Skip to main content

Paint (2023)

 


Paint is a comedy involving a painter who dresses very much like Bob Ross but acts like a rockstar.

Written and directed by Brit McAdams, better known for the first years of Comedy Central's tv show Tosh.0. As far as I know he hasn't really done much before this in terms of movies. It shows. There are some issues of pacing and he relies on Owen Wilson's acting to come through but it doesn't hide his writing problems.

Speaking of Owen Wilson, who is the main character Carl Nargle, he seemed to take the role because it was a paycheck and allowed him to be goofy. Also being idolized throughout the film is probably a plus to his ego. I like Wilson's humor that he brings to the film and keeps it from being trash. If it was anyone else in the role I think it would have been horrible.

How do I know it would have been horrible? Well, the movie has a lot of Ciara Renee who has a certain charm that she brings to the role but her acting is still that of CW quality since she's Hawkgirl

Michaela Watkins is also a major character in the film, but she feels so awkward from the bad writing. Her character makes odd decisions that don't really fit the person she was written to be which gives Watkins a sort of guessing game as to the delivery McAdams wanted to see. This film doesn't help her mediocre career. I still need to see Werewolves Within but I have too many movies on my to-watch list.

The film made a guy laugh a lot in the theater but everyone else was silent through those moments. It wasn't as boring as Inside was but it wasn't as good as Shazam! Fury of the Gods. I say those two movies because they're both C- and this film will be placed right between those two. 

Comments

Popular posts from this blog

Paw Patrol: The Dino Movie (2026)

Paw Patrol: The Dino Movie is another cookie-cutter entry in the Paw Patrol franchise, so there isn't much to say about the story itself. This time, the focus is on Marshall, the team's resident firefighter, or perhaps "firedog" in this case. The movie is wholesome and delivers exactly what you'd expect from a Paw Patrol film, even if it doesn't do much to distinguish itself from the previous entries. Mckenna Grace voices Skye, although you would never know it from the performance. Her voice is so normal for the character that Grace's usual presence is virtually unrecognizable. Terry Crews , on the other hand, voices Alistair Stonewall, and you can definitely tell it's him. His recognizable voice and personality come through clearly and make the character more memorable. Snoop Dogg also makes a fun cameo as Dave, the owner of a yacht who enjoys fishing. It's a small role, but his recognizable voice and personality make it a welcome surprise. T...

Sleepwalker (2026)

Sleepwalker is a horror thriller written and directed by Brandon Auman , who quickly reminds us why his career has primarily been in television rather than feature films. Writing for children's television can sometimes get away with simplistic dialogue and storytelling, but those weaknesses become glaring when stretched into a feature-length horror movie. The screenplay is filled with clunky dialogue and predictable horror beats, while the jump scares rarely land. Instead of creating tension, the film repeatedly left me sighing in boredom. Hayden Panettiere delivers a strong performance despite the material she's been given. It's clear that many of her lines weren't written with much care, but she does what she can to make the character feel believable. Knowing this is her final film makes the performance bittersweet, especially because she deserved a much better script to go out on. Fortunately, her performance here doesn't diminish the work she's done in bet...

The End of Oak Street (2026)

The End of Oak Street starts with Anne Hathaway immediately establishing herself as the film's strongest performer, especially when compared to the wooden performance from Ewan McGregor . The premise of a writer struggling with an unsupportive spouse hits close to home for me. The split-focus direction from David Robert Mitchell isn't particularly new or uniquely executed. Instead, it often feels disorienting without accomplishing what I assume was the intention. Mitchell also struggles with the screenplay, as the dialogue can be atrocious at times and boring the rest of the time. This isn't his first failed attempt at writing interesting characters, which makes it understandable why he hasn't written or directed anything in eight years. Anne Hathaway is easily the best part of the film. She brings enough personality and emotional weight to keep the movie watchable despite the material surrounding her. Unfortunately, even Hathaway can't carry the entire film. Ew...