Skip to main content

Joy Ride (2023)

 


Joy Ride is a comedy about a group of Chinese-American women being awkward and girlbosses in China.

Adele Lim tries to recreate her prior success with Crazy Rich Asians with this female-centered comedy. I'm sure there are many cultural references that went over many US audiences, but the intentional comedy scenes weren't landing. The cuts were so quick it was like watching the film through the eyes of an ADHD child. There were many scenes in which you had to suspend your disbelief to make it through. I'm fine with that if the payoff works and there's a laugh, there wasn't.

While Ashley Park is a beautiful woman, she's not that funny. The film also addresses the fact that Park, the actress, is Korean but plays a Chinese woman in the film. Sherry Cola is given the most comedy to work with but she's so insufferable and rude that she just comes off as annoying. Stephanie Hsu probably has the best comedic timing but isn't giving her enough of the lines to really improve the movie. There is another woman in there but she's so inconsequential.

I generally measure comedies with how many times I laugh. It's better directed than some other entries this year, but in terms of comedies, it's pretty bad. I wasn't dreading every moment like I was with Your Place or Mine or Teenage Mutant Ninja Turtles: Mutant Mayhem, but the film exhausted me. Result: D+.


Comments

Popular posts from this blog

The Super Mario Galaxy Movie (2026)

The Super Mario Galaxy Movie is directed by Aaron Horvath , Michael Jelenic , and Pierre Leduc , with a script by Matthew Fogel , who also worked on The Super Mario Bros. Movie . This sequel brings back the core cast while expanding the universe significantly, pulling in fan-favorite characters like Fox McCloud , Rosalina , Bowser Jr. , and Yoshi . The film leans heavily into spectacle, bouncing rapidly from one set piece to another. It often feels like a chain of “and then” moments, stitched together with references to the games rather than a tightly constructed narrative. Chris Pratt , known for Guardians of the Galaxy and Jurassic World , returns as Mario and delivers a similar performance to the first film. He remains serviceable in the role, but the script doesn’t give him much room to grow this time around. Mario feels more like a vehicle to move the audience through the different worlds rather than a character with a meaningful arc. Anya Taylor-Joy , known for The Queen’s Ga...

How to Train Your Dragon (2025)

How to Train Your Dragon (2025) is directed by Dean DeBlois , who also wrote and directed the original animated trilogy as well as Lilo & Stitch . His return to the property ensures a faithful live-action adaptation that honors the tone and emotional core of the original. Visually, the film captures the bond between humans and dragons, with the exception of some controversial choices in casting presentation. Mason Thames , best known for The Black Phone , gives his best performance yet as Hiccup. He brings a believable vulnerability and growth to the role, matching the spirit of the original character while adding more emotional nuance in live-action. Nico Parker plays Astrid and is strong in the role, though the decision to light and style her to resemble a white Viking, despite her mixed heritage, has sparked justified conversation. Despite that, Parker's acting is solid, and she handles the action and emotional beats well. You might remember her from Dumbo. Gerard Butle...

Frankenstein (2025)

Frankenstein (2025) is directed by Guillermo del Toro , the visionary filmmaker behind Pan’s Labyrinth and The Shape of Water . His style once again blends gothic beauty with emotional storytelling, and his long-awaited take on Frankenstein is everything you’d expect: tragic, poetic, and visually stunning. Del Toro’s passion for monsters and misunderstood souls shines through every frame, making this adaptation both faithful and deeply personal. Oscar Isaac , known for Ex Machina and Dune , gives a grounded and believable performance as the tormented Dr. Frankenstein. He captures the obsession and guilt of a man who has gone too far, balancing intellect with a quiet madness that feels earned rather than exaggerated. Mia Goth , who has proven herself in Pearl and Infinity Pool , continues her run as one of the most mesmerizing modern actors. Her ethereal presence fits perfectly within Del Toro’s world, and she brings depth and vulnerability to a role that could have easily been o...