Skip to main content

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a satire about the cold war, nuclear holocaust, and a war room full of people trying to stop it.

Stanley Kubrick is a master at getting out the best of his actors and camera movements. Sure the movie has dated effects but Kubrick keeps the focus on the actors. Where he positions his actors in each shot and how he chooses to move the camera with the actors is clear that influenced great directors of today like David Fincher. There's this scene with Ripper and Mandrake where the first half of the scene has the conversation only at Ripper's back. Then once we see his face we get to see how much anger and passion he has towards dropping this bomb. Saving his acting and expression until he starts he speech is another example of why Kubrick is one of the best. He gives importance to Buck when he hasn't even been introduced yet by having his voice shout from a different room. Having someone else answer his phone call also suggests how important his character is. It's just great storytelling through subliminal writing and direction. The typical flow of a normal action movie would have the general answer the phone himself and use big strong words instead.

Speaking of Buck, George C. Scott is an ineffably talented actor. You'll recognize him from Patton. How he speaks to the president shows what sort of power he has and charisma with backing up everything he has both with how he delivers the line and the mannerisms he adds to the performance. Hand movements, blinking, nodding, chewing of his gum, all of it is adding to a more interesting conversation that draws in the audience for an otherwise boring conversation.

Peter Sellers is all over the place in this film, in a good way. He plays three different characters and it's a daring move on both his acting ability and Kubrick's direction for one actor in three different parts. He plays the mild-mannered Captain Mandrake, the calm and frown-faced President Muffley, and also Dr. Strangelove of course. His conversation with Dimitri on the phone is hilarious and an instant classic. Each of his characters are so different that it's a surprise that he lost to Rex Harrison (My Fair Lady) in the Oscars that year.

Slim Pickens is the funniest actor in the film and adds an awful lot of comedy to an already filled movie. You'll recognize him as Taggart from Blazing Saddles. "Tell him I said...Ow!" He plays the pilot, Major Kong, of the B52 who will drop the bomb on Russia.

Result: A (One of Kubrick's best films though I don't know if I would want to watch this over and over)

Comments

Popular posts from this blog

Disclosure Day (2026)

Disclosure Day is directed by Steven Spielberg , known for Jaws , Jurassic Park , and Schindler's List , with a screenplay by David Koepp , whose work ranges from excellent efforts like Mission: Impossible and Spider-Man to less successful projects. Unfortunately, this film falls closer to the weaker side of that spectrum. The premise is intriguing, and Spielberg's craftsmanship is still evident in the film's pacing and visual storytelling, but the narrative struggles to capitalize on its potential. As the story unfolds, it becomes increasingly clear that many of its most interesting ideas are left underdeveloped, culminating in an ending that fails to provide a satisfying payoff. Emily Blunt , known for Sicario and Edge of Tomorrow , serves as the film's central character and the key figure around whom the entire mystery revolves. Blunt delivers a professional and committed performance, carrying much of the emotional weight of the story. However, some of the chara...

The Furious (2026)

The Furious is directed by Kenji Tanigaki , a filmmaker and action coordinator known for his work on Snake Eyes and a longtime veteran of the stunt world. A fun piece of trivia is that Tanigaki was one of the stunt doubles on Mortal Kombat: Annihilation , and his experience behind the camera is evident throughout the film. The action is relentless, the pacing rarely slows down, and the movie understands that tension comes from constantly forcing its characters into increasingly dangerous situations. From beginning to end, it feels like an action film designed by people who genuinely understand action filmmaking. Miao Xie anchors the film and delivers some phenomenal fight sequences. His athleticism and screen presence make every encounter believable, and the choreography allows him to showcase a wide range of techniques rather than relying on repetitive exchanges. The action scenes are impressive on their own, but they become even better when paired with his co-star. Joe Taslim , ...

Obsession (2026)

Obsession is written and directed by Curry Barker , marking the first film of his that I have seen, and it leaves a strong impression. The film builds tension through character-driven horror rather than relying entirely on jump scares or spectacle. It understands how to create discomfort and maintain suspense, allowing scenes to breathe long enough for the unease to settle in. The horror feels confident and focused, delivering some of the strongest scares/scenes since Weapons last year . One scene in particular, the car, was so full of dread that the payoff was so very earned. Michael Johnston plays the timid central character and does an excellent job selling the vulnerability and awkwardness the role requires. His performance feels believable throughout, making it easy to invest in his fear and growing desperation as the situation escalates. Johnston carries much of the emotional side of the film and helps ground the more intense horror elements. Inde Navarrette , known for S...