Cold Storage (2026)

Cold Storage (2026) is a sci fi horror thriller that surprised me in a good way. The writing is solid enough that it actually calmed some of my worries about Disclosure Day coming later this year since the same writer is involved. The story holds together and stays engaging, even when the visuals do not. The CG is laughably bad at times, but the acting/chemistry keeps the movie watchable.

Jonny Campbell directs, with the screenplay by David Koepp, known for Jurassic Park and Spider-Man. His writing here is tighter than expected, which is why it gives me more confidence about Disclosure Day. The direction is straightforward and lets the script do most of the work, even if the effects budget clearly limits what can be shown on screen. He needs a redemption after Indiana Jones and the Crystal Skull.

Joe Keery, known for Stranger Things and Free Guy, is the main reason I showed up. He proves he can handle a leading role after Stranger Things and carries the film with a relaxed and confident presence. He keeps the momentum going even when the spectacle falls short.

Georgina Campbell, recognized for Barbarian and Bird Box Barcelona, has great chemistry with Keery. Their scenes together are the highlight of the film and give the chaos some needed grounding.

Liam Neeson, known for Taken and Schindler's List, turns in an okay performance, but the movie oddly puts him on his back for the most of the movie. He is dependable, just not especially dynamic here.

Good writing, strong lead chemistry, weak CG, and better than expected execution overall. Result: B

Comments

Primetime (2026)

Primetime is directed by Lance Oppenheim , who is known for making some other pretentious movies, and unfortunately that reputation feels right at home here. The film offers an interesting look behind the scenes of a television production, but it spends far too much time trying to be artsy and meaningful instead of simply telling its story. Robert Pattinson is easily the best part of the movie. His character is completely Chris Hansen in both voice and mannerisms, which makes his performance unintentionally hilarious at times. Even so, Pattinson fully commits to the role and gives the film some much needed personality. The biggest problem is that the movie never really wraps up his story, making all that investment in his character feel strangely incomplete. Skyler Gisondo gets the unfortunate distinction of being the character we ultimately end on. His character feels like a self-insert, especially with how frequently he brings up the musical Rent . Instead of giving the ending th...

Buzzkill (2026)

Buzzkill is a slasher that suffers from overacting, cringe dialogue, and characters who are almost impossible to take seriously. The first victim is supposed to be college-aged, but the actress looks like she is clearly in her thirties, which makes the setup immediately distracting. The movie also constantly makes references that feel like even the actors have no idea what they are actually talking about. It gives the impression that the writers wanted the characters to sound clever without bothering to make their dialogue feel natural. Siena Agudong gives off obvious final girl vibes, and she has the presence to carry that role. The problem is her character is so annoying that it becomes difficult to understand why everyone around her treats her with such reverence. The movie seems determined to convince us that this character is far more likable and important than her actual personality suggests, which makes the character development feel completely backwards. The writing also ends...

The Dog Stars (2026)

The Dog Stars is directed by Ridley Scott , which certainly gives the post-apocalyptic film some serious filmmaking pedigree. Unfortunately, the movie starts off very, very slow, taking its time before it really gives the audience much to latch onto. Once it gets going, though, the performances help carry it, particularly the natural charm of its lead. Jacob Elordi brings a lot of charm to the film, which is especially important considering how slow the story develops. His presence gives the movie some much needed vibe and makes it easier to stay invested in the character even when the pacing is dragging. He's continuing to improve his performances even after Frankenstein. Josh Brolin continues to prove that he can make a strong impression in supporting roles. Much like his work in Weapons , he brings a level of confidence and presence that helps elevate the scenes he is in. He may not be the main focus of the movie, but he is one of those actors who can make a supporting role f...

Movies, Film, and Chili

Search This Blog