Skip to main content

The Open House (2018)

Mom and Son have to move into a new home after a tragedy but the twist is that it's their aunt's home and they're trying to sell it. So every weekend there's an open house for people to come in, but did they come out?

The Open House is directed and written by Matt Angel and Suzanne Coote. This is both of their's really first time trying a major movie. Major enough for Netflix to put their name on the title. I watched this with my niece and she loved the first half. I've seen enough horror movies to kinda guess where this one was headed. She was surprised. I suppose that's good writing, but only for a niche crowd.

Dylan Minnette acted as if someone told him, just be a teenager like you were in 13 Reasons Why and Don't Breath. He pauses before he speaks, he consistently has furrowed brows and pursed lips. Don't get me wrong he's a talented actor. He's just pigeonholing himself. I know he has the drive to show range.

Piercey Dalton doesn't sell being a mother, especially a mother who has befallen tragedy. Her lines were delivered with odd rollercoaster emotions and it's weird when the teenager can act better than the mom. She hasn't really been in much and with this performance, I bet she'll continue to go down that path.

There are movies that people try to make thinking "I'm gonna make a movie where no one can guess the ending" and it comes off as insulting and not original at all. The film is one big let down and the jump scares at almost always false ones which most horror fanatics hate. There is only one glimmer of appreciation in the film an that Dylan Minnette.

Result: D+ (One big let down in writing, acting, and delivery. It's not direct to DVD horrible though)

Comments

Popular posts from this blog

The Ritual (2025)

The Ritual follows a remote convent where demonic possession grips a young girl and forces the clergy to face their darkest fears. Directed by David Midell , known for The Killing of Kenneth Chamberlain , the film sticks closer to traditional horror structure but benefits from a strong atmosphere and a serious tone. The pacing is steady, and while it doesn’t break new ground, it’s well-shot and doesn’t waste time on fluff. It keeps its focus tight and lets the actors do the heavy lifting. Al Pacino , best known for The Godfather and Heat , plays the veteran exorcist brought in for one last case. He gives a weary, grounded performance that doesn’t feel like he's trying to reclaim old glory. He’s calm, serious, and believable. A solid presence from start to finish. Dan Stevens , known for Legion and The Guest , plays a skeptical academic observer. He’s improving with every role and brings just enough tension to scenes without overshadowing others. His character works best when ...

Superman (2025)

S uperman (2025) brings the Man of Steel back to the big screen in a bold, colorful new start for the DC Universe. Directed by James Gunn , known for Guardians of the Galaxy and The Suicide Squad , this might be his second-best film. It finds the right balance between hope, humor, and action without falling into the over-jokey MCU-esque trap. Gunn’s love for the character shines through, and the world feels lived-in and full of potential. David Corenswet , previously seen in Pearl and Hollywood , steps into the cape and owns it. He’s sincere, powerful, and manages to give Superman the warmth that has been missing in recent versions. It’s a classic take that still feels fresh. Nicholas Hoult , known for The Menu and Mad Max: Fury Road , is the best Lex Luthor we’ve had. He plays the character with intelligence and menace, but never turns him into a cartoon. He’s unpredictable in the right way and commands every scene he’s in. Skyler Gisondo , best known for The Righteous Gemsto...

From the World of John Wick: Ballerina (2025)

  From the World of John Wick: Ballerina follows a trained assassin seeking revenge in the familiar but slightly off-center world of Wick's underground. Directed by Len Wiseman , best known for Underworld and Live Free or Die Hard , the film has his usual stylized flair. It feels just different enough from the mainline Wick entries to stand on its own. There’s still that slick gun-fu and neon-drenched worldbuilding, but with a touch more grace and a little less grit. Wiseman’s touch gives it personality without straying too far from the formula. Ana de Armas , coming off action-heavy roles in No Time to Die and The Gray Man , does a great job handling the physicality. The choreography doesn’t pretend she’s stronger than her frame allows. Instead, she’s thrown around like Peter Parker, flipping, dodging, and surviving through skill and speed. It’s refreshing to see an action film acknowledge size and weight realistically. She’s believable, stylish, and focused. Keanu Reeves a...