harrison (My Fair Lady) in the Oscars that year.

Slim Pickens is the funniest actor in the film and adds an awful lot of comedy to an already filled movie. You'll recognize him as Taggart from Blazing Saddles. "Tell him I said...Ow!" He plays the pilot, Major Kong, of the B52 who will drop the bomb on Russia.

Result: A (One of Kubrick's best films though I don't know if I would want to watch this over and over)

Comments

Popular posts from this blog

Star Wars: The Mandalorian and Grogu (2026)

Star Wars: The Mandalorian and Grogu is directed by Jon Favreau , known for Iron Man and Chef , with much of the story influence clearly coming from Dave Filoni , known for Star Wars: The Clone Wars and Ahsoka . Unfortunately, the film falls into the same “and then” style of storytelling that hurts many modern franchise films, where scenes feel stitched together without enough meaningful progression. Entire stretches of the movie, particularly long sequences involving Grogu wandering through a forest, feel padded and lacking purpose. Instead of building momentum, the film drifts from moment to moment without ever creating a compelling central narrative. Pedro Pascal , known for The Last of Us and Narcos , once again plays the Mandalorian, though his presence feels strangely limited. It is difficult not to notice how often the character appears disconnected physically and vocally, giving the impression that Pascal himself may not have been involved in large portions of the performa...

Passenger (2026)

Passenger is directed by André Øvredal , known for The Autopsy of Jane Doe and Scary Stories to Tell in the Dark , with a script by Zachary Donohue and T.W. Burgess . The film centers around a demonic presence tied closely to the title itself, and when it focuses directly on the horror elements, it works surprisingly well. Øvredal still understands how to stage tension and build effective scares, but the material between those moments struggles to stay engaging. The pacing slows considerably whenever the horror steps aside, leaving the film feeling uneven overall. Jacob Scipio , known for Bad Boys for Life and Expend4bles , takes on the boyfriend role but never fully feels like someone the audience naturally roots for. Whether intentional or not, his screen presence lacks the vulnerability or charisma needed to carry the quieter sections of the film. He handles the horror scenes competently enough, but the emotional connection never really forms. Lou Llobell , known for Foundatio...

In the Grey (2026)

In the Grey is written and directed by Guy Ritchie , known for Snatch and The Gentlemen , and the film carries all the style and personality audiences expect from him. The dialogue is sharp, the pacing is confident, and the story constantly moves with a sense of swagger that keeps it entertaining throughout. Ritchie once again proves he knows how to make even familiar action setups feel fresh through his direction and character work. Eiza González , known for Baby Driver and Ambulance , plays the beautiful and manipulative lawyer role perfectly. She brings confidence and charisma to every scene, balancing charm with danger in a way that fits naturally into Ritchie’s world. Beyond just looking the part, she fully commits to the character’s aggressive personality and ends up being one of the film’s strongest presences. Henry Cavill , known for Man of Steel and The Witcher , delivers another very likable performance. His natural charm works extremely well here, especially in the fil...