Skip to main content

Fast X (2023)

 



Fast X is the 10th installment in the Fast and Furious franchise. This time it's about family.

Director Louis Leterrier has worked with one of the fast members in Jason Stathom's The Transporter. This film doesn't feel like that at all, if anything it feels like his The Incredible Hulk and Now You See Me. I'd say this was an arduous task for Leterrier as there are so many characters to use and keep relevant. It's a popcorn movie and you shouldn't expect great direction.

Justin Lin returns as this movie's main writer. The writing feels very similar to F9 as that was the other Fast movie he wrote. Whereas Gary Scott Thompson, who wrote all of the Fast movies, feels like just someone who is there to remind people of certain events or character traits. There is a lot of cheese.

Vin Diesel's weight both in the movie and in physicality fluctuates throughout the movie. He doesn't really change much about how his character is portrayed in the film and it almost works as a benefit since that way the formula doesn't change. This will be what Diesel is known for, this is his legacy. Mediocre acting and good cheesy fun.

The worst part of the film is the villain. Who also has gained weight compared to his previous roles. What happened Mamoa?  The other newcomer is okay as Alan Ritchson of Jack Reacher fame does a better job with what little he has to work with dialogue-wise. Result: C+.

Comments

Popular posts from this blog

The Housemaid (2025)

The Housemaid (2025) is directed by Paul Feig , best known for comedies like Bridesmaids and Freaks and Geeks , and the tonal clash is noticeable. Feig leans into slick presentation and surface-level tension, but the film never quite reconciles its thriller ambitions with its obvious messaging. As an adaptation, it feels safer and more predictable than it wants to be, especially given how clearly it telegraphs its twists. Sydney Sweeney , known for Euphoria and Anyone But You , plays a down-on-her-luck woman recently out on parole who is desperate for work. She does what she can with the role and brings some emotional weight early on, but the writing limits her range. Her character cycles through bashful and annoyed so often that it starts to feel repetitive rather than psychologically layered. Amanda Seyfried , recognizable from Mamma Mia! and Mean Girls , plays the wealthy woman whose life slowly unravels as the power dynamic flips. Seyfried is solid and more controlled than Sw...

Marty Supreme (2025)

Marty Supreme (2025) is written and directed by Josh Safdie , who previously directed Good Time and Uncut Gems . This film carries that same frantic Safdie energy, with constant motion and pressure that rarely lets the audience breathe. It is chaotic by design, sometimes to a fault, but the intensity feels intentional rather than sloppy. Even when the pacing threatens to overwhelm, the film remains compelling due to the strength of its performances. Timothée Chalamet , known for Dune and Call Me by Your Name , plays the title role and fits it perfectly. He fully commits to the character’s ambition and volatility, balancing confidence with insecurity in a way that feels natural for him at this stage of his career. This is not a transformative performance, but it is a highly effective one, and he clearly understands the rhythm and demands of a Safdie-style film. Odessa A’zion , who audiences may recognize from Grand Army and Hellraiser (2022) , is a standout as the love interest. S...

Anaconda (2025)

Anaconda (2025) is a reboot comedy of the 90s film, written and directed by Tom Gormican , who previously delivered the clever and self-aware The Unbearable Weight of Massive Talent . Unfortunately, that lightning does not strike twice. The core problem is simple. The jokes do not land. If horror films are judged by scares per minute, then comedies should be judged by laughs per minute, and this one delivers virtually none. Any humor that works was already burned in the trailer, leaving the film feeling empty and painfully drawn out. Jack Black , known for School of Rock and Jumanji , leans heavily into his loud, chaotic persona, but here it becomes grating rather than charming. His performance feels unchecked and repetitive, as if volume alone is meant to substitute for comedy. Instead of elevating scenes, he often drains them of momentum. Paul Rudd , who audiences know from Ant-Man and I Love You, Man , somehow comes off just as irritating. Rudd is usually likable even in weak m...