Frankenstein (2025)

Frankenstein (2025) is directed by Guillermo del Toro, the visionary filmmaker behind Pan’s Labyrinth and The Shape of Water. His style once again blends gothic beauty with emotional storytelling, and his long-awaited take on Frankenstein is everything you’d expect: tragic, poetic, and visually stunning. Del Toro’s passion for monsters and misunderstood souls shines through every frame, making this adaptation both faithful and deeply personal.

Oscar Isaac, known for Ex Machina and Dune, gives a grounded and believable performance as the tormented Dr. Frankenstein. He captures the obsession and guilt of a man who has gone too far, balancing intellect with a quiet madness that feels earned rather than exaggerated.

Mia Goth, who has proven herself in Pearl and Infinity Pool, continues her run as one of the most mesmerizing modern actors. Her ethereal presence fits perfectly within Del Toro’s world, and she brings depth and vulnerability to a role that could have easily been overshadowed by the film’s spectacle. She was perfectly cast and is my favorite horror actress of this generation.

The Creature, brought to life, by Jacob Elordi, through a combination of practical effects and motion capture, is powerful both in form and emotion. Rather than relying on horror alone, the character embodies tragedy and longing, aligning perfectly with Del Toro’s fascination with the humanity of monsters. You might remember him as Elvis from the movie Priscilla.

Frankenstein (2025) is a masterful retelling that blends heartbreak, horror, and hope in equal measure. It’s one of Del Toro’s most beautiful films to date. Result: A

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Star Wars: The Mandalorian and Grogu (2026)

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