Skip to main content

Passenger (2026)


Passenger
is directed by André Øvredal, known for The Autopsy of Jane Doe and Scary Stories to Tell in the Dark, with a script by Zachary Donohue and T.W. Burgess. The film centers around a demonic presence tied closely to the title itself, and when it focuses directly on the horror elements, it works surprisingly well. Øvredal still understands how to stage tension and build effective scares, but the material between those moments struggles to stay engaging. The pacing slows considerably whenever the horror steps aside, leaving the film feeling uneven overall.

Jacob Scipio, known for Bad Boys for Life and Expend4bles, takes on the boyfriend role but never fully feels like someone the audience naturally roots for. Whether intentional or not, his screen presence lacks the vulnerability or charisma needed to carry the quieter sections of the film. He handles the horror scenes competently enough, but the emotional connection never really forms.

Lou Llobell, known for Foundation, plays opposite Scipio and unfortunately gives a performance that feels too restrained for the material. The emotional reactions often come across flat or unconvincing, which hurts several scenes that depend heavily on fear and desperation. In a horror film built around tension and emotional escalation, that lack of expressiveness becomes difficult to ignore.

To the film’s credit, some of the scares genuinely land. Øvredal still knows how to frame disturbing imagery and create suspenseful sequences. The problem is that the movie’s strongest scare is already featured in the trailer, which removes some of the impact while watching the full film unfold.

Overall, Passenger has flashes of effective horror buried inside a film that struggles with character engagement and pacing. The scary moments show clear talent behind the camera, but the weaker performances and underwhelming material between the scares keep it from fully working. Passenger delivers a few memorable moments, but not enough to elevate the full experience. Result: C-

Comments

Popular posts from this blog

Wuthering Heights (2026)

Wuthering Heights is directed by Emerald Fennell , known for Promising Young Woman and Saltburn , and opens with a striking image that immediately signals this will not be a conventional adaptation of the classic novel. The film remains faithful to several of the book's narrative choices, particularly in how it lingers on the characters' early years before fully embracing the central tragedy. While this approach accurately reflects the source material, the pacing occasionally suffers, with several montages and extended childhood sequences lasting longer than necessary. One element that works especially well is the portrayal of Catherine and Heathcliff's adoptive father, whose volatile temper contrasts sharply with the affection he shows the two children, echoing one of the novel's stronger character dynamics. Margot Robbie , known for Barbie and I, Tonya , delivers one of the strongest performances of her career as Catherine. She captures the character's passio...

Voicemails for Isabelle (2026)

Voicemails for Isabelle is written and directed by Leah McKendrick , whose previous acting work included a small role in I Know What You Did Last Summer . Here she steps behind the camera with a romantic comedy that aims to balance humor and modern relationships, but the screenplay struggles under the weight of uneven characterization. Much of the dialogue comes across as forced, and the humor often leans into exaggerated "girl boss" moments that quickly become repetitive. The biggest weakness is that nearly every male character, with one exception, is written as either incompetent or one-dimensional, leaving the story feeling less like a balanced romantic comedy and more like a collection of caricatures. As a result, the central romance never develops the emotional foundation it needs. Zoey Deutch , known for Set It Up and Zombieland: Double Tap , plays Jill and gives an energetic performance, but the screenplay works against her. The character is repeatedly described as...

Citizen Vigilante (2026)

Citizen Vigilante is written and directed by Uwe Boll , a filmmaker whose work has always been divisive, and this film continues that trend. The movie tackles issues surrounding immigration, social tensions, and public frustration, themes that have been prominent throughout the decade. Surprisingly, the film often approaches these subjects from a perspective that many viewers may not expect from a major studio release. While the political themes are front and center, the larger issue is that the writing struggles to make the world and its characters feel believable. Conversations often lack the natural reactions people would have in real life, particularly younger characters who accept lectures and speeches with very little resistance or personality. Armie Hammer , known for The Social Network and The Man from U.N.C.L.E. , plays the vigilante and spends much of the film using a gravelly, Batman-inspired voice. He commits fully to the role, and his physical presence works well for th...