They Will Kill You (2026)

They Will Kill You is written and directed by Kirill Sokolov, who attempts to put his own spin on the survival horror formula popularized by film Ready or Not. This time there is no deadly game. Instead, the story revolves around a cult and a bizarre pig demon. Unfortunately, the concept is far stranger than it is compelling, and not in a way that benefits the film. Sokolov's direction never quite finds the right balance between horror and dark comedy, while the screenplay struggles to give the audience a reason to invest in its increasingly absurd premise. The entire production feels more like a direct-to-streaming release than a theatrical feature, and considering it reportedly earned only $10 million domestic against a $20 million budget, that impression is difficult to shake.

Zazie Beetz, known for Joker and Deadpool 2, stars as the film's protagonist. While she remains as beautiful as ever, her performance never rises above the material she's given. She neither anchors the emotional side of the story nor delivers enough memorable action to compensate for the weak script. It's another reminder that even talented actors can only do so much when the writing doesn't give them enough to work with.

Patricia Arquette, known for Severance and Boyhood, takes on the role of the film's primary antagonist. Her performance is intentionally theatrical, but it crosses the line into being overly exaggerated. The result is a villain who feels more cartoonish than threatening, a sharp contrast to the restrained and nuanced work she delivered in Severance. The blame falls less on Arquette herself and more on the screenplay and direction, both of which seem uncertain about the tone they want the character to embody.

Overall, They Will Kill You has an interesting premise on paper but never figures out how to execute it effectively. The strange mythology, uneven performances, and inconsistent tone keep it from ever building meaningful suspense, and it ultimately feels like a film better suited for a streaming release than the big screen. Despite a capable cast, the writing and direction fail to elevate the material. Result: C-