Skip to main content

Annihilation (2018)

Fear what's inside. Annihilation is a film about an ex-military biologist who signs up to explore a phenomenon near a coast.

Alex Garland does some wonderful things with this film. Most of the shots are great and vibrant when inside the phenomenon. There are a few questionable shots like when the characters and moving through the forested area but at the corner of the screen so you get a wide shot of a beautiful landscape. The writing of each character while good, does have the feeling of just getting to know the character so they can get killed off. I'm so glad they gave Garland the screenplay for the Halo adaptation.

Natalie Portman plays Lena and gives a class on how to give a variety of emotions throughout the film. Anger, sadness, depression, lostness. She is a completely deep character and it'd be hard to cast someone else as this role. Without her, the film would have fallen apart. I can't go into too much detail as that would spoil the ending.

The other big character in the film is Kane, played by Oscar Isaac. This would be the second time Garland directed Isaac and his performance is better for it. Back in Ex Machina, his character was sort of one dimensional. This performance allows Isaac to show a broader range of his ability and in some cases upstages Portman which is hard to do. Some of his early scenes seem weird but they make sense by the end of the movie.

I can't understand why Garland doesn't have any upcoming directorial jobs but then again this movie might confuse the average movie-going audience.

Result: A- (I loved the ending, but the film does have some slow parts.)

Comments

Popular posts from this blog

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...

The Death of Robin Hood (2026)

The Death of Robin Hood is written and directed by Michael Sarnoski , who first gained attention with Pig before moving into larger productions with A Quiet Place: Day One . This film feels like his most overtly artistic work to date, trading adventure and action for atmosphere and reflection. The movie is visually impressive and often succeeds at creating a somber, almost dreamlike mood, but its deliberate pacing becomes difficult to ignore its two-hour and three-minute runtime. Scenes linger, conversations stretch, and the story frequently feels more interested in mood than momentum. Hugh Jackman , known for Logan and The Prestige , takes on the role of an aging Robin Hood and delivers a committed performance. He carries the emotional burden of the film well, portraying a man wrestling with regret, legacy, and mortality. Jackman has the screen presence to make even the slower moments engaging, although the script occasionally asks him to carry more weight than the story itself ca...

Jackass: Best and Last (2026)

Jackass: Best and Last is directed by Jeff Tremaine , who has guided the franchise since the beginning, and stars Johnny Knoxville alongside many of the familiar faces that helped make Jackass such a cultural phenomenon. Marketed as both a farewell and a celebration, the film splits its focus between archival footage and newly filmed material. While the nostalgic moments remind audiences why the series became so popular, the heavy reliance on older footage makes the movie feel less like a proper sequel and more like a retrospective with a few new additions. Johnny Knoxville , known for Jackass and Bad Grandpa , remains the face of the franchise and still brings his usual enthusiasm and willingness to suffer for entertainment. Even as age has clearly slowed some of the more dangerous stunts, Knoxville continues to provide the energy and personality that holds the film together. His presence helps maintain the spirit of the earlier entries, even when the material itself feels less a...