Skip to main content

Skinamarink (2023)


 

Skinamarink is an experimental horror film with two children haunted by an entity.

The film was written and directed by Kyle Edward Ball. He certainly made some odd choices for his experiment. More than ninety percent of the shots were at around a forty-five-degree angle up or down. So you're constantly looking at feet and legs or corners and tops of doors. You never see the entity that is causing all the issues that are going on and that's more of a writing element than it was a directorial choice.

In terms of writing, there is a ton of symbolism. The film plays with the idea that what if the childhood trauma of your parent's divorce was physically manifested. For instance, the doors and windows disappear with an audio clue and a visual blip. The father and mother can't stand to face their children. That phrase could mean that parents have a hard time justifying their selfishness to their children, but also the movie physically has the parents with their backs to them and they don't stand up from the bed. There are more examples but I enjoyed the symbolism throughout since the film isn't traditional.

I would normally talk about the acting but there really wasn't any.

A horror movie is judged by how scary or unnerving it is. It was certainly unnerving but jump scares don't help as audiences have grown to hate cheap jump scares. The film has a handful and two genuinely unnerving moments.

Shudder distributes the movie and I've been a subscriber to their "Horror-only Netflix" for a while now. To be honest it was one of the reasons I went to see the movie.

This film wasn't made for a broad audience and I'd never want to watch it again. Throughout the movie, you're squinting your eyes trying to see what horror elements are there, and for the most part, there's nothing. I look forward to what Ball does next and his writing-directing was the best feature of the film. That being said I can't recommend this film. People were walking out. The film should come with a warning about its experimental nature. It's pretty bad, D+.

Comments

Popular posts from this blog

Joker: Folie à Deux (2024)

  Joker: Folie à Deux is a comic book musical and sequel to the stand-out hit Joker starring Joaquin Phoenix .   I truly believe that Todd Phillips is trolling the comic book community with this film. It's weird, unwatchable at times, and nowhere near the first film. Even standing on its own without having the film be even considered a sequel it fails. It almost feels like WB was just paying him to make a sequel.  Joaquin Phoneix doesn't phone it in. He just does what he's supposed to do and delivers a performance. He and Lady Gaga are really the only saving grace. While her rendition of Harly Quinn is nowhere near what was expected for a Joker film she still had a memorable but trying performance. Characters you forgot about come back and a few new ones that don't leave any impact other than to just be there and in the film. You see Harvey Dent but there's nothing to his character, partly at fault for hiring a no-name actor in Harry Lawtey  who should stay on TV an

The Wild Robot (2024)

  The Wild Robot is a DreamWorks science function adventure film based on the book series by the same name. Written and directed by Chris Sanders,  the film feels like what Disney used to put out. The writing hits on similar beats like his other work  Lilo & Stitch , The Croods, and How to Train Your Dragon.  There is a definite switch from climax one to climax two and I felt more invested in the later third of the film but not so much at the beginning. There was a tad bit of FurnGully's environmental message in the film but the main message of how to be a mother was front and center. Lipita Nyong'o had to carry the film with help from Pedro Pascal and the best cameo of Bill Nighy . She voiced the robot while Pascal  was the main supporting character of the fox Fink. I've grown tired of Pedro Pascal  but his deliveries were enough for me to ignore my bias'. The worst voice actor was Brightbill's Kit Conner  who must have some connection in Hollywood to land the

Avatar: The Way of Water (2022)

  Avatar: The Way of Water  is the followup to James Cameron's original box office winner Avatar. Continuing Jake Sully's story, now protecting his family from Colonel Miles Quaritch again. Written and directed by James Cameron . The worst parts of the writing probably came from the writers of Mulan, both Rick Jaffa and Amanda Silver. In terms of direction, there was the expectation that Cameron would recreate some sort of magic of Avatar, Terminator 2, or even Aliens. I think Cameron gave the skeleton of the story and Jaffa and Silver added their own dialogue and beats. Cameron doesn't really write boring movies and I was bored through parts of the film. 3 hours and 12 minutes is a long time to have amazing dialogue and writing. Sam Worthington is back but you don't recognize him since he was barely in the first film except in his avatar form. Most people don't know Worthington. Maybe if you played the Call of Duty Black Ops games as he played Alex Mason. I most