Skip to main content

Hokum (2026)


Hokum
is written and directed by Damian Mc Carthy, known for Oddity, and continues his focus on atmospheric, slow-building horror. The film leans heavily into unease and isolation, crafting a setting that feels both grounded and unsettling. McCarthy shows a clear confidence in tone, allowing the horror to develop naturally rather than relying on constant shocks. The result is a film that delivers on both terror and atmosphere, even if it takes its time getting there.

Adam Scott, known for Parks and Recreation and Step Brothers, plays a writer who is intentionally difficult to like for much of the film. His character comes across as abrasive early on, which creates a bit of distance between him and the audience. However, as the story unfolds, the writing shifts that perception, giving him more depth and making it easier to root for him as things spiral. Scott handles that transition well, gradually pulling the audience back onto his side.

David Wilmot, known for Fantastic Beasts: The Crimes of Grindelwald and Hamnet, is a standout as Jerry, the strange, mushroom-drinking forest local. He brings an unpredictable energy to the role, making every scene he’s in feel slightly off-balance in the best way. His performance adds a layer of intrigue and tension that elevates the film whenever he’s on screen.

Florence Ordesh plays Fiona, a character who is intriguing but ultimately underused. She brings a strong presence and adds to the mystery surrounding the story, but the film doesn’t give her enough time to fully develop. It feels like there was more potential there that never quite gets explored.

Overall, Hokum is a well-crafted horror film that succeeds in building tension and delivering genuine moments of terror. Strong performances, particularly from its supporting cast, help carry it through its slower moments. While not perfect, it leaves a lasting impression thanks to its atmosphere and payoff. Hokum is a solid entry in modern horror. Result: B+

Comments

Popular posts from this blog

Hope (2026)

Hope is directed by Na Hong-jin , the same director who brought us The Wailing , and it has a similarly interesting approach to suspense. The story itself is intriguing, but the editing desperately needed some work. The pacing can be all over the place, which makes some sections feel much longer than they need to be. The comedy also comes completely out of nowhere, considering most of the movie is built around suspense and action. Some of it works, but the tonal shifts can be pretty jarring. Hwang Jung-min's character has the best arc in the movie. His character actually changes throughout the story, and watching that progression is one of the film's strongest elements. Ho-yeon's character, she was in Squid Game, on the other hand, is great from the beginning and doesn't really have much growth. That isn't necessarily a bad thing, but it makes the contrast between the two characters' arcs pretty noticeable. Zo In-sung, known from Netflix show  It's Okay,...

Runner (2026)

Runner is directed by Scott Waugh , the same director who brought us Act of Valor and Expendables 4 , and he knows how to handle action. The action is well directed, and the editing is tight enough that the movie never feels unnecessarily drawn out. The film is pretty straightforward, but it knows what it wants to be and delivers a fun action movie without overstaying its welcome. Alan Ritchson tries to branch out from the role of the giant who beats people up, but he doesn't get very far away from it. He's clearly capable of playing more than the typical physically imposing action hero, but this movie still leans heavily into what he's already known for. Owen Wilson , meanwhile, basically plays himself, or at least a character very similar to the one he played in Wedding Crashers . If you've seen Wilson in that type of role before, you know exactly what you're getting. Rodrigo Santoro , who most people will probably recognize from 300 , plays the main villain. H...

Buddy (2026)

Buddy is written and directed by Casper Kelly , who is better known as an Adult Swim writer. That probably explains why this type of film is right up his alley. The movie tries to be funny, but it tries way too hard. At the same time, it tries to be a horror movie but doesn't try nearly hard enough. It feels like the whole premise is being pushed to its extreme primarily to create something that could go viral rather than because the story actually has anywhere meaningful to go. Cristin Milioti is the main actress in the film, and while she's definitely charismatic, her performance feels a bit overdramatic at times. The child actors are all fine with one exception, although none of them really stand out enough to make much of an impression. Topher Grace is another example of the horrible male characters we've gotten in a long line of that particular trope throughout the 2020s. I can't wait to see what comes next in that line of writing. At this point, it's almos...