Skip to main content

Asteroid City (2023)

 


Asteroid City is a play within a movie about a grieving father and the random people he comes across while being in Asteroid City.

Written and directed by Wes Anderson, who I've grown to appreciate more in my later years. I thought his first movies were pretentious until someone showed me the meticulousness of his films. It is very prevalent throughout the film that every detail was intentional and the pacing of the film is something to be dissected.

Jason Schwartzman plays a different character than I expected him to play after watching the trailer. He was very grounded and the humor was situational rather than wordplay like in his previous Anderson showings like Rushmore and Moonrise Kingdom.

Scarlett Johansson plays up her acting abilities to play a 1950s actress who has to deal with the climate of the era. She is flawed and knows it, and uses it to her advantage. She hasn't been this good since Lost in Translation.

Maya Hawke is in this film. You might know her from Stranger Things as Robin. She's great in the film and makes me totally forget she's just acting. Perhaps it's because of who her parents are. I look forward to seeing her in the upcoming movie called The Kill Room.

There is so much to unpack with this film it's hard for me to give it a grade. I saw it on Thursday but left some time to gestate in my head where it would lie. I think it's a better film than The Super Mario Bros. Movie for obvious reasons, but I think I enjoyed it less. I'm still going to place it above it though because of how great the film is. Result: A.

Comments

Popular posts from this blog

The Running Man (2025)

The Running Man (2025) is directed by Edgar Wright , known for Baby Driver and Hot Fuzz , but this remake lacks the trademark charm, rhythm, and comedic punch that define his best work. The film feels noticeably muted, almost as if Wright was creatively restrained or intentionally holding back, resulting in a tone that is far more conventional than expected from him. The visual flair is still present, but the energy is dialed down and the humor is sparse, creating an experience that feels competent yet oddly subdued. Glen Powell , known for Top Gun: Maverick and Anyone But You , leads the film well and brings his usual charisma to the role. He emotes effectively and fully commits to the character, but the makeup choices surrounding him occasionally distract and left me wondering what the creative team was trying to convey. Still, Powell carries the emotional beats and remains one of the film's strongest assets. Josh Brolin , from No Country for Old Men and Dune , steps comfor...

Frankenstein (2025)

Frankenstein (2025) is directed by Guillermo del Toro , the visionary filmmaker behind Pan’s Labyrinth and The Shape of Water . His style once again blends gothic beauty with emotional storytelling, and his long-awaited take on Frankenstein is everything you’d expect: tragic, poetic, and visually stunning. Del Toro’s passion for monsters and misunderstood souls shines through every frame, making this adaptation both faithful and deeply personal. Oscar Isaac , known for Ex Machina and Dune , gives a grounded and believable performance as the tormented Dr. Frankenstein. He captures the obsession and guilt of a man who has gone too far, balancing intellect with a quiet madness that feels earned rather than exaggerated. Mia Goth , who has proven herself in Pearl and Infinity Pool , continues her run as one of the most mesmerizing modern actors. Her ethereal presence fits perfectly within Del Toro’s world, and she brings depth and vulnerability to a role that could have easily been o...

Christy (2025)

Christy (2025) is directed by David Michôd , known for The King and Animal Kingdom , and written by Mirrah Foulkes , who penned Judy & Punch . While both bring a grounded and deliberate tone to the film, there’s something missing in the pacing and camera. The direction is competent but occasionally flat, leaving certain moments feeling less impactful than they should. Still, the story holds strong thanks to the performances. Sydney Sweeney , known for Euphoria, Anyone But You,  and Madame Web , delivers one of her most mature and layered performances to date. She brings intensity, fragility, and conviction to the title role, proving she’s more than capable of carrying a serious dramatic film. Her emotional control and subtlety make the story believable, even when the writing wavers. Ben Foster , whose work in Hell or High Water and Pandorum  has always stood out, once again shows why he’s one of the most underrated actors working today. His character is despicable, ye...