Skip to main content

Annihilation (2018)

Fear what's inside. Annihilation is a film about an ex-military biologist who signs up to explore a phenomenon near a coast.

Alex Garland does some wonderful things with this film. Most of the shots are great and vibrant when inside the phenomenon. There are a few questionable shots like when the characters and moving through the forested area but at the corner of the screen so you get a wide shot of a beautiful landscape. The writing of each character while good, does have the feeling of just getting to know the character so they can get killed off. I'm so glad they gave Garland the screenplay for the Halo adaptation.

Natalie Portman plays Lena and gives a class on how to give a variety of emotions throughout the film. Anger, sadness, depression, lostness. She is a completely deep character and it'd be hard to cast someone else as this role. Without her, the film would have fallen apart. I can't go into too much detail as that would spoil the ending.

The other big character in the film is Kane, played by Oscar Isaac. This would be the second time Garland directed Isaac and his performance is better for it. Back in Ex Machina, his character was sort of one dimensional. This performance allows Isaac to show a broader range of his ability and in some cases upstages Portman which is hard to do. Some of his early scenes seem weird but they make sense by the end of the movie.

I can't understand why Garland doesn't have any upcoming directorial jobs but then again this movie might confuse the average movie-going audience.

Result: A- (I loved the ending, but the film does have some slow parts.)

Comments

Popular posts from this blog

Him (2025)

Him (2025) is directed by Justin Tipping , best known for Kicks , with Jordan Peele serving as a heavy-handed producer. Despite the talent involved, the film leans into “and then” style writing that feels meandering and leaves the audience more tired than engaged. Marlon Wayans , known for White Chicks and Scary Movie , goes over the top in a way that doesn’t fit the film’s intent, creating more distraction than humor or depth. Tyriq Withers , previously in I Know What You Did Last Summer , turns in an even weaker performance here, offering little in the way of presence or believability. Julia Fox , who gained recognition for Uncut Gems , is strange and out of place, adding little to the narrative. Jim Jefferies , a comedian known for Legit , is barely given anything to work with, and his limited screen time wastes his talent. I found myself bored and not surprised. There is also a bit of sacrilegious writing that might turn off some audiences. Result: C+

Mission: Impossible - Dead Reckoning Part One (2023)

Mission: Impossible - Dead Reckoning Part One  has a long name, long runtime, and long action sequences. Christopher McQuarrie  has directed Tom Cruise  in 4 out of his 5 directorial movies, the first being Jack Reacher . He has much more impressive writing credentials. But to talk about the direction of the movie, he knows how to direct action and chase scenes but when it comes to dialogue there were some issues I had with camera angles. I totally forgot that McQuarrie  had written The Usual Suspects,  which can explain some of the dialogue choices in this film. He knows how to write so that the audience remembers the characters' names, unlike Tony Gilroy . There's no connection there I just think that's one of my major criticisms of Gilroy. Tom Cruise looks like he's forty years old, but is actually sixty at the time of release. He has some great two-liners which seem to be more of his go-to, not only for adding emotions but for the trailer purpose. There are ...

Scream 7

Scream 7 (2026) marks the return of Kevin Williamson , the original writer of Scream , now stepping back in to write and direct. The result is a sequel that feels closer in spirit to the franchise’s roots. It balances meta commentary with straightforward slasher brutality and, for the most part, it works. Neve Campbell returns as Sidney Prescott and immediately grounds the film. Her presence alone gives the story weight, and the script wisely centers her instead of sidelining her. There are a few cameos from figures in Sidney’s past that longtime fans will appreciate, and while some feel more nostalgic than necessary, they never fully derail the pacing. Also, she's not past her prime. Isabel May , known for 1883 and Alexa & Katie , steps into a major role and holds her own as Sidney's daughter. She brings a modern energy without feeling like a forced replacement, and her dynamic with Campbell adds tension that feels organic rather than manufactured. The violence is tu...