Skip to main content

Annihilation (2018)

Fear what's inside. Annihilation is a film about an ex-military biologist who signs up to explore a phenomenon near a coast.

Alex Garland does some wonderful things with this film. Most of the shots are great and vibrant when inside the phenomenon. There are a few questionable shots like when the characters and moving through the forested area but at the corner of the screen so you get a wide shot of a beautiful landscape. The writing of each character while good, does have the feeling of just getting to know the character so they can get killed off. I'm so glad they gave Garland the screenplay for the Halo adaptation.

Natalie Portman plays Lena and gives a class on how to give a variety of emotions throughout the film. Anger, sadness, depression, lostness. She is a completely deep character and it'd be hard to cast someone else as this role. Without her, the film would have fallen apart. I can't go into too much detail as that would spoil the ending.

The other big character in the film is Kane, played by Oscar Isaac. This would be the second time Garland directed Isaac and his performance is better for it. Back in Ex Machina, his character was sort of one dimensional. This performance allows Isaac to show a broader range of his ability and in some cases upstages Portman which is hard to do. Some of his early scenes seem weird but they make sense by the end of the movie.

I can't understand why Garland doesn't have any upcoming directorial jobs but then again this movie might confuse the average movie-going audience.

Result: A- (I loved the ending, but the film does have some slow parts.)

Comments

Popular posts from this blog

The Mortuary Assistant (2026)

The Mortuary Assistant is directed by Jeremiah Kipp and written by Tracee Beebe and Brian Clarke , adapting Clarke's video game of the same name for the big screen. From a directing standpoint, there is nothing particularly remarkable, but there is also very little that stands out as a misstep. Kipp keeps the film moving at a steady pace and delivers the expected scares without relying too heavily on cheap tricks. The screenplay, however, wears its inspirations on its sleeve, often feeling like a retread of Evil Dead (2013), borrowing many of the same possession and demonic horror beats but adding enough of its own identity. Willa Holland , known for Legion and Arrow , plays the film's protagonist. She delivers a competent performance and handles the role professionally, but much like the direction itself, there is little that leaves a lasting impression. She carries the film well enough without elevating the material, making for a serviceable lead in a story that never fu...

Evil Dead Burn (2026)

Evil Dead Burn (2026) is written and directed by Sébastien Vaniček , making his first major Hollywood feature after gaining attention with his French horror work. He immediately proves to be a stronger character writer than plot writer, as the film spends much of its first half developing its cast while the overall story takes longer to find its footing. It is not until midway through the film that Vaniček's eye for visual storytelling truly takes over, delivering several memorable horror sequences with confident camera work and effective tension. By the time the credits roll, it becomes clear that he is currently a better director than screenwriter, though that is hardly a criticism considering this is an impressive Hollywood debut. Hunter Doohan , known for Wednesday and Your Honor , initially appears to be the film's central protagonist. As the story unfolds, however, it becomes apparent that Souheila Yacoub , known for Dune: Part Two and Climax , is the true lead. Yacoub...

The Invite (2026)

The Invite is directed by and stars Olivia Wilde , who delivers a remarkable improvement behind the camera compared to Don't Worry Darling . Every camera angle, character placement, and movement feels deliberate, giving the film a strong visual identity while allowing the performances to breathe. The screenplay, written by Will McCormack and Rashida Jones , showcases the duo's background in comedy. Their sharp dialogue and impeccable timing had the entire theater laughing throughout, balancing humor with genuine character development in a way that never feels forced. You might remember Jones from Parks and Recs. Olivia Wilde plays Angela, a self-described control freak whose marriage is put under the microscope over the course of one unforgettable evening. Wilde fully commits to the role, creating a character who is both frustrating and sympathetic. Her chemistry with Seth Rogen , who plays her husband Joe, is one of the film's greatest strengths. Their arguments feel so...