Skip to main content

Cinderella (2021)

 



Cinderella is a modern take on the classic tale. This time everything is politically upside down.

Written and Directed by Kay Cannon,  Cinderella takes any chance it can to push an agenda. It's nauseating in the forcefulness of the propaganda. It's hard to take any scene that isn't singing seriously. It lives in a dystopian world where anyone who doesn't think progressively like-minded is a fool and shouldn't have joy. The direction is okay, but that's to be expected as she probably picked up some being the producer of the Pitch Perfect trillogy.

Camila Cabello plays Cinderella and her first major film. She can sing and performs well next to her stepmother played by Idina Menzel, who needs no introduction. Surely, she will be in future musicals and I can only hope for one with a better writer.

Pierce Brosnan plays King Rowan and is forceful in his performance but given the point of his character, it's sad to see. Someone had to be the punching bag, and despite having a musical legacy I really wish he was written with more depth.

The writing really wants to be like Hamilton but isn't quite there. There is a reason why this wasn't brought to the silver screen and was left for the digital platform. Only one place was even showing it at the movies. It's not like there is a lot of competition out there right now as there are few films that hit this demographic out there. As a movie that trashes the past, I'd pass this one over and watch my favorite musical Seven Brides for Seven Brothers. 

Result: D- It's a chore to watch and difficult to stomach. Unless you enjoy getting your views validated, avoid and wait for West Side Story later this year.

Labels:

Comments

Post a Comment

Popular posts from this blog

Star Wars: The Mandalorian and Grogu (2026)

Star Wars: The Mandalorian and Grogu is directed by Jon Favreau , known for Iron Man and Chef , with much of the story influence clearly coming from Dave Filoni , known for Star Wars: The Clone Wars and Ahsoka . Unfortunately, the film falls into the same “and then” style of storytelling that hurts many modern franchise films, where scenes feel stitched together without enough meaningful progression. Entire stretches of the movie, particularly long sequences involving Grogu wandering through a forest, feel padded and lacking purpose. Instead of building momentum, the film drifts from moment to moment without ever creating a compelling central narrative. Pedro Pascal , known for The Last of Us and Narcos , once again plays the Mandalorian, though his presence feels strangely limited. It is difficult not to notice how often the character appears disconnected physically and vocally, giving the impression that Pascal himself may not have been involved in large portions of the performa...
Post a Comment
Read more

In the Grey (2026)

In the Grey is written and directed by Guy Ritchie , known for Snatch and The Gentlemen , and the film carries all the style and personality audiences expect from him. The dialogue is sharp, the pacing is confident, and the story constantly moves with a sense of swagger that keeps it entertaining throughout. Ritchie once again proves he knows how to make even familiar action setups feel fresh through his direction and character work. Eiza González , known for Baby Driver and Ambulance , plays the beautiful and manipulative lawyer role perfectly. She brings confidence and charisma to every scene, balancing charm with danger in a way that fits naturally into Ritchie’s world. Beyond just looking the part, she fully commits to the character’s aggressive personality and ends up being one of the film’s strongest presences. Henry Cavill , known for Man of Steel and The Witcher , delivers another very likable performance. His natural charm works extremely well here, especially in the fil...
Post a Comment
Read more

Lee Cronin's The Mummy (2026)

Lee Cronin's The Mummy is directed by surprise-surprise  Lee Cronin , best known for Evil Dead Rise , and his style is immediately recognizable. The film plays less like a traditional Mummy story and more like a modern possession horror with a different skin. It often feels like a “what if Evil Dead involved a mummy,” leaning heavily into familiar genre beats rather than carving out something distinct. The tone prioritizes intensity and shock, with a focus on gore over sustained dread, which keeps it engaging in moments but limits its ability to build true horror. Jack Reynor , known for Midsommar and Sing Street , plays the father figure at the center of the chaos. His performance is solid and grounded, fitting well within the expectations of the genre. He brings a level of sincerity that helps anchor the film, even as the story follows a fairly predictable path. His arc plays out in a way that will feel familiar to anyone who has seen possession films like The Exorcist , but ...
Post a Comment
Read more