Skip to main content

Superman (2025)


Superman (2025) brings the Man of Steel back to the big screen in a bold, colorful new start for the DC Universe.

Directed by James Gunn, known for Guardians of the Galaxy and The Suicide Squad, this might be his second-best film. It finds the right balance between hope, humor, and action without falling into the over-jokey MCU-esque trap. Gunn’s love for the character shines through, and the world feels lived-in and full of potential.

David Corenswet, previously seen in Pearl and Hollywood, steps into the cape and owns it. He’s sincere, powerful, and manages to give Superman the warmth that has been missing in recent versions. It’s a classic take that still feels fresh.

Nicholas Hoult, known for The Menu and Mad Max: Fury Road, is the best Lex Luthor we’ve had. He plays the character with intelligence and menace, but never turns him into a cartoon. He’s unpredictable in the right way and commands every scene he’s in.

Skyler Gisondo, best known for The Righteous Gemstones and Booksmart, is a genuine surprise. He brings charm and energy to the supporting cast without being annoying or distracting. He adds just the right touch of comic relief and sincerity.

Rachel Brosnahan, from The Marvelous Mrs. Maisel, plays Lois Lane with strength and curiosity. Her version is less feisty and more grounded. It’s an interesting take that works well opposite Corenswet’s Superman. She has presence and holds her own in every scene.

Nathan Fillion, known for Firefly and The Rookie, is ideal as Green Lantern. He fits the tone that Gunn’s building, balancing sarcasm with grit. His casting finally gives the character some weight and personality on screen.

Edi Gathegi, from For All Mankind and X-Men: First Class, plays Mr. Terrific and while his screen time borders on overuse, he delivers in every scene. He’s smart, focused, and layered. It’s easy to see why he’s a cornerstone of this new universe.

Isabela Merced, known for Dora and the Lost City of Gold and Rosaline, plays Hawkgirl and makes the most of limited screen time. She has the look and intensity down. A little more of her would have helped round things out.

A strong reboot with smart casting and just enough world-building to get excited about what comes next. The film was written before the modern-day immigration issues, and it is a coincidence. Remember, it's just a film. Result: A-

Comments

Popular posts from this blog

Paw Patrol: The Dino Movie (2026)

Paw Patrol: The Dino Movie is another cookie-cutter entry in the Paw Patrol franchise, so there isn't much to say about the story itself. This time, the focus is on Marshall, the team's resident firefighter, or perhaps "firedog" in this case. The movie is wholesome and delivers exactly what you'd expect from a Paw Patrol film, even if it doesn't do much to distinguish itself from the previous entries. Mckenna Grace voices Skye, although you would never know it from the performance. Her voice is so normal for the character that Grace's usual presence is virtually unrecognizable. Terry Crews , on the other hand, voices Alistair Stonewall, and you can definitely tell it's him. His recognizable voice and personality come through clearly and make the character more memorable. Snoop Dogg also makes a fun cameo as Dave, the owner of a yacht who enjoys fishing. It's a small role, but his recognizable voice and personality make it a welcome surprise. T...

Sleepwalker (2026)

Sleepwalker is a horror thriller written and directed by Brandon Auman , who quickly reminds us why his career has primarily been in television rather than feature films. Writing for children's television can sometimes get away with simplistic dialogue and storytelling, but those weaknesses become glaring when stretched into a feature-length horror movie. The screenplay is filled with clunky dialogue and predictable horror beats, while the jump scares rarely land. Instead of creating tension, the film repeatedly left me sighing in boredom. Hayden Panettiere delivers a strong performance despite the material she's been given. It's clear that many of her lines weren't written with much care, but she does what she can to make the character feel believable. Knowing this is her final film makes the performance bittersweet, especially because she deserved a much better script to go out on. Fortunately, her performance here doesn't diminish the work she's done in bet...

The End of Oak Street (2026)

The End of Oak Street starts with Anne Hathaway immediately establishing herself as the film's strongest performer, especially when compared to the wooden performance from Ewan McGregor . The premise of a writer struggling with an unsupportive spouse hits close to home for me. The split-focus direction from David Robert Mitchell isn't particularly new or uniquely executed. Instead, it often feels disorienting without accomplishing what I assume was the intention. Mitchell also struggles with the screenplay, as the dialogue can be atrocious at times and boring the rest of the time. This isn't his first failed attempt at writing interesting characters, which makes it understandable why he hasn't written or directed anything in eight years. Anne Hathaway is easily the best part of the film. She brings enough personality and emotional weight to keep the movie watchable despite the material surrounding her. Unfortunately, even Hathaway can't carry the entire film. Ew...