Skip to main content

Hamnet (2025)


Hamnet (2025)
is directed by ChloĆ© Zhao, known for Nomadland and The Rider, and produced by Steven Spielberg, whose legacy includes Schindler’s List and Saving Private Ryan. Zhao’s quiet, human-centered style blends unexpectedly well with Spielberg’s sweeping emotional sensibilities. The result is a film that is intimate yet cinematic, grounded yet overwhelming in its emotional impact. It is easy to see why many are calling it a frontrunner. The writing, pacing, and visual storytelling come together with remarkable precision.

Jessie Buckley, known for I'm Thinking of Ending Things and Women Talking, delivers the best performance of her career. She is raw, expressive, and heartbreakingly human. Every scene she’s in is layered with emotion, and she elevates the material far beyond what even great writing could accomplish. Her portrayal is the emotional anchor of the film.

Paul Mescal, known for Aftersun and Gladiator II, is equally powerful. While his performance in Gladiator II left something to be desired, here he shines with nuance and vulnerability. He brings a grounded strength to the role and meets Buckley beat for beat, creating a partnership that fuels the film’s most devastating moments.

Hamnet is beautifully acted and exquisitely crafted. I teared up three separate times in the theater, and people around me were openly weeping. It is one of the most emotionally moving films of the year and might genuinely sweep the Oscars if momentum holds. Result: A

Comments

Popular posts from this blog

Psycho Killer (2026)

Psycho Killer (2026) is a religious-tinged detective thriller that leans far more into procedural tension than outright horror. Directed by Gavin Polone , who is better known as a producer than a filmmaker, the movie benefits heavily from its screenplay by Andrew Kevin Walker , the writer behind Se7en . His fingerprints are all over this. The writing is sharp, layered with foreshadowing that only fully clicks at the end, and structured in a way that constantly feels like it is building toward something inevitable. The gorgeous  Georgina Campbell plays the detective tracking down the titular killer, and she carries the film with confidence. You'll remember her from Barbarian and recently Cold Storage.  The script gives her plenty of emotional range to explore, from controlled professionalism to visible cracks under pressure. She handles the lore-heavy exposition well and grounds what could have been overwhelming backstory. It is another strong showing for her and proof she c...

How to Make a Killing (2026)

How to Make a Killing (2026) is written and directed by John Patton Ford and released by A24 . The film clearly aims for sharp satire and quirky character study, but it never fully commits to being as biting or unhinged as it wants to be. It plays like an oven mitt version of American Psycho , handling similar themes of ego and moral decay but with far less edge. Glen Powell , known for Top Gun: Maverick and Anyone But You , delivers a decent performance. He has natural charisma and screen presence, and he carries the film capably, but the script never gives him the psychological depth needed to make the character truly interesting. Margaret Qualley , recognized for Kinds of Kindness  and Once Upon a Time in Hollywood , feels like she is playing a variation of the same character she often portrays. She is effective, but there is little new here in terms of range or transformation. Jessica Henwick , known for Cuckoo and Glass Onion , gives the strongest performance of the tri...

Cold Storage (2026)

Cold Storage (2026) is a sci fi horror thriller that surprised me in a good way. The writing is solid enough that it actually calmed some of my worries about Disclosure Day coming later this year since the same writer is involved. The story holds together and stays engaging, even when the visuals do not. The CG is laughably bad at times, but the acting/chemistry keeps the movie watchable. Jonny Campbell directs, with the screenplay by David Koepp , known for Jurassic Park and Spider-Man . His writing here is tighter than expected, which is why it gives me more confidence about Disclosure Day. The direction is straightforward and lets the script do most of the work, even if the effects budget clearly limits what can be shown on screen. He needs a redemption after  Indiana Jones and the Crystal Skull. Joe Keery , known for Stranger Things and Free Guy , is the main reason I showed up. He proves he can handle a leading role after Stranger Things and carries the film with a relax...