Skip to main content

12 Strong (2018)

12 Strong is a film about the declassified story of the first Special Forces team to enter into Afghanistan after the events of 9/11.

The film is directed by Nicolai Fuglsig in his first really big film. The film is shot like an action flick with hints of Black Hawk Down and 13 Hours. It's definitely a good first attempt. The writing is where the film goes a little awry.

Ted Tally is best known for writing The Silence of the Lams, but this film feels more the writing of Mission to Mars. There are good moments with the writing, like the relationship between the soldiers and Trevante Rhodes character with a young Afghan. Peter Craig is the other writer who has mostly done screenplays by this point and is slated to write the reboot for Top Gun. This makes me worried.

Chris Hemsworth gets to play a soldier who has never seen war and it makes sense for his casting. He doesn't sell being married to the beautiful Elsa Pataky. I didn't really buy him as the leader of this group, but his status would sell the movie more.

Michael Pena tries to recreate the character from Ant-man. My expectations for him have lowered, and that disappoints me.

Trevante Rhodes played the most believable soldier in the film and has this bond that develops with a young Afghan boy that was a small gem. If you saw him in Moonlight last year it really shows that he has earned his spot in any film.

Result: B (It's good, it's definitely not bad)

Comments

Popular posts from this blog

The Housemaid (2025)

The Housemaid (2025) is directed by Paul Feig , best known for comedies like Bridesmaids and Freaks and Geeks , and the tonal clash is noticeable. Feig leans into slick presentation and surface-level tension, but the film never quite reconciles its thriller ambitions with its obvious messaging. As an adaptation, it feels safer and more predictable than it wants to be, especially given how clearly it telegraphs its twists. Sydney Sweeney , known for Euphoria and Anyone But You , plays a down-on-her-luck woman recently out on parole who is desperate for work. She does what she can with the role and brings some emotional weight early on, but the writing limits her range. Her character cycles through bashful and annoyed so often that it starts to feel repetitive rather than psychologically layered. Amanda Seyfried , recognizable from Mamma Mia! and Mean Girls , plays the wealthy woman whose life slowly unravels as the power dynamic flips. Seyfried is solid and more controlled than Sw...

Marty Supreme (2025)

Marty Supreme (2025) is written and directed by Josh Safdie , who previously directed Good Time and Uncut Gems . This film carries that same frantic Safdie energy, with constant motion and pressure that rarely lets the audience breathe. It is chaotic by design, sometimes to a fault, but the intensity feels intentional rather than sloppy. Even when the pacing threatens to overwhelm, the film remains compelling due to the strength of its performances. Timothée Chalamet , known for Dune and Call Me by Your Name , plays the title role and fits it perfectly. He fully commits to the character’s ambition and volatility, balancing confidence with insecurity in a way that feels natural for him at this stage of his career. This is not a transformative performance, but it is a highly effective one, and he clearly understands the rhythm and demands of a Safdie-style film. Odessa A’zion , who audiences may recognize from Grand Army and Hellraiser (2022) , is a standout as the love interest. S...

Anaconda (2025)

Anaconda (2025) is a reboot comedy of the 90s film, written and directed by Tom Gormican , who previously delivered the clever and self-aware The Unbearable Weight of Massive Talent . Unfortunately, that lightning does not strike twice. The core problem is simple. The jokes do not land. If horror films are judged by scares per minute, then comedies should be judged by laughs per minute, and this one delivers virtually none. Any humor that works was already burned in the trailer, leaving the film feeling empty and painfully drawn out. Jack Black , known for School of Rock and Jumanji , leans heavily into his loud, chaotic persona, but here it becomes grating rather than charming. His performance feels unchecked and repetitive, as if volume alone is meant to substitute for comedy. Instead of elevating scenes, he often drains them of momentum. Paul Rudd , who audiences know from Ant-Man and I Love You, Man , somehow comes off just as irritating. Rudd is usually likable even in weak m...