Skip to main content

Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

 

Teenage Mutant Ninja Turtles: Mutant Mayhem is a reboot of the franchise with a stylistic take on the animation and characters.

After failing to gain traction with The Mitchells vs. the Machines the writer/director Jeff Rowe tried with an ensemble cast that was sure to get a hit. Only they weren't so sure as now only the story and animation could have used a lot of work. Everything and everyone is ugly. People will be talking about Spider-Man Into the Spiderverse for years to come with their stylistic take on the series but the same won't be said for this.

None of the voice actors are really that great except Ice Cube, Jackie Chan, and oddly enough Post Malone. All of the turtles were voiced by actual teens but they didn't have enough acting lessons to really land the lines they were written. The jokes were probably written by Seth Rogen but none of them really landed because of the actors' experience.

I wish movies would avoid progressive cliches because it shows that their purpose was to push an agenda and not good storytelling. There's a reason this film never made it past rank three in each weekend it out. While the movie industry is starved for children's movies in theaters this couldn't even get second place. The audience was right to avoid this movie. I would rather watch Indiana Jones and the Dial of Destiny again than this. Result: D-



Comments

Popular posts from this blog

The Housemaid (2025)

The Housemaid (2025) is directed by Paul Feig , best known for comedies like Bridesmaids and Freaks and Geeks , and the tonal clash is noticeable. Feig leans into slick presentation and surface-level tension, but the film never quite reconciles its thriller ambitions with its obvious messaging. As an adaptation, it feels safer and more predictable than it wants to be, especially given how clearly it telegraphs its twists. Sydney Sweeney , known for Euphoria and Anyone But You , plays a down-on-her-luck woman recently out on parole who is desperate for work. She does what she can with the role and brings some emotional weight early on, but the writing limits her range. Her character cycles through bashful and annoyed so often that it starts to feel repetitive rather than psychologically layered. Amanda Seyfried , recognizable from Mamma Mia! and Mean Girls , plays the wealthy woman whose life slowly unravels as the power dynamic flips. Seyfried is solid and more controlled than Sw...

Marty Supreme (2025)

Marty Supreme (2025) is written and directed by Josh Safdie , who previously directed Good Time and Uncut Gems . This film carries that same frantic Safdie energy, with constant motion and pressure that rarely lets the audience breathe. It is chaotic by design, sometimes to a fault, but the intensity feels intentional rather than sloppy. Even when the pacing threatens to overwhelm, the film remains compelling due to the strength of its performances. Timothée Chalamet , known for Dune and Call Me by Your Name , plays the title role and fits it perfectly. He fully commits to the character’s ambition and volatility, balancing confidence with insecurity in a way that feels natural for him at this stage of his career. This is not a transformative performance, but it is a highly effective one, and he clearly understands the rhythm and demands of a Safdie-style film. Odessa A’zion , who audiences may recognize from Grand Army and Hellraiser (2022) , is a standout as the love interest. S...

Anaconda (2025)

Anaconda (2025) is a reboot comedy of the 90s film, written and directed by Tom Gormican , who previously delivered the clever and self-aware The Unbearable Weight of Massive Talent . Unfortunately, that lightning does not strike twice. The core problem is simple. The jokes do not land. If horror films are judged by scares per minute, then comedies should be judged by laughs per minute, and this one delivers virtually none. Any humor that works was already burned in the trailer, leaving the film feeling empty and painfully drawn out. Jack Black , known for School of Rock and Jumanji , leans heavily into his loud, chaotic persona, but here it becomes grating rather than charming. His performance feels unchecked and repetitive, as if volume alone is meant to substitute for comedy. Instead of elevating scenes, he often drains them of momentum. Paul Rudd , who audiences know from Ant-Man and I Love You, Man , somehow comes off just as irritating. Rudd is usually likable even in weak m...