Skip to main content

Ferrari (2023)

 


Ferrari is a biopic of the late Enzo Ferrari and his controversial 1957 race of the Mille Miglia.

Directed by Michael Mann, the film has a slow start that grounds you in the scenery, the period, and how everything is in the late 50s Italy. Mann must love Ferrari as this is the second Ferrari movie he's produced in the past 4 years: this and Ford v Ferrari which is more about Ford than it is Ferrari but whatever. Michael Mann of course directed Heat, Ali, and Collateral, these movies are much different than his recent racing fixation.

Adam Driver has a lot of range in the film having to play Enzo in various moods and display stoic, vulnerable, angry, and loving emotions; all in scenes that require them. He'll always be Kylo Ren but compared to Marriage Story and Paterson he's really branching out from his Star Wars days. 

Penélope Cruz plays Laura Ferrari, Enzo's wife who is kept in the dark about Enzo's affair with Lina Lardi played by the oddly good Shailene Woodley. She's that girl from the Divergent series, now she's all grown up. She's had some other recent movies that were 'movies' with Dumb Money and To Catch a Killer. This is easily her best film while I haven't seen a better performance from Cruz. She's a seasoned actress too. 

I enjoyed Ferrari because I'm a sports car enthusiast but if I wasn't there was still enough for people to be enthralled with the drama surrounding this particular race. Result: B+

Comments

Popular posts from this blog

Exit 8 (2026)

Exit 8 is directed by Genki Kawamura , who is best known as the producer of Your Name. , though his work as a director may be less familiar. The film leans into a minimalist premise, building tension through repetition and unease rather than large set pieces. It succeeds in creating an atmosphere that keeps you alert, with a structure that slowly reveals its rules and stakes. While the story ultimately comes together in a satisfying way, the journey there can feel a bit too restrained to stay consistently engaging. Kazunari Ninomiya , known for Gantz and Letters from Iwo Jima , carries much of the film on his own. His performance fits the tone well, grounded and reactive in a way that matches the film’s quiet tension. He does a solid job making small moments feel important, though the script doesn’t always give him enough variety to fully showcase his range. Still, he keeps the film watchable even when the pacing slows. Overall, Exit 8 is a well-constructed film that nails its ten...

Lee Cronin's The Mummy (2026)

Lee Cronin's The Mummy is directed by surprise-surprise  Lee Cronin , best known for Evil Dead Rise , and his style is immediately recognizable. The film plays less like a traditional Mummy story and more like a modern possession horror with a different skin. It often feels like a “what if Evil Dead involved a mummy,” leaning heavily into familiar genre beats rather than carving out something distinct. The tone prioritizes intensity and shock, with a focus on gore over sustained dread, which keeps it engaging in moments but limits its ability to build true horror. Jack Reynor , known for Midsommar and Sing Street , plays the father figure at the center of the chaos. His performance is solid and grounded, fitting well within the expectations of the genre. He brings a level of sincerity that helps anchor the film, even as the story follows a fairly predictable path. His arc plays out in a way that will feel familiar to anyone who has seen possession films like The Exorcist , but ...

Karate Kid: Legends (2025)

Karate Kid: Legends follows a new student stepping into the martial arts world with Jackie Chan returning as Mr. Han, trying to pass the torch once more. Directed by Jonathan Entwistle, best known for The End of the F **ing World* , the tone is strangely uneven. The movie can't decide if it wants to be a heartfelt coming-of-age story or a legacy sequel cash grab. The choreography is passable, but the film lacks the grit and discipline that made earlier entries resonate. It feels more like a corporate product than a passion project. Jackie Chan, who once balanced comedy and heart in Rush Hour and The Karate Kid (2010) , phones it in. The charm and wisdom he brought to Mr. Han over a decade ago are gone. He looks bored, says his lines like he's checking boxes, and barely engages with the story. It's a disappointing return for one of martial arts cinema's biggest legends. Ben Wang, best known for American Born Chinese , plays the new Karate Kid. He’s got presence, bu...