Skip to main content

Pearl (2022)


 
Pearl is written, edited, and directed by Ti West. Pearl is a prequel to X which came out earlier this year. 

Ti West had some bold choices when he wrote this movie with Mia Goth. It's certainly fresh when it comes to ideas and difficult to compare it to other movies when it's so unique. How many movies are a prequel set sixty years before the first one about the origin story of a psychopath? There were so many details that were very specific that it's a shame West won't receive an oscar nomination for either of these movies as horror gets snubbed stereotypically. I also had no idea that West did a segment in V/H/S, and his direction makes me want to go watch The House of the Devil, which is still on my list.

Mia Goth has so many moments that will remain in my memory. Her performance is an instant classic and will be a reference material for future film majors. Since she was in both X and Pearl the parallelism between the two characters is just perfect, almost like as if X is now set up for a sequel. Goth is seemingly competing with Jenna Ortega for the next Horror Queen of the 2020s, as they are building up a large body count for horror. You might remember Goth from Suspiria and A Cure for Wellness.

When I left the film I was feeling like this was my favorite movie this year since The Northman. I knew it had to be high on my list. I don't really want to spoil what the movie is about, especially if you haven't seen X yet. I would watch X first if it was up to me. After thinking about which was better or which I enjoyed more The Northman won out as there was one scene in Pearl that kept it from being one of my favorite films. You might, after seeing the film, know which one I am talking about. It involves a scarecrow.

So far it's number two on my list this year and earned the same grade as The Northman. If there are going to be better movies coming out in December like normal I hope Pearl stays in my top ten. Pearl easily earns an A.

Comments

Popular posts from this blog

Exit 8 (2026)

Exit 8 is directed by Genki Kawamura , who is best known as the producer of Your Name. , though his work as a director may be less familiar. The film leans into a minimalist premise, building tension through repetition and unease rather than large set pieces. It succeeds in creating an atmosphere that keeps you alert, with a structure that slowly reveals its rules and stakes. While the story ultimately comes together in a satisfying way, the journey there can feel a bit too restrained to stay consistently engaging. Kazunari Ninomiya , known for Gantz and Letters from Iwo Jima , carries much of the film on his own. His performance fits the tone well, grounded and reactive in a way that matches the film’s quiet tension. He does a solid job making small moments feel important, though the script doesn’t always give him enough variety to fully showcase his range. Still, he keeps the film watchable even when the pacing slows. Overall, Exit 8 is a well-constructed film that nails its ten...

Lee Cronin's The Mummy (2026)

Lee Cronin's The Mummy is directed by surprise-surprise  Lee Cronin , best known for Evil Dead Rise , and his style is immediately recognizable. The film plays less like a traditional Mummy story and more like a modern possession horror with a different skin. It often feels like a “what if Evil Dead involved a mummy,” leaning heavily into familiar genre beats rather than carving out something distinct. The tone prioritizes intensity and shock, with a focus on gore over sustained dread, which keeps it engaging in moments but limits its ability to build true horror. Jack Reynor , known for Midsommar and Sing Street , plays the father figure at the center of the chaos. His performance is solid and grounded, fitting well within the expectations of the genre. He brings a level of sincerity that helps anchor the film, even as the story follows a fairly predictable path. His arc plays out in a way that will feel familiar to anyone who has seen possession films like The Exorcist , but ...

Karate Kid: Legends (2025)

Karate Kid: Legends follows a new student stepping into the martial arts world with Jackie Chan returning as Mr. Han, trying to pass the torch once more. Directed by Jonathan Entwistle, best known for The End of the F **ing World* , the tone is strangely uneven. The movie can't decide if it wants to be a heartfelt coming-of-age story or a legacy sequel cash grab. The choreography is passable, but the film lacks the grit and discipline that made earlier entries resonate. It feels more like a corporate product than a passion project. Jackie Chan, who once balanced comedy and heart in Rush Hour and The Karate Kid (2010) , phones it in. The charm and wisdom he brought to Mr. Han over a decade ago are gone. He looks bored, says his lines like he's checking boxes, and barely engages with the story. It's a disappointing return for one of martial arts cinema's biggest legends. Ben Wang, best known for American Born Chinese , plays the new Karate Kid. He’s got presence, bu...