Skip to main content

Paint (2023)

 


Paint is a comedy involving a painter who dresses very much like Bob Ross but acts like a rockstar.

Written and directed by Brit McAdams, better known for the first years of Comedy Central's tv show Tosh.0. As far as I know he hasn't really done much before this in terms of movies. It shows. There are some issues of pacing and he relies on Owen Wilson's acting to come through but it doesn't hide his writing problems.

Speaking of Owen Wilson, who is the main character Carl Nargle, he seemed to take the role because it was a paycheck and allowed him to be goofy. Also being idolized throughout the film is probably a plus to his ego. I like Wilson's humor that he brings to the film and keeps it from being trash. If it was anyone else in the role I think it would have been horrible.

How do I know it would have been horrible? Well, the movie has a lot of Ciara Renee who has a certain charm that she brings to the role but her acting is still that of CW quality since she's Hawkgirl

Michaela Watkins is also a major character in the film, but she feels so awkward from the bad writing. Her character makes odd decisions that don't really fit the person she was written to be which gives Watkins a sort of guessing game as to the delivery McAdams wanted to see. This film doesn't help her mediocre career. I still need to see Werewolves Within but I have too many movies on my to-watch list.

The film made a guy laugh a lot in the theater but everyone else was silent through those moments. It wasn't as boring as Inside was but it wasn't as good as Shazam! Fury of the Gods. I say those two movies because they're both C- and this film will be placed right between those two. 

Comments

Popular posts from this blog

Wuthering Heights (2026)

Wuthering Heights is directed by Emerald Fennell , known for Promising Young Woman and Saltburn , and opens with a striking image that immediately signals this will not be a conventional adaptation of the classic novel. The film remains faithful to several of the book's narrative choices, particularly in how it lingers on the characters' early years before fully embracing the central tragedy. While this approach accurately reflects the source material, the pacing occasionally suffers, with several montages and extended childhood sequences lasting longer than necessary. One element that works especially well is the portrayal of Catherine and Heathcliff's adoptive father, whose volatile temper contrasts sharply with the affection he shows the two children, echoing one of the novel's stronger character dynamics. Margot Robbie , known for Barbie and I, Tonya , delivers one of the strongest performances of her career as Catherine. She captures the character's passio...

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...

Citizen Vigilante (2026)

Citizen Vigilante is written and directed by Uwe Boll , a filmmaker whose work has always been divisive, and this film continues that trend. The movie tackles issues surrounding immigration, social tensions, and public frustration, themes that have been prominent throughout the decade. Surprisingly, the film often approaches these subjects from a perspective that many viewers may not expect from a major studio release. While the political themes are front and center, the larger issue is that the writing struggles to make the world and its characters feel believable. Conversations often lack the natural reactions people would have in real life, particularly younger characters who accept lectures and speeches with very little resistance or personality. Armie Hammer , known for The Social Network and The Man from U.N.C.L.E. , plays the vigilante and spends much of the film using a gravelly, Batman-inspired voice. He commits fully to the role, and his physical presence works well for th...