Skip to main content

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a satire about the cold war, nuclear holocaust, and a war room full of people trying to stop it.

Stanley Kubrick is a master at getting out the best of his actors and camera movements. Sure the movie has dated effects but Kubrick keeps the focus on the actors. Where he positions his actors in each shot and how he chooses to move the camera with the actors is clear that influenced great directors of today like David Fincher. There's this scene with Ripper and Mandrake where the first half of the scene has the conversation only at Ripper's back. Then once we see his face we get to see how much anger and passion he has towards dropping this bomb. Saving his acting and expression until he starts he speech is another example of why Kubrick is one of the best. He gives importance to Buck when he hasn't even been introduced yet by having his voice shout from a different room. Having someone else answer his phone call also suggests how important his character is. It's just great storytelling through subliminal writing and direction. The typical flow of a normal action movie would have the general answer the phone himself and use big strong words instead.

Speaking of Buck, George C. Scott is an ineffably talented actor. You'll recognize him from Patton. How he speaks to the president shows what sort of power he has and charisma with backing up everything he has both with how he delivers the line and the mannerisms he adds to the performance. Hand movements, blinking, nodding, chewing of his gum, all of it is adding to a more interesting conversation that draws in the audience for an otherwise boring conversation.

Peter Sellers is all over the place in this film, in a good way. He plays three different characters and it's a daring move on both his acting ability and Kubrick's direction for one actor in three different parts. He plays the mild-mannered Captain Mandrake, the calm and frown-faced President Muffley, and also Dr. Strangelove of course. His conversation with Dimitri on the phone is hilarious and an instant classic. Each of his characters are so different that it's a surprise that he lost to Rex Harrison (My Fair Lady) in the Oscars that year.

Slim Pickens is the funniest actor in the film and adds an awful lot of comedy to an already filled movie. You'll recognize him as Taggart from Blazing Saddles. "Tell him I said...Ow!" He plays the pilot, Major Kong, of the B52 who will drop the bomb on Russia.

Result: A (One of Kubrick's best films though I don't know if I would want to watch this over and over)

Comments

Popular posts from this blog

Agent Zero (2026)

Agent Zero is an attempt to deliver a female-led espionage action thriller, but unfortunately it comes across as boring and intentionally slow in an effort to make the action sequences feel more impactful. The problem is that the action is so poorly delivered that none of the payoff feels rewarding. Guillaume de Fontenay does a good job framing his scenes, but everything has the appearance of a first take, lacking the polish and energy needed to make the slower pacing work. The film spends so much time building toward its action that when it finally arrives, it rarely feels worth the wait. Marine Vacth plays her own version of Salt or Jason Bourne , portraying a highly capable operative who maintains a consistently quiet demeanor. Unfortunately, the character's attitude comes across as bitter rather than cool or mysterious. Vacth commits to the role, but the performance is restrained to the point of becoming monotonous, making it difficult to connect with the character or care ...

Paw Patrol: The Dino Movie (2026)

Paw Patrol: The Dino Movie is another cookie-cutter entry in the Paw Patrol franchise, so there isn't much to say about the story itself. This time, the focus is on Marshall, the team's resident firefighter, or perhaps "firedog" in this case. The movie is wholesome and delivers exactly what you'd expect from a Paw Patrol film, even if it doesn't do much to distinguish itself from the previous entries. Mckenna Grace voices Skye, although you would never know it from the performance. Her voice is so normal for the character that Grace's usual presence is virtually unrecognizable. Terry Crews , on the other hand, voices Alistair Stonewall, and you can definitely tell it's him. His recognizable voice and personality come through clearly and make the character more memorable. Snoop Dogg also makes a fun cameo as Dave, the owner of a yacht who enjoys fishing. It's a small role, but his recognizable voice and personality make it a welcome surprise. T...

The End of Oak Street (2026)

The End of Oak Street starts with Anne Hathaway immediately establishing herself as the film's strongest performer, especially when compared to the wooden performance from Ewan McGregor . The premise of a writer struggling with an unsupportive spouse hits close to home for me. The split-focus direction from David Robert Mitchell isn't particularly new or uniquely executed. Instead, it often feels disorienting without accomplishing what I assume was the intention. Mitchell also struggles with the screenplay, as the dialogue can be atrocious at times and boring the rest of the time. This isn't his first failed attempt at writing interesting characters, which makes it understandable why he hasn't written or directed anything in eight years. Anne Hathaway is easily the best part of the film. She brings enough personality and emotional weight to keep the movie watchable despite the material surrounding her. Unfortunately, even Hathaway can't carry the entire film. Ew...