Skip to main content

Paint (2023)

 


Paint is a comedy involving a painter who dresses very much like Bob Ross but acts like a rockstar.

Written and directed by Brit McAdams, better known for the first years of Comedy Central's tv show Tosh.0. As far as I know he hasn't really done much before this in terms of movies. It shows. There are some issues of pacing and he relies on Owen Wilson's acting to come through but it doesn't hide his writing problems.

Speaking of Owen Wilson, who is the main character Carl Nargle, he seemed to take the role because it was a paycheck and allowed him to be goofy. Also being idolized throughout the film is probably a plus to his ego. I like Wilson's humor that he brings to the film and keeps it from being trash. If it was anyone else in the role I think it would have been horrible.

How do I know it would have been horrible? Well, the movie has a lot of Ciara Renee who has a certain charm that she brings to the role but her acting is still that of CW quality since she's Hawkgirl

Michaela Watkins is also a major character in the film, but she feels so awkward from the bad writing. Her character makes odd decisions that don't really fit the person she was written to be which gives Watkins a sort of guessing game as to the delivery McAdams wanted to see. This film doesn't help her mediocre career. I still need to see Werewolves Within but I have too many movies on my to-watch list.

The film made a guy laugh a lot in the theater but everyone else was silent through those moments. It wasn't as boring as Inside was but it wasn't as good as Shazam! Fury of the Gods. I say those two movies because they're both C- and this film will be placed right between those two. 

Comments

Popular posts from this blog

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...

The Drama (2026)

The Drama is directed by Kristoffer Borgli  known for Dream Scenario and Sick of Myself. T he film feels determined to present itself as something profound and artistic. Borgli leans heavily into style and ambiguity, but the result is a movie that often feels more interested in appearing meaningful than actually being meaningful. The pacing is hurt by constant quick cuts between scenes, rarely allowing a moment to breathe or an emotion to settle. Just as a scene starts to build momentum, the film jumps somewhere else, making it difficult for any dramatic moment to land with the weight it deserves. Zendaya , known for Dune and Challengers , plays her role with an extremely restrained approach. Unfortunately, the performance often feels one-note, with much of her emotional range limited to variations of frustration and disappointment. Whether this was a directorial choice or an acting one, it creates a distance between the character and the audience that the film never overcomes....

Citizen Vigilante (2026)

Citizen Vigilante is written and directed by Uwe Boll , a filmmaker whose work has always been divisive, and this film continues that trend. The movie tackles issues surrounding immigration, social tensions, and public frustration, themes that have been prominent throughout the decade. Surprisingly, the film often approaches these subjects from a perspective that many viewers may not expect from a major studio release. While the political themes are front and center, the larger issue is that the writing struggles to make the world and its characters feel believable. Conversations often lack the natural reactions people would have in real life, particularly younger characters who accept lectures and speeches with very little resistance or personality. Armie Hammer , known for The Social Network and The Man from U.N.C.L.E. , plays the vigilante and spends much of the film using a gravelly, Batman-inspired voice. He commits fully to the role, and his physical presence works well for th...