Skip to main content

Paint (2023)

 


Paint is a comedy involving a painter who dresses very much like Bob Ross but acts like a rockstar.

Written and directed by Brit McAdams, better known for the first years of Comedy Central's tv show Tosh.0. As far as I know he hasn't really done much before this in terms of movies. It shows. There are some issues of pacing and he relies on Owen Wilson's acting to come through but it doesn't hide his writing problems.

Speaking of Owen Wilson, who is the main character Carl Nargle, he seemed to take the role because it was a paycheck and allowed him to be goofy. Also being idolized throughout the film is probably a plus to his ego. I like Wilson's humor that he brings to the film and keeps it from being trash. If it was anyone else in the role I think it would have been horrible.

How do I know it would have been horrible? Well, the movie has a lot of Ciara Renee who has a certain charm that she brings to the role but her acting is still that of CW quality since she's Hawkgirl

Michaela Watkins is also a major character in the film, but she feels so awkward from the bad writing. Her character makes odd decisions that don't really fit the person she was written to be which gives Watkins a sort of guessing game as to the delivery McAdams wanted to see. This film doesn't help her mediocre career. I still need to see Werewolves Within but I have too many movies on my to-watch list.

The film made a guy laugh a lot in the theater but everyone else was silent through those moments. It wasn't as boring as Inside was but it wasn't as good as Shazam! Fury of the Gods. I say those two movies because they're both C- and this film will be placed right between those two. 

Comments

Popular posts from this blog

Obsession (2026)

Obsession is written and directed by Curry Barker , marking the first film of his that I have seen, and it leaves a strong impression. The film builds tension through character-driven horror rather than relying entirely on jump scares or spectacle. It understands how to create discomfort and maintain suspense, allowing scenes to breathe long enough for the unease to settle in. The horror feels confident and focused, delivering some of the strongest scares/scenes since Weapons last year . One scene in particular, the car, was so full of dread that the payoff was so very earned. Michael Johnston plays the timid central character and does an excellent job selling the vulnerability and awkwardness the role requires. His performance feels believable throughout, making it easy to invest in his fear and growing desperation as the situation escalates. Johnston carries much of the emotional side of the film and helps ground the more intense horror elements. Inde Navarrette , known for S...

Mortal Kombat II (2026)

Mortal Kombat II is directed by Simon McQuoid and written by Jeremy Slater , known for Fant4stic , which understandably does not inspire much confidence at first glance. Thankfully, the writing here is a major improvement, delivering a story that is more focused and far more entertaining than the first film. The sequel embraces the chaos and personality of the franchise more confidently, balancing action, humor, and fan service better than its predecessor. While the film still stumbles in places, it feels like a genuine step forward. Karl Urban , known for The Boys and Dredd , easily carries the film as Johnny Cage. His storyline is the strongest in the movie, largely because Urban knows exactly how to play the role with the right mix of arrogance, humor, and charm. He gives the film energy whenever it slows down and feels completely comfortable in the over-the-top world. Adeline Rudolph , known for Hellboy: The Crooked Man  and Chilling Adventures of Sabrina , plays Kitana, t...

Exit 8 (2026)

Exit 8 is directed by Genki Kawamura , who is best known as the producer of Your Name. , though his work as a director may be less familiar. The film leans into a minimalist premise, building tension through repetition and unease rather than large set pieces. It succeeds in creating an atmosphere that keeps you alert, with a structure that slowly reveals its rules and stakes. While the story ultimately comes together in a satisfying way, the journey there can feel a bit too restrained to stay consistently engaging. Kazunari Ninomiya , known for Gantz and Letters from Iwo Jima , carries much of the film on his own. His performance fits the tone well, grounded and reactive in a way that matches the film’s quiet tension. He does a solid job making small moments feel important, though the script doesn’t always give him enough variety to fully showcase his range. Still, he keeps the film watchable even when the pacing slows. Overall, Exit 8 is a well-constructed film that nails its ten...