Skip to main content

Weapons (2025)

Weapons is written and directed by Zach Cregger, who previously made Barbarian. Here, he delivers his best work yet, creating a film that feels like Pulp Fiction with a horror twist. The nonlinear storytelling, sharp tension, and bold tone make it one of the most unique films in recent years and, for me, the best movie of the year so far.

Julia Garner, fresh off her roles in The Fantastic Four: First Steps and Wolf Man, gives her strongest performance of the year. She brings a layered intensity to her role, balancing fear, cunning, and vulnerability in a way that keeps you glued to her every move.

Josh Brolin is at his most gripping since No Country for Old Men. His presence commands the screen, and he uses his experience to create a menacing yet magnetic performance that elevates every scene he’s in.

Alden Ehrenreich delivers the best performance of his career. He completely disappears into his role, showing a range and charisma that surpasses anything he’s done before, and stands out even among this powerhouse cast. You'll remember that he was Han Solo.

Cregger proves he’s not a one-hit wonder, and Weapons is a tightly crafted, inventive, and confident piece of filmmaking that blends genre and structure masterfully. The ending will make you want to scream "Yes!" at the silver screen. Could this be the second coming of Wes Craven? Result: A

Comments

Popular posts from this blog

Rental Family (2025)

  Rental Family is about an American living in Japan as an actor who falls into an odd acting gig as a surrogate family member or something similar for other people to cope or find meaning in relationships.  Written and directed by Hikari, who brought us the critically acclaimed movie 37 Seconds which was sent straight to streaming back in 2020, so don't feel bad if you've never heard of it. This time around she's getting a proper release. Her direction is very artistic and the character writing is great. There are even moments of laughter in this drama.  Brendan Frasier plays the main character a "token white guy" as the movie puts it. He is on a role with these select films. I'm excited for a Mummy reunion and his return with The Whale  was great. This wasn't as well acted as The Whale, but it was still good. I'm not too sure this will get nominated for any Oscar or do well at the box office, but it was still good. Result:  B

The Running Man (2025)

The Running Man (2025) is directed by Edgar Wright , known for Baby Driver and Hot Fuzz , but this remake lacks the trademark charm, rhythm, and comedic punch that define his best work. The film feels noticeably muted, almost as if Wright was creatively restrained or intentionally holding back, resulting in a tone that is far more conventional than expected from him. The visual flair is still present, but the energy is dialed down and the humor is sparse, creating an experience that feels competent yet oddly subdued. Glen Powell , known for Top Gun: Maverick and Anyone But You , leads the film well and brings his usual charisma to the role. He emotes effectively and fully commits to the character, but the makeup choices surrounding him occasionally distract and left me wondering what the creative team was trying to convey. Still, Powell carries the emotional beats and remains one of the film's strongest assets. Josh Brolin , from No Country for Old Men and Dune , steps comfor...

The Black Phone 2 (2025)

The Black Phone 2 (2025) is written and directed by Scott Derrickson , the mind behind Sinister and the original The Black Phone . While Derrickson’s return should have elevated the sequel, the film instead leans too heavily on exposition, losing much of the dread and mystery that made the first entry so chilling. The scares feel explained rather than experienced, and the pacing suffers because of it. Mason Thames , reprising his role from the original, delivers a respectable performance. Now older, he brings maturity to the character, though much of the fear and vulnerability that made him compelling in the first film is gone. His performance is serviceable but lacks the spark of discovery the story needs. Ethan Hawke , known for Training Day and Dead Poets Society , returns as The Grabber. His presence still commands the screen, but his reduced role feels like a missed opportunity. The movie never finds a figure as haunting or magnetic as his portrayal in the original. Madelein...