Skip to main content

Napoleon (2023)

 

Napoleon is an epic that goes through the rise and eventual fall of famous French Emperor Napoleon Bonaparte played by Joaquin Phoenix. 

Directed by Ridley Scott, the film doesn't have acts like what you'd expect from a story but instead just goes back and forth from wartime to love time with Napoleon's love Josephine. The film is wonderfully directed and choreographed. Full immersion included. This wasn't the first time we had seen Scott and Phoenix work together as they had done Gladiator twenty-three years before.

Phoenix has a range that could have been tapped into better. He kept a very stern look on his face, and perhaps that was what Napoleon was like. It's not very cinematic and felt more biographical even though there was no attempt at an accent. His on-screen chemistry with Vanessa Kirby is very much there and he knows how to command a room with just his presence, something I imagine Napoleon was able to do. Speaking of Vanessa Kirby, she is at the time of writing my favorite actress working in Hollywood. She's not only gorgeous to look at but she has a way of playing both strong and vulnerable women. 

The film is long, with trailers, I was at the theater for over three hours. I heard there was going to be a four-hour directorial cut that Scott has become known for with Blade Runner. I don't feel the need to watch the four-hour cut. Even though it's long, the production, acting, and immersion help. Result: B




Comments

Popular posts from this blog

The Mortuary Assistant (2026)

The Mortuary Assistant is directed by Jeremiah Kipp and written by Tracee Beebe and Brian Clarke , adapting Clarke's video game of the same name for the big screen. From a directing standpoint, there is nothing particularly remarkable, but there is also very little that stands out as a misstep. Kipp keeps the film moving at a steady pace and delivers the expected scares without relying too heavily on cheap tricks. The screenplay, however, wears its inspirations on its sleeve, often feeling like a retread of Evil Dead (2013), borrowing many of the same possession and demonic horror beats but adding enough of its own identity. Willa Holland , known for Legion and Arrow , plays the film's protagonist. She delivers a competent performance and handles the role professionally, but much like the direction itself, there is little that leaves a lasting impression. She carries the film well enough without elevating the material, making for a serviceable lead in a story that never fu...

Apex (2026)

Apex is directed by Icelandic filmmaker Baltasar Kormákur , whose underrated action film 2 Guns demonstrated his ability to balance suspense with character-driven storytelling. Here, he brings that same confidence behind the camera, keeping the film engaging from beginning to end. The screenplay by Jeremy Robbins , known for The Purge television series, delivers a story with a twist that genuinely caught me off guard. I won't say anything more because even acknowledging there's a surprise can change how someone watches the film, but it's one of the movie's biggest strengths and helps separate it from a typical streaming thriller. Charlize Theron , known for Mad Max: Fury Road and Atomic Blonde , once again proves why she's one of Hollywood's most reliable leading actresses. It's surprising to see someone of her caliber spending so much time in Netflix productions, especially when she consistently elevates whatever material she's given. Even when the ...

The Odyssey (2026)

The Odyssey is written and directed by Christopher Nolan , bringing one of history's greatest epics to the big screen with his signature ambition and scale. There were rumors that the film would lean heavily on a newer interpretation of the source material, and after watching it, I can understand where those concerns came from. Many of the scenes that feel unnecessary or overextended stem from that interpretation and could have been trimmed without hurting the overall narrative. Once again, Nolan demonstrates that he is a stronger director than writer, crafting visually stunning sequences while allowing the screenplay to become overly indulgent at times. The other surprising misstep is the absence of Hans Zimmer . The change in composer is immediately noticeable, and while the score is serviceable, it lacks the emotional power and memorable identity that Zimmer has brought to so many of Nolan's previous films. Matt Damon is perfectly cast as Odysseus, delivering exactly the k...