Skip to main content

Annihilation (2018)

Fear what's inside. Annihilation is a film about an ex-military biologist who signs up to explore a phenomenon near a coast.

Alex Garland does some wonderful things with this film. Most of the shots are great and vibrant when inside the phenomenon. There are a few questionable shots like when the characters and moving through the forested area but at the corner of the screen so you get a wide shot of a beautiful landscape. The writing of each character while good, does have the feeling of just getting to know the character so they can get killed off. I'm so glad they gave Garland the screenplay for the Halo adaptation.

Natalie Portman plays Lena and gives a class on how to give a variety of emotions throughout the film. Anger, sadness, depression, lostness. She is a completely deep character and it'd be hard to cast someone else as this role. Without her, the film would have fallen apart. I can't go into too much detail as that would spoil the ending.

The other big character in the film is Kane, played by Oscar Isaac. This would be the second time Garland directed Isaac and his performance is better for it. Back in Ex Machina, his character was sort of one dimensional. This performance allows Isaac to show a broader range of his ability and in some cases upstages Portman which is hard to do. Some of his early scenes seem weird but they make sense by the end of the movie.

I can't understand why Garland doesn't have any upcoming directorial jobs but then again this movie might confuse the average movie-going audience.

Result: A- (I loved the ending, but the film does have some slow parts.)

Comments

Popular posts from this blog

Sleepwalker (2026)

Sleepwalker is a horror thriller written and directed by Brandon Auman , who quickly reminds us why his career has primarily been in television rather than feature films. Writing for children's television can sometimes get away with simplistic dialogue and storytelling, but those weaknesses become glaring when stretched into a feature-length horror movie. The screenplay is filled with clunky dialogue and predictable horror beats, while the jump scares rarely land. Instead of creating tension, the film repeatedly left me sighing in boredom. Hayden Panettiere delivers a strong performance despite the material she's been given. It's clear that many of her lines weren't written with much care, but she does what she can to make the character feel believable. Knowing this is her final film makes the performance bittersweet, especially because she deserved a much better script to go out on. Fortunately, her performance here doesn't diminish the work she's done in bet...

Mutiny (2026)

Mutiny is directed by Jean-François Richet , who directed Plane , and also who once again proves to be a better action director than character developer. The film's action sequences are staged effectively, but some of the quieter scenes feel strangely undercooked. I'm not sure if Richet simply ignored certain issues or chose to use the first take in order to save money, but several moments lack the polish the rest of the film displays. Writers Lindsay Michel and J.P. Davis do a good job setting up the action and giving Jason Statham's character a believable reason to find himself out on a boat, but the dialogue can be atrocious at times. The story works when it focuses on its action, but the writing becomes a noticeable weakness whenever the characters stop moving long enough to talk. Jason Statham , known for The Transporter and The Beekeeper , does exactly what audiences expect from him and does it well. He commands every scene he's in, bringing his usual physica...

Insidious: Out of the Further (2026)

Insidious: Out of the Further is written and directed by Jacob Chase , who has made some solid shorts in the past but is making the first major motion picture of his that I've seen. There is very little to criticize about his direction, particularly when it comes to setting up scares. Chase understands how to build tension and makes especially good use of the film's more claustrophobic scenes, creating an uncomfortable atmosphere without relying entirely on cheap jump scares. The direction and horror setup are the film's strongest elements, even if the overall story doesn't quite reach the level needed for a full recommendation. Amelia Eve delivers a performance that feels reminiscent of Naomi Watts in The Ring . She channels that same exhausted and increasingly desperate energy, making her character feel convincing as the supernatural events escalate around her. The performance fits the tone of the franchise well and helps ground the film's more unsettling momen...