Skip to main content

Argylle (2024)

 
Argylle is a thriller about a writer whose novel has an uncanny resemblance to current world events. 

Matthew Vaughn really should have let this idea bake a bit longer. Not only that but the CG could have been paid for as it looks like it was done by a kid in a basement. His other movies have been a hit or miss for me. Kick-Ass was great, The Kingsmen sequels were just not as entertaining. His writer, Jason Fuchs hasn't had a hit since Wonder Woman, and I believe he got lucky on that as his other films, Pan and Ice Age: Continental Drift are mediocre at best and garbage at worst.

Dua Lipa shouldn't have been cast. She tries so hard to be sexy. Bryce Dallas Howard plays the writer but her acting and character are boring and the makeup department made her look bland probably on purpose. She was a pretty face for the Jurassic World series, but anyone with a pretty face could have made Chris Pratt look good. John Cena's character is supposed to be cheesy but he doesn't have the charisma. Sam Rockwell does a pretty good job as an action star and I've been a fan of his since Galaxy Quest. Ariana DeBose wasn't used to her fullest as her character was tossed aside at the beginning of the film and was absent most of the film since then. Bryan Cranston plays the bad guy and is very one-dimensional, everyone knows you can act better than that since you were in one of the best TV shows of all time.

The film was just meh, full of itself, and the CG was laughably bad at times. Result: C




Comments

Popular posts from this blog

Star Wars: The Mandalorian and Grogu (2026)

Star Wars: The Mandalorian and Grogu is directed by Jon Favreau , known for Iron Man and Chef , with much of the story influence clearly coming from Dave Filoni , known for Star Wars: The Clone Wars and Ahsoka . Unfortunately, the film falls into the same “and then” style of storytelling that hurts many modern franchise films, where scenes feel stitched together without enough meaningful progression. Entire stretches of the movie, particularly long sequences involving Grogu wandering through a forest, feel padded and lacking purpose. Instead of building momentum, the film drifts from moment to moment without ever creating a compelling central narrative. Pedro Pascal , known for The Last of Us and Narcos , once again plays the Mandalorian, though his presence feels strangely limited. It is difficult not to notice how often the character appears disconnected physically and vocally, giving the impression that Pascal himself may not have been involved in large portions of the performa...

In the Grey (2026)

In the Grey is written and directed by Guy Ritchie , known for Snatch and The Gentlemen , and the film carries all the style and personality audiences expect from him. The dialogue is sharp, the pacing is confident, and the story constantly moves with a sense of swagger that keeps it entertaining throughout. Ritchie once again proves he knows how to make even familiar action setups feel fresh through his direction and character work. Eiza González , known for Baby Driver and Ambulance , plays the beautiful and manipulative lawyer role perfectly. She brings confidence and charisma to every scene, balancing charm with danger in a way that fits naturally into Ritchie’s world. Beyond just looking the part, she fully commits to the character’s aggressive personality and ends up being one of the film’s strongest presences. Henry Cavill , known for Man of Steel and The Witcher , delivers another very likable performance. His natural charm works extremely well here, especially in the fil...

Lee Cronin's The Mummy (2026)

Lee Cronin's The Mummy is directed by surprise-surprise  Lee Cronin , best known for Evil Dead Rise , and his style is immediately recognizable. The film plays less like a traditional Mummy story and more like a modern possession horror with a different skin. It often feels like a “what if Evil Dead involved a mummy,” leaning heavily into familiar genre beats rather than carving out something distinct. The tone prioritizes intensity and shock, with a focus on gore over sustained dread, which keeps it engaging in moments but limits its ability to build true horror. Jack Reynor , known for Midsommar and Sing Street , plays the father figure at the center of the chaos. His performance is solid and grounded, fitting well within the expectations of the genre. He brings a level of sincerity that helps anchor the film, even as the story follows a fairly predictable path. His arc plays out in a way that will feel familiar to anyone who has seen possession films like The Exorcist , but ...