Avatar: The Way of Water (2022)

Avatar: The Way of Water is the followup to James Cameron's original box office winner Avatar. Continuing Jake Sully's story, now protecting his family from Colonel Miles Quaritch again.

Written and directed by James Cameron. The worst parts of the writing probably came from the writers of Mulan, both Rick Jaffa and Amanda Silver. In terms of direction, there was the expectation that Cameron would recreate some sort of magic of Avatar, Terminator 2, or even Aliens. I think Cameron gave the skeleton of the story and Jaffa and Silver added their own dialogue and beats. Cameron doesn't really write boring movies and I was bored through parts of the film. 3 hours and 12 minutes is a long time to have amazing dialogue and writing.

Sam Worthington is back but you don't recognize him since he was barely in the first film except in his avatar form. Most people don't know Worthington. Maybe if you played the Call of Duty Black Ops games as he played Alex Mason. I most remember him from Clash of the Titans and Wrath of the Titans.

Zoe Saldana and Sigourney Weaver are both great and the only issue I have is that Zoe Saldana is still unrecognizable and Sigourney Weaver plays a child which is kinda weird at first but the average audience won't even notice.

Stephen Lang is still the bad guy, even though they introduced his boss, the bad woman: General Ardmore played by the wonderful Edie Falco. Who you might recognize as Carmela Soprano from The Sopranos. None of Gen Z will know who she is, but anyone who grew up while The Sopranos was on might wonder 'Whose that woman again? I feel like I've seen her before.'

All in all the visuals are expectedly great for the most part and the story suffers like the first one. Avatar: The Way of Water earns a B- for being boring for an hour and engaging for two.

Comments

Wuthering Heights (2026)

Wuthering Heights is directed by Emerald Fennell , known for Promising Young Woman and Saltburn , and opens with a striking image that immediately signals this will not be a conventional adaptation of the classic novel. The film remains faithful to several of the book's narrative choices, particularly in how it lingers on the characters' early years before fully embracing the central tragedy. While this approach accurately reflects the source material, the pacing occasionally suffers, with several montages and extended childhood sequences lasting longer than necessary. One element that works especially well is the portrayal of Catherine and Heathcliff's adoptive father, whose volatile temper contrasts sharply with the affection he shows the two children, echoing one of the novel's stronger character dynamics. Margot Robbie , known for Barbie and I, Tonya , delivers one of the strongest performances of her career as Catherine. She captures the character's passio...

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...

Citizen Vigilante (2026)

Citizen Vigilante is written and directed by Uwe Boll , a filmmaker whose work has always been divisive, and this film continues that trend. The movie tackles issues surrounding immigration, social tensions, and public frustration, themes that have been prominent throughout the decade. Surprisingly, the film often approaches these subjects from a perspective that many viewers may not expect from a major studio release. While the political themes are front and center, the larger issue is that the writing struggles to make the world and its characters feel believable. Conversations often lack the natural reactions people would have in real life, particularly younger characters who accept lectures and speeches with very little resistance or personality. Armie Hammer , known for The Social Network and The Man from U.N.C.L.E. , plays the vigilante and spends much of the film using a gravelly, Batman-inspired voice. He commits fully to the role, and his physical presence works well for th...

Movies, Film, and Chili

Search This Blog