Skip to main content

The Mortuary Assistant (2026)


The Mortuary Assistant
is directed by Jeremiah Kipp and written by Tracee Beebe and Brian Clarke, adapting Clarke's video game of the same name for the big screen. From a directing standpoint, there is nothing particularly remarkable, but there is also very little that stands out as a misstep. Kipp keeps the film moving at a steady pace and delivers the expected scares without relying too heavily on cheap tricks. The screenplay, however, wears its inspirations on its sleeve, often feeling like a retread of Evil Dead (2013), borrowing many of the same possession and demonic horror beats but adding enough of its own identity.

Willa Holland, known for Legion and Arrow, plays the film's protagonist. She delivers a competent performance and handles the role professionally, but much like the direction itself, there is little that leaves a lasting impression. She carries the film well enough without elevating the material, making for a serviceable lead in a story that never fully asks her to stretch beyond its familiar horror conventions.

Paul Sparks, known for House of Cards and Boardwalk Empire, is a natural fit for the film's uneasy atmosphere. He has the kind of face that immediately makes you question his motives, and the casting wisely leans into that typecasting. Sparks brings an unsettling presence whenever he appears, helping maintain the film's tension even when the script becomes predictable. His performance is one of the stronger elements of the cast and complements the eerie setting well.

Overall, The Mortuary Assistant is a solid supernatural horror film that succeeds more through atmosphere than originality. While the screenplay feels heavily indebted to Evil Dead (2013), the cast delivers dependable performances and Jeremiah Kipp keeps the film engaging enough from beginning to end. It may not reinvent the genre, but it provides enough effective scares to satisfy horror fans. Result: B-

Comments

Popular posts from this blog

Shazam! Fury of the Gods (2023)

  Shazam! Fury of the Gods  is the sequel, and probably the last Shazam! movie for a while. With the reboot coming later this year, any setup this has for an end to a trilogy is up in the air. Directed by David F. Sandberg,  who I loved for Lights Out . It's interesting that James Wan, known for horror took David F Sandberg under his wing and now they both direct major DC super hero movies. They should really stick to horror. Maybe I'm just biased because I love horror. Henry Gayden  is back in the writing room, even though it wasn't the writing that brought people to see the first Shazam! This time I think the writing is actually worse. There are subplots that land and some that feel overly forced and politicized. Some actors didn't get enough dialogue or scenes to do much in. Some characters felt throwaway and to check a box. Grace Caroline Currey was top-billed or at least is at the top of the list for IMDB. She really carries the film for Shazam, she makes all th...

The Social Reckoning (2026)

The Social Reckoning is written and directed by Aaron Sorkin , who is better known for his writing than his directing, and it shows. Compared to David Fincher's vision in The Social Network , the direction here is a noticeable step down. Thankfully, the writing is top tier and easily on par with some of Sorkin's best work. The dialogue is sharp, the story holds your attention, and the script gives the cast plenty to work with. The movie is good, but it is not going to be for everyone. Mikey Madison , known for Anora and Once Upon a Time in Hollywood , is a standout as Frances Haugen . She does an excellent job convincing the audience that she is socially awkward and a genuine nerd without making the performance feel forced. It is the kind of role that could easily become a caricature in the wrong hands, but Madison makes the character believable and gives the film one of its strongest performances. Jeremy Allen White , best known for The Bear and Shameless , plays Jeff Ho...

The Uprising (2026)

The Uprising is written and directed by Paul Greengrass , and the film certainly looks the part. The costumes, dialogue, and scenery all do a great job of establishing the time period and making the world feel authentic. Unfortunately, the movie has a frustrating habit of taking scenes that could have been much shorter and dragging them out until you are simply waiting for something to happen. Andrew Garfield does a great job leading the film and proves he still has what it takes to carry a movie on his shoulders. His performance reminded me of his work in Silence and Hacksaw Ridge , where he is able to bring a lot of emotional weight to a character without completely overplaying it. The problem is that the movie occasionally focuses on minor characters who do not have the same level of delivery. When the camera stays on them for too long, the cracks in the dialogue and performances become much more obvious. Jamie Bell , who you may remember from Jumper , does a decent job as a supp...