Skip to main content

Ghostbusters: Frozen Empire

 

Ghostbusters: Frozen Empire is the fourth installment of the Ghostbusters franchise excluding the attempted reboot.

After Jason Reitman's reboot with Ghostbusters: Afterlife the studio gave the reigns to writer Gil Kenan to try and keep the flame alive from a directorial aspect. The film suffers from having a too-packed cast and the director didn't cut out unnecessary scenes and because of that, the film feels like a wait to see the big bad teased in the poster, trailer, and premise of the film. Kenan hasn't had a successful live-action film with the Poltergeist failure and his only good film being Monster House, but that success is partly attributed to writer Dan Harmon.

Paul Rudd has a minor character arc into a more fatherly figure in the family who has to take on a more authoritative role for a child who treats her mother horribly. It makes me wonder who this was written for as it seems the message is for teenage girls who have issues, the odd thing is that there isn't a single female writer to really draw realism from. Ghostbusters isn't known for teen angst which goes against what is expected from the film.

Kumail Nanjiani
 is funny but his character was totally unnecessary and just added more to the already packed cast. There could have been a script that excluded his character and backstory and it would still have been a fine movie.

There are too many other actors to cover them all in detail with my style of review but here are some tidbits. Mckenna Grace needs to tone it down, Finn Wolfhard is putting in the work but needs to fill out his frame, Emily Alyn Lind did great, and Celeste O'Connor was underused for her talent. Result: C+

Comments

Popular posts from this blog

Paw Patrol: The Dino Movie (2026)

Paw Patrol: The Dino Movie is another cookie-cutter entry in the Paw Patrol franchise, so there isn't much to say about the story itself. This time, the focus is on Marshall, the team's resident firefighter, or perhaps "firedog" in this case. The movie is wholesome and delivers exactly what you'd expect from a Paw Patrol film, even if it doesn't do much to distinguish itself from the previous entries. Mckenna Grace voices Skye, although you would never know it from the performance. Her voice is so normal for the character that Grace's usual presence is virtually unrecognizable. Terry Crews , on the other hand, voices Alistair Stonewall, and you can definitely tell it's him. His recognizable voice and personality come through clearly and make the character more memorable. Snoop Dogg also makes a fun cameo as Dave, the owner of a yacht who enjoys fishing. It's a small role, but his recognizable voice and personality make it a welcome surprise. T...

The End of Oak Street (2026)

The End of Oak Street starts with Anne Hathaway immediately establishing herself as the film's strongest performer, especially when compared to the wooden performance from Ewan McGregor . The premise of a writer struggling with an unsupportive spouse hits close to home for me. The split-focus direction from David Robert Mitchell isn't particularly new or uniquely executed. Instead, it often feels disorienting without accomplishing what I assume was the intention. Mitchell also struggles with the screenplay, as the dialogue can be atrocious at times and boring the rest of the time. This isn't his first failed attempt at writing interesting characters, which makes it understandable why he hasn't written or directed anything in eight years. Anne Hathaway is easily the best part of the film. She brings enough personality and emotional weight to keep the movie watchable despite the material surrounding her. Unfortunately, even Hathaway can't carry the entire film. Ew...

Sleepwalker (2026)

Sleepwalker is a horror thriller written and directed by Brandon Auman , who quickly reminds us why his career has primarily been in television rather than feature films. Writing for children's television can sometimes get away with simplistic dialogue and storytelling, but those weaknesses become glaring when stretched into a feature-length horror movie. The screenplay is filled with clunky dialogue and predictable horror beats, while the jump scares rarely land. Instead of creating tension, the film repeatedly left me sighing in boredom. Hayden Panettiere delivers a strong performance despite the material she's been given. It's clear that many of her lines weren't written with much care, but she does what she can to make the character feel believable. Knowing this is her final film makes the performance bittersweet, especially because she deserved a much better script to go out on. Fortunately, her performance here doesn't diminish the work she's done in bet...