Skip to main content

Joy Ride (2023)

 


Joy Ride is a comedy about a group of Chinese-American women being awkward and girlbosses in China.

Adele Lim tries to recreate her prior success with Crazy Rich Asians with this female-centered comedy. I'm sure there are many cultural references that went over many US audiences, but the intentional comedy scenes weren't landing. The cuts were so quick it was like watching the film through the eyes of an ADHD child. There were many scenes in which you had to suspend your disbelief to make it through. I'm fine with that if the payoff works and there's a laugh, there wasn't.

While Ashley Park is a beautiful woman, she's not that funny. The film also addresses the fact that Park, the actress, is Korean but plays a Chinese woman in the film. Sherry Cola is given the most comedy to work with but she's so insufferable and rude that she just comes off as annoying. Stephanie Hsu probably has the best comedic timing but isn't giving her enough of the lines to really improve the movie. There is another woman in there but she's so inconsequential.

I generally measure comedies with how many times I laugh. It's better directed than some other entries this year, but in terms of comedies, it's pretty bad. I wasn't dreading every moment like I was with Your Place or Mine or Teenage Mutant Ninja Turtles: Mutant Mayhem, but the film exhausted me. Result: D+.


Comments

Popular posts from this blog

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...

The Drama (2026)

The Drama is directed by Kristoffer Borgli  known for Dream Scenario and Sick of Myself. T he film feels determined to present itself as something profound and artistic. Borgli leans heavily into style and ambiguity, but the result is a movie that often feels more interested in appearing meaningful than actually being meaningful. The pacing is hurt by constant quick cuts between scenes, rarely allowing a moment to breathe or an emotion to settle. Just as a scene starts to build momentum, the film jumps somewhere else, making it difficult for any dramatic moment to land with the weight it deserves. Zendaya , known for Dune and Challengers , plays her role with an extremely restrained approach. Unfortunately, the performance often feels one-note, with much of her emotional range limited to variations of frustration and disappointment. Whether this was a directorial choice or an acting one, it creates a distance between the character and the audience that the film never overcomes....

Citizen Vigilante (2026)

Citizen Vigilante is written and directed by Uwe Boll , a filmmaker whose work has always been divisive, and this film continues that trend. The movie tackles issues surrounding immigration, social tensions, and public frustration, themes that have been prominent throughout the decade. Surprisingly, the film often approaches these subjects from a perspective that many viewers may not expect from a major studio release. While the political themes are front and center, the larger issue is that the writing struggles to make the world and its characters feel believable. Conversations often lack the natural reactions people would have in real life, particularly younger characters who accept lectures and speeches with very little resistance or personality. Armie Hammer , known for The Social Network and The Man from U.N.C.L.E. , plays the vigilante and spends much of the film using a gravelly, Batman-inspired voice. He commits fully to the role, and his physical presence works well for th...