Skip to main content

Call Me By Your Name (2017)

Call Me By Your Name is about a young Italian boy who falls in love with his father's research assistant who is also Jewish.

Directorially the film has a few flaws, camera angles, positioning, lighting. This makes me worried about Luca Guadagnino doing the remake of Suspiria. There are dialogue direction problems that are textbook beginner problems, not that anyone will come out and criticizes this film, for fear of being called ignorant. He takes advantage of Italy's beautiful landscape to attempt gorgeous shots but anyone with an iPhone could recreate those shots with a passport.

Timothee Chalamet plays the young Elio. I recognized him from Interstellar for which his role was minor. This is really my first time seeing him as the main character. At first, I disliked his character and then I started to just dislike the writing of his character rather than his acting. Some of the actions his character does are just unrealistic for a character like his.

Armie Hammer plays a flawless character. There is little room for a character arch if the character is already perfect. Sure he's hesitant but I don't consider being cautious a flaw. Armie Hammer does a wonderful job playing the character he was written to have. It's not his fault the dialogue is all over the place. Most of his lines are above average though it's all the filler that's the problem.

You watch, wanting to know where the story is going but have to sit through scenes of just sitting, standing, or piano playing. Shots of the back of people's heads don't allow the actor to display any emotion. If patience is the theme of the movie it did it well because it's testing. The film isn't for everyone and without any real conflict the film doesn't have a story.

Result: C- (It has flaws and an ultimate display of pretentious filmmaking.)

Comments

Popular posts from this blog

Paw Patrol: The Dino Movie (2026)

Paw Patrol: The Dino Movie is another cookie-cutter entry in the Paw Patrol franchise, so there isn't much to say about the story itself. This time, the focus is on Marshall, the team's resident firefighter, or perhaps "firedog" in this case. The movie is wholesome and delivers exactly what you'd expect from a Paw Patrol film, even if it doesn't do much to distinguish itself from the previous entries. Mckenna Grace voices Skye, although you would never know it from the performance. Her voice is so normal for the character that Grace's usual presence is virtually unrecognizable. Terry Crews , on the other hand, voices Alistair Stonewall, and you can definitely tell it's him. His recognizable voice and personality come through clearly and make the character more memorable. Snoop Dogg also makes a fun cameo as Dave, the owner of a yacht who enjoys fishing. It's a small role, but his recognizable voice and personality make it a welcome surprise. T...

The End of Oak Street (2026)

The End of Oak Street starts with Anne Hathaway immediately establishing herself as the film's strongest performer, especially when compared to the wooden performance from Ewan McGregor . The premise of a writer struggling with an unsupportive spouse hits close to home for me. The split-focus direction from David Robert Mitchell isn't particularly new or uniquely executed. Instead, it often feels disorienting without accomplishing what I assume was the intention. Mitchell also struggles with the screenplay, as the dialogue can be atrocious at times and boring the rest of the time. This isn't his first failed attempt at writing interesting characters, which makes it understandable why he hasn't written or directed anything in eight years. Anne Hathaway is easily the best part of the film. She brings enough personality and emotional weight to keep the movie watchable despite the material surrounding her. Unfortunately, even Hathaway can't carry the entire film. Ew...

Sleepwalker (2026)

Sleepwalker is a horror thriller written and directed by Brandon Auman , who quickly reminds us why his career has primarily been in television rather than feature films. Writing for children's television can sometimes get away with simplistic dialogue and storytelling, but those weaknesses become glaring when stretched into a feature-length horror movie. The screenplay is filled with clunky dialogue and predictable horror beats, while the jump scares rarely land. Instead of creating tension, the film repeatedly left me sighing in boredom. Hayden Panettiere delivers a strong performance despite the material she's been given. It's clear that many of her lines weren't written with much care, but she does what she can to make the character feel believable. Knowing this is her final film makes the performance bittersweet, especially because she deserved a much better script to go out on. Fortunately, her performance here doesn't diminish the work she's done in bet...