Skip to main content

Paint (2023)

 


Paint is a comedy involving a painter who dresses very much like Bob Ross but acts like a rockstar.

Written and directed by Brit McAdams, better known for the first years of Comedy Central's tv show Tosh.0. As far as I know he hasn't really done much before this in terms of movies. It shows. There are some issues of pacing and he relies on Owen Wilson's acting to come through but it doesn't hide his writing problems.

Speaking of Owen Wilson, who is the main character Carl Nargle, he seemed to take the role because it was a paycheck and allowed him to be goofy. Also being idolized throughout the film is probably a plus to his ego. I like Wilson's humor that he brings to the film and keeps it from being trash. If it was anyone else in the role I think it would have been horrible.

How do I know it would have been horrible? Well, the movie has a lot of Ciara Renee who has a certain charm that she brings to the role but her acting is still that of CW quality since she's Hawkgirl

Michaela Watkins is also a major character in the film, but she feels so awkward from the bad writing. Her character makes odd decisions that don't really fit the person she was written to be which gives Watkins a sort of guessing game as to the delivery McAdams wanted to see. This film doesn't help her mediocre career. I still need to see Werewolves Within but I have too many movies on my to-watch list.

The film made a guy laugh a lot in the theater but everyone else was silent through those moments. It wasn't as boring as Inside was but it wasn't as good as Shazam! Fury of the Gods. I say those two movies because they're both C- and this film will be placed right between those two. 

Comments

Popular posts from this blog

The Drama (2026)

The Drama is directed by Kristoffer Borgli  known for Dream Scenario and Sick of Myself. T he film feels determined to present itself as something profound and artistic. Borgli leans heavily into style and ambiguity, but the result is a movie that often feels more interested in appearing meaningful than actually being meaningful. The pacing is hurt by constant quick cuts between scenes, rarely allowing a moment to breathe or an emotion to settle. Just as a scene starts to build momentum, the film jumps somewhere else, making it difficult for any dramatic moment to land with the weight it deserves. Zendaya , known for Dune and Challengers , plays her role with an extremely restrained approach. Unfortunately, the performance often feels one-note, with much of her emotional range limited to variations of frustration and disappointment. Whether this was a directorial choice or an acting one, it creates a distance between the character and the audience that the film never overcomes....

Disclosure Day (2026)

Disclosure Day is directed by Steven Spielberg , known for Jaws , Jurassic Park , and Schindler's List , with a screenplay by David Koepp , whose work ranges from excellent efforts like Mission: Impossible and Spider-Man to less successful projects. Unfortunately, this film falls closer to the weaker side of that spectrum. The premise is intriguing, and Spielberg's craftsmanship is still evident in the film's pacing and visual storytelling, but the narrative struggles to capitalize on its potential. As the story unfolds, it becomes increasingly clear that many of its most interesting ideas are left underdeveloped, culminating in an ending that fails to provide a satisfying payoff. Emily Blunt , known for Sicario and Edge of Tomorrow , serves as the film's central character and the key figure around whom the entire mystery revolves. Blunt delivers a professional and committed performance, carrying much of the emotional weight of the story. However, some of the chara...

Michael (2026)

Michael is directed by Antoine Fuqua , known for Training Day and The Equalizer 2 , and this film clearly carries his stylistic fingerprints. It aims to capture the life and legacy of Michael Jackson through a more personal lens, balancing spectacle with intimate character moments. While Fuqua brings a strong visual identity and some powerful sequences, the film struggles with pacing. The editing feels bloated at times, with certain stretches lingering longer than they should, which disrupts the overall flow. Jaafar Jackson , making his debut and known primarily for being the nephew of Michael Jackson , takes on the monumental task of portraying his late uncle. He does an impressive job embodying both the physicality and presence, capturing the voice, movement, and charisma in a way that feels authentic rather than imitative. It is a performance that carries the film and makes it easy to stay invested even when the structure falters. Colman Domingo , known for Rustin and Euphoria...