How to Make a Killing (2026)

How to Make a Killing (2026) is written and directed by John Patton Ford and released by A24. The film clearly aims for sharp satire and quirky character study, but it never fully commits to being as biting or unhinged as it wants to be. It plays like an oven mitt version of American Psycho, handling similar themes of ego and moral decay but with far less edge.

Glen Powell, known for Top Gun: Maverick and Anyone But You, delivers a decent performance. He has natural charisma and screen presence, and he carries the film capably, but the script never gives him the psychological depth needed to make the character truly interesting.

Margaret Qualley, recognized for Kinds of Kindness and Once Upon a Time in Hollywood, feels like she is playing a variation of the same character she often portrays. She is effective, but there is little new here in terms of range or transformation.

Jessica Henwick, known for Cuckoo and Glass Onion, gives the strongest performance of the trio. She convincingly sells the role of a teacher trapped in a toxic relationship and brings emotional weight that the rest of the film sometimes lacks.

There are a few cameos sprinkled throughout, but none are substantial enough to leave a real impression. In the end, the movie is stylish and watchable, but it pulls its punches. It gestures toward sharp social commentary without fully embracing the chaos required to make it memorable. The ending was a choice and not a traditional one. Result: B-

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Colony (2026)

Colony is written and directed by Yeon Sang-ho , the director behind the cult classic Train to Busan . While Train to Busan has become the more celebrated film, Colony shows how much Yeon has improved as both a writer and a director. The story is stronger, the filmmaking feels more confident, and the way he builds the world gives the movie more substance than I expected going in. Jun Ji-hyun is the clear standout of the cast. She does a fantastic job conveying emotion through subtle movements and expressions rather than relying on exaggerated acting. That is not surprising considering she is one of South Korea's best actresses, but she still manages to make the character feel grounded and believable. She carries much of the emotional weight of the film. I did not recognize many of the other actors, and unfortunately, none of them really stood out enough to make much of an impression. That is not necessarily a knock against the cast as much as it is a testament to how much Jun ...

Digger (2026)

Digger is directed by Alejandro G. Iñárritu and stars Tom Cruise as Digger Rockwell. Much like his name, there is a lot of symbolism and meaning packed into the film, along with plenty of references that brought a smile to my face. I went into this expecting it to be pretentious or outright bad because that was the prevailing opinion online before general audiences had even had a chance to see it. Anyone calling this movie pretentious clearly has not seen The Death of Robin Hood or Die My Love . Die My Love was so pretentious that my wife actually begged me to leave the theater, and I had to finish it another day. Digger , on the other hand, actually understands the difference between being ambitious and simply being self-important. Tom Cruise is great as Digger Rockwell, giving the character exactly the kind of larger-than-life personality the movie needs. There is so much going on beneath the surface that I found myself constantly looking for the symbolism and references hidden...

Verity (2026)

Verity was a surprise for me. Normally, the authors who turn their books into movies that I actually enjoy are Stephen King or Michael Crichton , but Colleen Hoover has been doing surprisingly well with the last four movies adaptations from her work. One thing I appreciate about her writing is that she knows how to write male characters who aren't weak or simply there to be punching bags for feminist talking points. That alone makes the characters feel more believable and gives the story a better balance. Dakota Johnson plays an up and coming writer who is brought in to ghostwrite for Anne Hathaway's character. This is easily Johnson's best performance yet. She does a good job carrying the movie and making the character's uncertainty and curiosity believable as the mystery around the house starts to unfold. Anne Hathaway does not have a huge amount to do because of her character's condition, but whenever she is actually on screen, she brings the energy you wo...

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