Maze Runner: The Death Cure (2018)

Maze Runner: The Death Cure is the third and final film in the Maze Runner trilogy. Here we see Thomas try to find a cure for the Flare.

Director Wes Bell hasn't done anything but the Maze Runner franchise but from what we've seen from this franchise he hasn't done too bad a job. There are some good shots with little technical issues and choices that I wouldn't have done. He's got a project upcoming with Jason Eisener (Hobo with a Shotgun) but other than that I suppose the production companies are just waiting for fan reception.

Dylan O'Brien, also known for Teen Wolf, plays the main character Thomas in the film. He's a suitable and charismatic main character and will probably continue his career as main characters like in American Assassin which he's a chameleon in. The wonders of beards.

Tammy One, Patricia Clarkson, plays Ava Paige one of the antagonists of the film and highest-ranking official of WICKED. Can we all acknowledge how ridiculous an acronym that is? She's foreboding and stoic. I won't spoil what happens with her but if you've read the books you'll see it coming.

One good thing that came out of this movie was Rosa Salazar, I was worried she would be bad in the film. Her performance in this is a selling point for the upcoming Robert Rodriguez film Alita: Battle Angel where she plays the main character.

There is a bit of overacting from a few actors. For instance Barry Pepper, who was great in Saving Private Ryan, but his lines feel forced and wooden in this film. Also, Love Actually actor, Thomas Brodie-Sangster has little to no expression when delivering good lines other times he looks like he's constipated. He tries to be intense but it comes off as overacting.

Result: B (It's a good end to the franchise and I look forward to most of the actor's next movies)

Comments

Wuthering Heights (2026)

Wuthering Heights is directed by Emerald Fennell , known for Promising Young Woman and Saltburn , and opens with a striking image that immediately signals this will not be a conventional adaptation of the classic novel. The film remains faithful to several of the book's narrative choices, particularly in how it lingers on the characters' early years before fully embracing the central tragedy. While this approach accurately reflects the source material, the pacing occasionally suffers, with several montages and extended childhood sequences lasting longer than necessary. One element that works especially well is the portrayal of Catherine and Heathcliff's adoptive father, whose volatile temper contrasts sharply with the affection he shows the two children, echoing one of the novel's stronger character dynamics. Margot Robbie , known for Barbie and I, Tonya , delivers one of the strongest performances of her career as Catherine. She captures the character's passio...

Citizen Vigilante (2026)

Citizen Vigilante is written and directed by Uwe Boll , a filmmaker whose work has always been divisive, and this film continues that trend. The movie tackles issues surrounding immigration, social tensions, and public frustration, themes that have been prominent throughout the decade. Surprisingly, the film often approaches these subjects from a perspective that many viewers may not expect from a major studio release. While the political themes are front and center, the larger issue is that the writing struggles to make the world and its characters feel believable. Conversations often lack the natural reactions people would have in real life, particularly younger characters who accept lectures and speeches with very little resistance or personality. Armie Hammer , known for The Social Network and The Man from U.N.C.L.E. , plays the vigilante and spends much of the film using a gravelly, Batman-inspired voice. He commits fully to the role, and his physical presence works well for th...

The Bride! (2026)

The Bride is written and directed by Maggie Gyllenhaal , whose previous directorial effort, The Lost Daughter , received significant critical praise. Here, however, the film immediately establishes a tone that may divide audiences. Its themes of female empowerment and identity are presented very directly, and the opening moments in particular feel more interested in making statements than introducing characters. The dialogue often aims for poetic or literary weight, but much of it comes across as overly self-conscious, making scenes difficult to follow and preventing emotional moments from landing naturally. Jessie Buckley , known for Hamnet and The Lost Daughter , gives a committed performance despite the material. She fully embraces the physicality and eccentricities of the character, including some of the more exaggerated mannerisms and vocal choices. While those creative decisions may not work for every viewer, Buckley clearly commits to them. Her talent is evident throughout, e...

Movies, Film, and Chili

Search This Blog