Skip to main content

The Open House (2018)

Mom and Son have to move into a new home after a tragedy but the twist is that it's their aunt's home and they're trying to sell it. So every weekend there's an open house for people to come in, but did they come out?

The Open House is directed and written by Matt Angel and Suzanne Coote. This is both of their's really first time trying a major movie. Major enough for Netflix to put their name on the title. I watched this with my niece and she loved the first half. I've seen enough horror movies to kinda guess where this one was headed. She was surprised. I suppose that's good writing, but only for a niche crowd.

Dylan Minnette acted as if someone told him, just be a teenager like you were in 13 Reasons Why and Don't Breath. He pauses before he speaks, he consistently has furrowed brows and pursed lips. Don't get me wrong he's a talented actor. He's just pigeonholing himself. I know he has the drive to show range.

Piercey Dalton doesn't sell being a mother, especially a mother who has befallen tragedy. Her lines were delivered with odd rollercoaster emotions and it's weird when the teenager can act better than the mom. She hasn't really been in much and with this performance, I bet she'll continue to go down that path.

There are movies that people try to make thinking "I'm gonna make a movie where no one can guess the ending" and it comes off as insulting and not original at all. The film is one big let down and the jump scares at almost always false ones which most horror fanatics hate. There is only one glimmer of appreciation in the film an that Dylan Minnette.

Result: D+ (One big let down in writing, acting, and delivery. It's not direct to DVD horrible though)

Comments

Popular posts from this blog

Psycho Killer (2026)

Psycho Killer (2026) is a religious-tinged detective thriller that leans far more into procedural tension than outright horror. Directed by Gavin Polone , who is better known as a producer than a filmmaker, the movie benefits heavily from its screenplay by Andrew Kevin Walker , the writer behind Se7en . His fingerprints are all over this. The writing is sharp, layered with foreshadowing that only fully clicks at the end, and structured in a way that constantly feels like it is building toward something inevitable. The gorgeous  Georgina Campbell plays the detective tracking down the titular killer, and she carries the film with confidence. You'll remember her from Barbarian and recently Cold Storage.  The script gives her plenty of emotional range to explore, from controlled professionalism to visible cracks under pressure. She handles the lore-heavy exposition well and grounds what could have been overwhelming backstory. It is another strong showing for her and proof she c...

Cold Storage (2026)

Cold Storage (2026) is a sci fi horror thriller that surprised me in a good way. The writing is solid enough that it actually calmed some of my worries about Disclosure Day coming later this year since the same writer is involved. The story holds together and stays engaging, even when the visuals do not. The CG is laughably bad at times, but the acting/chemistry keeps the movie watchable. Jonny Campbell directs, with the screenplay by David Koepp , known for Jurassic Park and Spider-Man . His writing here is tighter than expected, which is why it gives me more confidence about Disclosure Day. The direction is straightforward and lets the script do most of the work, even if the effects budget clearly limits what can be shown on screen. He needs a redemption after  Indiana Jones and the Crystal Skull. Joe Keery , known for Stranger Things and Free Guy , is the main reason I showed up. He proves he can handle a leading role after Stranger Things and carries the film with a relax...

Crime 101 (2026)

Crime 101 (2026) is a crime thriller that checks the basic boxes of what should work, but the writing never tightens enough to make it compelling. It hits familiar beats, runs longer than it should, and never quite earns its tension. It feels like a good movie outline stretched into a full runtime. Bart Layton , known for American Animals and The Imposter , directs, and his uneven filmography shows here. The structure is serviceable, but the pacing drags and the scenes lack urgency. The direction is competent without being memorable, and the film never finds a sharp identity. Chris Hemsworth , known for Thor and Extraction , plays the reclusive criminal at the center of the story. He tries to lean into a quieter, more internal performance, but he does not fully sell the damaged foster child mentality the script is aiming for. The performance feels like an attempt rather than a transformation. Mark Ruffalo , recognized for Spotlight and The Avengers , feels like he is on autopilo...