Skip to main content

Leo (2023)

 

Leo is about an old lizard who wants to have his one last hurrah before he gets too old to do his bucket list.

This is another in the long line of Adam Sandler movies for Netflix that his contract requires him to do. In 2020, Sandler got another quarter of a million dollar deal with Netflix to do four more movies since his view count was so monumental over other Netflix original movies. While watching the movie you can tell it's Sandler's humor and he hires his usual friends to voice act in this animated family film. With Disney failing and Illumination taking hold of families, it's nice that there is room for Happy Madison Productions to put in good work.

Sandler puts on a voice for Leo that is goofy in his own right. Bill Burr plays his best bud Squirtle the turtle. Cecily Strong, from Saturday Night Live, plays the substitute teacher, she really sells the mean old lady. Another couple of voices you'll recognize were Siendfeld's Jason Alexander as the entitled parent and, of course, Rob Schneider as the Principal.

My kids enjoyed the film, even the pre-teen who hates most things. Like old family films, there are plenty of adult humor that will go over the children's heads. There's a lot of singing but that isn't unheard of with a Sandler cartoon. Result: B+

Labels:

Comments

Post a Comment

Popular posts from this blog

The Housemaid (2025)

The Housemaid (2025) is directed by Paul Feig , best known for comedies like Bridesmaids and Freaks and Geeks , and the tonal clash is noticeable. Feig leans into slick presentation and surface-level tension, but the film never quite reconciles its thriller ambitions with its obvious messaging. As an adaptation, it feels safer and more predictable than it wants to be, especially given how clearly it telegraphs its twists. Sydney Sweeney , known for Euphoria and Anyone But You , plays a down-on-her-luck woman recently out on parole who is desperate for work. She does what she can with the role and brings some emotional weight early on, but the writing limits her range. Her character cycles through bashful and annoyed so often that it starts to feel repetitive rather than psychologically layered. Amanda Seyfried , recognizable from Mamma Mia! and Mean Girls , plays the wealthy woman whose life slowly unravels as the power dynamic flips. Seyfried is solid and more controlled than Sw...
Post a Comment
Read more

Marty Supreme (2025)

Marty Supreme (2025) is written and directed by Josh Safdie , who previously directed Good Time and Uncut Gems . This film carries that same frantic Safdie energy, with constant motion and pressure that rarely lets the audience breathe. It is chaotic by design, sometimes to a fault, but the intensity feels intentional rather than sloppy. Even when the pacing threatens to overwhelm, the film remains compelling due to the strength of its performances. Timothée Chalamet , known for Dune and Call Me by Your Name , plays the title role and fits it perfectly. He fully commits to the character’s ambition and volatility, balancing confidence with insecurity in a way that feels natural for him at this stage of his career. This is not a transformative performance, but it is a highly effective one, and he clearly understands the rhythm and demands of a Safdie-style film. Odessa A’zion , who audiences may recognize from Grand Army and Hellraiser (2022) , is a standout as the love interest. S...
Post a Comment
Read more

Anaconda (2025)

Anaconda (2025) is a reboot comedy of the 90s film, written and directed by Tom Gormican , who previously delivered the clever and self-aware The Unbearable Weight of Massive Talent . Unfortunately, that lightning does not strike twice. The core problem is simple. The jokes do not land. If horror films are judged by scares per minute, then comedies should be judged by laughs per minute, and this one delivers virtually none. Any humor that works was already burned in the trailer, leaving the film feeling empty and painfully drawn out. Jack Black , known for School of Rock and Jumanji , leans heavily into his loud, chaotic persona, but here it becomes grating rather than charming. His performance feels unchecked and repetitive, as if volume alone is meant to substitute for comedy. Instead of elevating scenes, he often drains them of momentum. Paul Rudd , who audiences know from Ant-Man and I Love You, Man , somehow comes off just as irritating. Rudd is usually likable even in weak m...
Post a Comment
Read more