Roofman (2025) is written and directed by Derek Cianfrance, known for co-writing Sound of Metal and directing The Place Beyond the Pines. While the story’s real-life basis limits the emotional depth and narrative creativity compared to his earlier work, Cianfrance still manages to build tension and authenticity through grounded character work and realistic pacing. The direction shows his skill in capturing human struggle, though it doesn’t reach the same heights as his past projects.
Channing Tatum, who both produces and stars, delivers a solid performance. While it doesn’t demand the same emotional intensity as Foxcatcher or the boldness of Blink Twice, Tatum’s portrayal of the titular Roofman carries genuine effort and restraint. He manages to evoke empathy without leaning too heavily on dramatics, showing a maturity in his acting that’s commendable.
Kirsten Dunst, known for Interview with a Vampire and Spider-Man, continues her streak of strong dramatic performances. She brings subtlety and poise to her role, grounding the film with her emotional precision. Her presence gives the movie a weight that keeps it from drifting into mediocrity.
LaKeith Stanfield, who starred in Judas and the Black Messiah and Sorry to Bother You, appears briefly but leaves a memorable impression. His natural charisma and quiet intensity make his scenes linger long after they’ve ended, even though his role is small.
While Roofman doesn’t soar to the same narrative heights as Cianfrance’s best work, it still stands as a solid character-driven drama with strong performances at its core. Result: B+
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