Skip to main content

Longlegs (2024)

 

Longlegs is about an occult serial killer who has a connection to the FBI agent/main character who pursues him.

This is the best horror movie since 2022's Pearl which was done by A24. This film is NEON's high-brow attempt at elevated horror. Oz Perkins directed Gretel & Hansel back in 2020 which was okay and without his writing. He has outdone himself in both writing and direction this time around. His eye motion tracking is stellar and his tension-building is easily one of the best this decade. 

I'm not sure anyone else could have played the main character. Maika Monroe made the character feel so much with just a look or delivery of minimalistic dialogue. I've been following her since 2014 when she did It Follows, and her acting has only improved. Speaking of which, she was reprising her role for the upcoming sequel They Follow.

Nicolas Cage, the legend, plays the serial killer Longlegs. He has makeup on and the only way you really know it's him is the delivery of maddening psychopathic screaming and singing. While it's not in his top five performances, this film is. His best being Gone in 60 Seconds, of course.

The film has scares, terror, and some gore. The trifecta of good horror. It's the best film of the year so far and has a really terrifying message. Result: A

Comments

Popular posts from this blog

Mission: Impossible - Dead Reckoning Part One (2023)

Mission: Impossible - Dead Reckoning Part One  has a long name, long runtime, and long action sequences. Christopher McQuarrie  has directed Tom Cruise  in 4 out of his 5 directorial movies, the first being Jack Reacher . He has much more impressive writing credentials. But to talk about the direction of the movie, he knows how to direct action and chase scenes but when it comes to dialogue there were some issues I had with camera angles. I totally forgot that McQuarrie  had written The Usual Suspects,  which can explain some of the dialogue choices in this film. He knows how to write so that the audience remembers the characters' names, unlike Tony Gilroy . There's no connection there I just think that's one of my major criticisms of Gilroy. Tom Cruise looks like he's forty years old, but is actually sixty at the time of release. He has some great two-liners which seem to be more of his go-to, not only for adding emotions but for the trailer purpose. There are ...

Scream 7

Scream 7 (2026) marks the return of Kevin Williamson , the original writer of Scream , now stepping back in to write and direct. The result is a sequel that feels closer in spirit to the franchise’s roots. It balances meta commentary with straightforward slasher brutality and, for the most part, it works. Neve Campbell returns as Sidney Prescott and immediately grounds the film. Her presence alone gives the story weight, and the script wisely centers her instead of sidelining her. There are a few cameos from figures in Sidney’s past that longtime fans will appreciate, and while some feel more nostalgic than necessary, they never fully derail the pacing. Also, she's not past her prime. Isabel May , known for 1883 and Alexa & Katie , steps into a major role and holds her own as Sidney's daughter. She brings a modern energy without feeling like a forced replacement, and her dynamic with Campbell adds tension that feels organic rather than manufactured. The violence is tu...

Crime 101 (2026)

Crime 101 (2026) is a crime thriller that checks the basic boxes of what should work, but the writing never tightens enough to make it compelling. It hits familiar beats, runs longer than it should, and never quite earns its tension. It feels like a good movie outline stretched into a full runtime. Bart Layton , known for American Animals and The Imposter , directs, and his uneven filmography shows here. The structure is serviceable, but the pacing drags and the scenes lack urgency. The direction is competent without being memorable, and the film never finds a sharp identity. Chris Hemsworth , known for Thor and Extraction , plays the reclusive criminal at the center of the story. He tries to lean into a quieter, more internal performance, but he does not fully sell the damaged foster child mentality the script is aiming for. The performance feels like an attempt rather than a transformation. Mark Ruffalo , recognized for Spotlight and The Avengers , feels like he is on autopilo...