Skip to main content

The Strangers: Chapter 2 (2025)


The Strangers: Chapter 2 (2025)
is directed by Renny Harlin, who also helmed The Strangers: Chapter 1 earlier in the year. Much like its predecessor, this sequel leans into style and shock value, but Harlin does a slightly better job balancing tension with atmosphere. Filmed back-to-back-to-back with the rest of the trilogy over 52 days in Slovakia, the production feels rushed but not without improvement.

Madelaine Petsch, known for Riverdale and Sightless, returns as the lead and noticeably carries the film. Her performance is sharper this time, showing more range and conviction despite the quick filming turnaround. She brings much-needed emotional weight that the script itself often lacks.

Ema Horvath, who appeared in The Lord of the Rings: The Rings of Power and What Lies Below, gets more focus here. While her character is central to the story, the writing doesn’t give her much depth beyond moving the plot along. Still, she holds her own against the chaos.

Richard Brake, and don't get him confused for Jackie Earle Haley, recognizable from Mandy and Game of Thrones, makes another appearance and feels like he may be set up as a red herring leading into Chapter 3. His presence adds menace, but his role is left deliberately vague.

Everyone else in the film is either a disposable suspect or killed off in mere seconds, highlighting the franchise’s slasher-style efficiency but also its lack of character investment. Overall, the film is an improvement over Chapter 1, though the bar was low to begin with. It provides a stronger sense of tension but still feels like a stepping stone to the finale. Result: C+

Comments

Popular posts from this blog

The Housemaid (2025)

The Housemaid (2025) is directed by Paul Feig , best known for comedies like Bridesmaids and Freaks and Geeks , and the tonal clash is noticeable. Feig leans into slick presentation and surface-level tension, but the film never quite reconciles its thriller ambitions with its obvious messaging. As an adaptation, it feels safer and more predictable than it wants to be, especially given how clearly it telegraphs its twists. Sydney Sweeney , known for Euphoria and Anyone But You , plays a down-on-her-luck woman recently out on parole who is desperate for work. She does what she can with the role and brings some emotional weight early on, but the writing limits her range. Her character cycles through bashful and annoyed so often that it starts to feel repetitive rather than psychologically layered. Amanda Seyfried , recognizable from Mamma Mia! and Mean Girls , plays the wealthy woman whose life slowly unravels as the power dynamic flips. Seyfried is solid and more controlled than Sw...

Marty Supreme (2025)

Marty Supreme (2025) is written and directed by Josh Safdie , who previously directed Good Time and Uncut Gems . This film carries that same frantic Safdie energy, with constant motion and pressure that rarely lets the audience breathe. It is chaotic by design, sometimes to a fault, but the intensity feels intentional rather than sloppy. Even when the pacing threatens to overwhelm, the film remains compelling due to the strength of its performances. Timothée Chalamet , known for Dune and Call Me by Your Name , plays the title role and fits it perfectly. He fully commits to the character’s ambition and volatility, balancing confidence with insecurity in a way that feels natural for him at this stage of his career. This is not a transformative performance, but it is a highly effective one, and he clearly understands the rhythm and demands of a Safdie-style film. Odessa A’zion , who audiences may recognize from Grand Army and Hellraiser (2022) , is a standout as the love interest. S...

Anaconda (2025)

Anaconda (2025) is a reboot comedy of the 90s film, written and directed by Tom Gormican , who previously delivered the clever and self-aware The Unbearable Weight of Massive Talent . Unfortunately, that lightning does not strike twice. The core problem is simple. The jokes do not land. If horror films are judged by scares per minute, then comedies should be judged by laughs per minute, and this one delivers virtually none. Any humor that works was already burned in the trailer, leaving the film feeling empty and painfully drawn out. Jack Black , known for School of Rock and Jumanji , leans heavily into his loud, chaotic persona, but here it becomes grating rather than charming. His performance feels unchecked and repetitive, as if volume alone is meant to substitute for comedy. Instead of elevating scenes, he often drains them of momentum. Paul Rudd , who audiences know from Ant-Man and I Love You, Man , somehow comes off just as irritating. Rudd is usually likable even in weak m...