Deadpool & Wolverine (2024)

Deadpool & Wolverine is the third part of Deadpool's trilogy from Fox, this time from Disney.

The film is directed by Shawn Levy. After seeing how well Levy directed Free Guy and The Adam Project, I'm guessing writer/actor Ryan Raynolds greenlit him to take control of the end of his trilogy. There are some pacing issues and the film tells more than it shows. The latter is a Disney issue probably because even Deadpool says Disney doesn't want him doing cocaine.

Ryan Raynolds, much like Hugh Jackman, has the issue where no one else could fill the roles of playing his character, and since Deadpool has a bunch of makeup on he could be playing this character for a long long time. In a world where comic book movies are on the downfall, Deadpool stands out because of quality comedy.

Just when he got out Marvel must have given him a truckload of money. Hugh Jackman is a likable person both behind the camera and in front of it. His potential fall is nearly as great as The Rock's is. He swears a lot in the film and is in the stance of a traditional Wolverine. As a comic book fan, I would have enjoyed a Berserker Barrage, but they probably didn't have the rights.

At first, I wasn't too keen on Emma Corrin playing Cassandra Nova. Especially since the character wasn't really enjoyed when she was first introduced. Apart from having eyebrows, she is a spot-on adaptation of the comic. Also, the inclusion of her weakness was great, they really drew from the comics on this one.

It's a great comic book adaptation and send-off for an entire universe. Result: A-

Comments

The Housemaid (2025)

The Housemaid (2025) is directed by Paul Feig , best known for comedies like Bridesmaids and Freaks and Geeks , and the tonal clash is noticeable. Feig leans into slick presentation and surface-level tension, but the film never quite reconciles its thriller ambitions with its obvious messaging. As an adaptation, it feels safer and more predictable than it wants to be, especially given how clearly it telegraphs its twists. Sydney Sweeney , known for Euphoria and Anyone But You , plays a down-on-her-luck woman recently out on parole who is desperate for work. She does what she can with the role and brings some emotional weight early on, but the writing limits her range. Her character cycles through bashful and annoyed so often that it starts to feel repetitive rather than psychologically layered. Amanda Seyfried , recognizable from Mamma Mia! and Mean Girls , plays the wealthy woman whose life slowly unravels as the power dynamic flips. Seyfried is solid and more controlled than Sw...

Marty Supreme (2025)

Marty Supreme (2025) is written and directed by Josh Safdie , who previously directed Good Time and Uncut Gems . This film carries that same frantic Safdie energy, with constant motion and pressure that rarely lets the audience breathe. It is chaotic by design, sometimes to a fault, but the intensity feels intentional rather than sloppy. Even when the pacing threatens to overwhelm, the film remains compelling due to the strength of its performances. Timothée Chalamet , known for Dune and Call Me by Your Name , plays the title role and fits it perfectly. He fully commits to the character’s ambition and volatility, balancing confidence with insecurity in a way that feels natural for him at this stage of his career. This is not a transformative performance, but it is a highly effective one, and he clearly understands the rhythm and demands of a Safdie-style film. Odessa A’zion , who audiences may recognize from Grand Army and Hellraiser (2022) , is a standout as the love interest. S...

Anaconda (2025)

Anaconda (2025) is a reboot comedy of the 90s film, written and directed by Tom Gormican , who previously delivered the clever and self-aware The Unbearable Weight of Massive Talent . Unfortunately, that lightning does not strike twice. The core problem is simple. The jokes do not land. If horror films are judged by scares per minute, then comedies should be judged by laughs per minute, and this one delivers virtually none. Any humor that works was already burned in the trailer, leaving the film feeling empty and painfully drawn out. Jack Black , known for School of Rock and Jumanji , leans heavily into his loud, chaotic persona, but here it becomes grating rather than charming. His performance feels unchecked and repetitive, as if volume alone is meant to substitute for comedy. Instead of elevating scenes, he often drains them of momentum. Paul Rudd , who audiences know from Ant-Man and I Love You, Man , somehow comes off just as irritating. Rudd is usually likable even in weak m...

Movies, Film, and Chili

Search This Blog